Uma jovem donzela de uma terra chamada Andalasia, que está preparada para se casar, é mandada para Nova York por uma rainha má, onde se apaixona por um advogado.Uma jovem donzela de uma terra chamada Andalasia, que está preparada para se casar, é mandada para Nova York por uma rainha má, onde se apaixona por um advogado.Uma jovem donzela de uma terra chamada Andalasia, que está preparada para se casar, é mandada para Nova York por uma rainha má, onde se apaixona por um advogado.
- Direção
- Roteirista
- Artistas
- Indicado a 3 Oscars
- 12 vitórias e 51 indicações no total
Julie Andrews
- The Narrator
- (narração)
Jeff Bennett
- Pip in Andalasia
- (narração)
Kevin Lima
- Pip in New York
- (narração)
Emma Rose Lima
- Bluebird
- (narração)
- …
Teala Dunn
- Bunny
- (narração)
Fred Tatasciore
- Troll
- (narração)
Lizzy Mathis
- Tess
- (as Elizabeth Mathis)
Avaliações em destaque
I'm a teenage boy, and the reviews for "Enchanted," along with some friendly persuasion from my sisters, moved me to give this live action/animated combo. a chance. In the first fourteen minutes of Enchanted, there were two things that caught my attention: 1)The never-ending, sugar-coated, sing-along tune and 2) The grainy style of animation that Disney lavished upon the screen(a tribute to the Disney classics, such as Beauty and the Beast and Sleeping Beauty); in this time span, I felt truly embarrassed to be sitting in the theater with the older couples clustered around me. I mean, what kind of boy in his right mind would want to watch a movie with musical numbers and pretty princesses? And yet, there was something about it...the aire of it almost took me back to the days of my childhood when I would smash my face up to the T.V. screen, when Belle and the Beast were having their unforgettable ball dance or when Ariel was brushing her hair with a fork. It was these sorts of memories that surfaced to my mind as I kept watching Enchanted. And it kept getting better and better. When there was a sudden switch to live-action, my heart was captured by Amy Adams, who seems to be, in my opinion, the finest choice for Giselle. Prince Edward and Robert also had their perfect fits (James Marsden and Patrick Dempsey). Even though this movie is close to perfect, it still has its problems. There is an aire of predictability in the storyline, as well as the fact that it's swamped with clichés (some of which are fresh, and some of which are flat). Yet it flows on, innocently, with its strong actors/actresses, decent-enough screenplay that gives you a warm feeling in your heart (which is what Disney is supposed to do, right?), spectacular music numbers that have charm, and the fact that it is suitable for all ages. There is a little something for everyone in this film--and it's not just a film either--it is a time-machine back to the golden era of Disney's animated films, and its live-action ones as well. And it helps me look forward to the new Disney: one that keeps surprising me more and more every single day.
In honor of the Thanksgiving holiday, I will post a family film review. Who better to deliver in that genre than Disney with their new animated/live action hybrid Enchanted. This movie is very cute and quite good at being both wholesome for the kiddies and tongue-in-cheek for the adults. You need to appreciate a studio being able to poke fun at itself. By using the classic stories of Cinderella, Snow White, and Sleeping Beauty, all made famous in their own right by the Mouse House, we are given some big laughs. The acting is very self-referential and broad as far as the fairy tale roles that make the journey into our world's New York City go. Screenwriter Bill Kelly gives the cast some great lines and set pieces to play in, ultimately showing us that the storybooks aren't always right. True love does exist, but not necessarily with the one you first think. The message is good, the songs are good, the animation and acting are goodDisney came through with this one. Along with Meet the Robinsons, Mickey and friends may be turning the ship around into a new renaissance.
We are ushered into the story with some 2D animation of Giselle, a pretty girl looking for her Prince Charming. That man is in fact Prince Edward, recently being led by his stepmother's henchman to battle ogres and partake in adventure to keep his mind off a wife. You see if he marries, Queen Narissa loses her crown and he becomes King. She is having none of that and will cross into evil stepmother/queen/hag territory to trick Giselle into falling through a portal to our world. Now a fish-out-of-water, she must find her way back to her love, that eventually comes looking for her along with her best friend Pip the squirrel and the evil witch's lackey Nathaniel. It is on this path that she runs into divorce lawyer Robert Philip and turns both his and her life upside down.
