Dreaming Lhasa

a movie like a song. about mixture of present and past. about exile and images from motherland. about roots and duties. about love, search of sense, people and their chain of shadows, about truth and its price. a story about Tibet but in special manner. not exactly a manifesto or new pledge against Chinese occupation. only definition of pain out freedom. the message is universal. and the delicate science to present a trip, gestures, words, meetings of two people - a woman from USA, a man from Tibet, each in space of Dharamsala, each piece of a way, each master of many questions , profound desires, and fundamental revelation. the virtue of film - courage of good measure. gentle form of tale. and art to be far from any exaggeration. a film like a song. Tibetan song. with so many nuances!

I saw this film at the 2005 Toronto International Film Festival. Resonating soundtracks, beautiful cinematography and original story brought alive a story of two lost souls struggling to find the past/truth that they fear to uncover. The directors picked an interesting angle to look at how the Tibetan exile community continues to fight for their land and at the same time deals with the temptations from the "outside" world. Shot along very scenery Tibet-India border, the setting alone was worth to watch.

On the down side, unfortunately the leading actress still has a long way to go before reaching the same performance level as the rest of key cast members. Also the pacing was great at the beginning, but somehow went flat towards the end.

Great job for a low-budget film.

Under the guise of a simple plot -- Tibetan woman living in the West comes to Dharamsala, India and becomes involved in the search for a missing Tibetan man -- the film forces us to return to the sad story of Tibet.

Starting with the invasion by China in 1949 and stretching to the political crackdown of 1987-88, we are reacquainted with the problem of Tibetan refugees, the Dalai Lama being the best recognized of them. We see a little of the life of those refugees in India. We get to meet four past political prisoners and the treatment and torture they suffered in the hands of the Chinese occupiers.

This is not a documentary, but at the political level it works as one.

In "Dreaming Lhasa," a young American filmmaker goes to India to make a documentary on the Tibetan monks who have been living in exile in that country ever since the Chinese invaded their nation and overthrew the Dalai Lama nearly sixty years ago. A Tibetan native herself, Kharma temporarily puts her film on hold so that she can help one of the refugees in the area locate the whereabouts of another monk who disappeared during a protest rally in 1987.

Though "Dreaming Lhasa" feels only half-formed at times in terms of storytelling and characterization, the unhurried, contemplative rhythm of the film nicely captures the flavor of the setting and the nature of the theme. While Tenzin Chokyi Gyatso occasionally lacks projection and confidence as an actress (though at times she is very good), Jampa Kalsang, the actor playing the monk, centers the movie with his quiet stoicism and gravity.

This heartrending subject could probably do with a more passionate treatment, but the quiet serenity of "Dreaming Lhasa" is not without its special rewards as well.