I love how the fantasy world comes into ours so awkwardly. Giselle's ability to call on all the animals of her meadows allows her to do the same in NY, only the creatures she gets are rats, pigeons, cockroaches, and fliesyet they all do the work anywayit's priceless. Also, when she breaks into song, all the people on the streets join along and have a blast being part of the huge choreographed numbers. Her innocence is very precious and trying new things always gets her new lawyer friend in trouble, yet helps those in her wake. Patrick Dempsey plays that friend to great effect. He sees what she is doing and can't help but fall for her joyful, inability to see cruelty in the world. Playing the straight man to her craziness leads to wonderful moments of laughter as well as those full of poignancy and compassion, giving the kids in the audience something to think about and lessons to learn.
While Dempsey's evolution as a man is something to appreciate, it is the transplants that shine. Amy Adams and James Marsden play Giselle and Prince Edward respectively. They bring the happy-go-lucky mentality of Andalasia to our disenchanted realm. The over-acting is great and the culture shock fantastic. Adams is gorgeous and has the chops to make the aloofness work, but also change later on into a human being that sees what reality brings. When she tells Edward that she was thinking instead of singing, his reaction really hits home on the vast void between storybook fantasy and the real world. As for Marsden, his childish actions are truly funny; a borderline simpleton, he believes in chivalry and when he is told a suspected villain is really a friend, he just flips a switch and is OK with it. His smile is infectious and his vacant expressions indispensable to the film working on the dual levels it does.
Everything works here to bring a wonderful family-friendly story to life. Complete with its pop-up book bookends, Enchanted is truly magical. I don't know how it could ever have worked as a complete animated work, as I have read it originated as, so thankfully they took the plunge to expand it with live action. Crossing between the two worlds is seamless2D characters turned into humans or 3D computer generated animals. With many instances ripe for a wrong turn, the filmmakers seem to come to all the right decisions. Working in older Disney yarns and playing each story thread to its effective conclusion leaves us with a tale that could become a classic amongst the ones it appropriates. So, if you are looking for a way to spend a couple hours with the whole family, Enchanted is definitely a great way to go.
We are ushered into the story with some 2D animation of Giselle, a pretty girl looking for her Prince Charming. That man is in fact Prince Edward, recently being led by his stepmother's henchman to battle ogres and partake in adventure to keep his mind off a wife. You see if he marries, Queen Narissa loses her crown and he becomes King. She is having none of that and will cross into evil stepmother/queen/hag territory to trick Giselle into falling through a portal to our world. Now a fish-out-of-water, she must find her way back to her love, that eventually comes looking for her along with her best friend Pip the squirrel and the evil witch's lackey Nathaniel. It is on this path that she runs into divorce lawyer Robert Philip and turns both his and her life upside down.
I love how the fantasy world comes into ours so awkwardly. Giselle's ability to call on all the animals of her meadows allows her to do the same in NY, only the creatures she gets are rats, pigeons, cockroaches, and fliesyet they all do the work anywayit's priceless. Also, when she breaks into song, all the people on the streets join along and have a blast being part of the huge choreographed numbers. Her innocence is very precious and trying new things always gets her new lawyer friend in trouble, yet helps those in her wake. Patrick Dempsey plays that friend to great effect. He sees what she is doing and can't help but fall for her joyful, inability to see cruelty in the world. Playing the straight man to her craziness leads to wonderful moments of laughter as well as those full of poignancy and compassion, giving the kids in the audience something to think about and lessons to learn.
While Dempsey's evolution as a man is something to appreciate, it is the transplants that shine. Amy Adams and James Marsden play Giselle and Prince Edward respectively. They bring the happy-go-lucky mentality of Andalasia to our disenchanted realm. The over-acting is great and the culture shock fantastic. Adams is gorgeous and has the chops to make the aloofness work, but also change later on into a human being that sees what reality brings. When she tells Edward that she was thinking instead of singing, his reaction really hits home on the vast void between storybook fantasy and the real world. As for Marsden, his childish actions are truly funny; a borderline simpleton, he believes in chivalry and when he is told a suspected villain is really a friend, he just flips a switch and is OK with it. His smile is infectious and his vacant expressions indispensable to the film working on the dual levels it does.
Everything works here to bring a wonderful family-friendly story to life. Complete with its pop-up book bookends, Enchanted is truly magical. I don't know how it could ever have worked as a complete animated work, as I have read it originated as, so thankfully they took the plunge to expand it with live action. Crossing between the two worlds is seamless2D characters turned into humans or 3D computer generated animals. With many instances ripe for a wrong turn, the filmmakers seem to come to all the right decisions. Working in older Disney yarns and playing each story thread to its effective conclusion leaves us with a tale that could become a classic amongst the ones it appropriates. So, if you are looking for a way to spend a couple hours with the whole family, Enchanted is definitely a great way to go.
First off, I want to say that, there is a comment on this thread where someone calls Enchanted disturbing, should be rated R, etc. It is obvious she did not see the film. This reviewer is high, and, this review should be removed.
Enchanted was a surprisingly great, fun modernized Cinderella tale, including 3 show- stopping musical numbers where the test audience applauded after each song.
Amy Adams is perfect, James Marsden, once again, as he was in Hairspray, was very appealing. I felt Patrick Dempsey was good, if not a tad old for the part, and, his fiancé was OK, nothing spectacular. (in fact, I feel this movie would have worked a bit better if Dempsey had a good girl "friend" vs a fiancé).
That being said, I loved the message this movie teaches to children, that is, get to know someone before saying "i do" (as is the message with way too many princess movies, and is the reason why too many suffer youthful failed marriages.
Enchanted was great fun, and very funny! A must see!
Enchanted was a surprisingly great, fun modernized Cinderella tale, including 3 show- stopping musical numbers where the test audience applauded after each song.
Amy Adams is perfect, James Marsden, once again, as he was in Hairspray, was very appealing. I felt Patrick Dempsey was good, if not a tad old for the part, and, his fiancé was OK, nothing spectacular. (in fact, I feel this movie would have worked a bit better if Dempsey had a good girl "friend" vs a fiancé).
That being said, I loved the message this movie teaches to children, that is, get to know someone before saying "i do" (as is the message with way too many princess movies, and is the reason why too many suffer youthful failed marriages.
Enchanted was great fun, and very funny! A must see!
There is little more I could add to the stellar comments and reviews for this film. While it is not perfect (probably some expository songs were cut out to reduce time, particularly in the case of secondary characters), it left me smiling and happy, and I even bought the soundtrack on iTunes. One thing I didn't notice mentioned (probably it was noted elsewhere) was that in the beginning Giselle and Edward defeated an evil troll. Isn't this a reference to the upstart Shrek? I love how, instead of making fun of Disney lore this film gently nudges it and updates it. I hope the very tired Disney fairy tale mocking genre is slain by this film.
'Enchanted' looks like a movie that a guy would never be seen at. C'mon, it's another Disney princess, and just looks pretty girly, right? Well, this is true. But it is funny enough to make both males and females enjoy a film where Disney pokes fun at their own masterpieces in the form of a Cinderella, Snow White, or Sleeping Beauty.
Princess Giselle leaves the cartoon world for the real world, and has a whale of a time adjusting to the harsh realities of a life other than "happy ever after." This is where the movie is at its best, as Amy Adams is very funny and cute playing a princess who must adjust to life in New York City while bringing her very own charm to the real world, and teaches lessons about true love while also learning important aspects of relationships from the man who is lucky- or unlucky?- enough to have found her.
The ending is kind of weird, but that's not to spoil a movie that is for the most part refreshing in its premise and delivers plenty of genuine laughs. 3/4 stars
Princess Giselle leaves the cartoon world for the real world, and has a whale of a time adjusting to the harsh realities of a life other than "happy ever after." This is where the movie is at its best, as Amy Adams is very funny and cute playing a princess who must adjust to life in New York City while bringing her very own charm to the real world, and teaches lessons about true love while also learning important aspects of relationships from the man who is lucky- or unlucky?- enough to have found her.
The ending is kind of weird, but that's not to spoil a movie that is for the most part refreshing in its premise and delivers plenty of genuine laughs. 3/4 stars
Você sabia?
- CuriosidadesWhen Edward is on top of the bus, the people riding on tour buses next to him laughing and pointing at him weren't extras, but real tourists.
- Erros de gravaçãoRobert's secretary Sam admits she can't find the place that Giselle comes from - Andalusia, Andalasia, whatever. Although she's called every travel agent and every airline, she doesn't even know if it's a country or a city. Weirdly, it seems that no travel agent or airline has informed Sam that Andalusia (with its beautiful and historic capital Seville) is a large territory of sunny southern Spain, making this a major European tourist destination.
- Citações
Prince Edward: Thank you for taking care of my bride, peasants.
- Cenas durante ou pós-créditosInstead of fading out on Cinderella's castle as the Walt Disney Pictures logo usually does, it instead zooms in onto a window of the tallest tower of the castle where the book of "Enchanted" is kept.
- ConexõesEdited into Enchanted: Deleted Scenes (2008)
- Trilhas sonorasTrue Love's Kiss
Music by Alan Menken
Lyrics by Stephen Schwartz
Produced by Alan Menken and Stephen Schwartz
Performed by Amy Adams and James Marsden
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Enchanted
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 85.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 127.807.262
- Fim de semana de estreia nos EUA e Canadá
- US$ 34.440.317
- 25 de nov. de 2007
- Faturamento bruto mundial
- US$ 340.487.869
- Tempo de duração1 hora 47 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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