Sangue Negro

This is a compelling family drama charting one man's rise and fall as he ruthless exploits oil in the American west. It has everything you could want from a great Hollywood movie: subtlety, excellent acting, a thoughtful and intelligent script and quite wonderful cinematography.

It's a film in which the oil is a supporting character in itself, and the series of unfortunate deaths and accidents that beleaguer our leading man reminded me of Emile Zola's excellent novel, Germinal. Daniel Day-Lewis gives another assured performance here, living and breathing rather than merely acting his role, and watching his growing feud with the slimy preacher is the stuff of great cinema. All in all a wonderful, epic film, old fashioned in the best possible sense.

PT Anderson's name already means something, or I should say something else. His self assuredness alone gives me shivers. A modern artist with such clear and severe vision of the world. Boogie Nights, Magnolia, even Punch Drunk Love have an Wellesian disregard for what's in or out. His films are landmarks that may infuriate some, confuse others and mesmerize the rest of us. Here, with the rigorous tale of an impervious oil man, PT Anderson outdoes himself. He has Daniel Day Lewis as his accomplice in a performance that would be as difficult to match as it is difficult to describe. There is a monstrous beauty here that not even a broken nose can disguise. The saga is filled with long silent moments of tension that take place in a cinematic canvas and an actor's head. PT Anderson must have known that this was going to be, not only not a mainstream opus but a hard pill to swallow. I for one stand up to applaud his daringness.

There's a prospector by the name of Daniel Plainview, a weathered type of soul, after all the things he's been through, now he's come across some oil, underneath Californian soil, and he's planning to extract, withdraw, accrue. He has a son that he acquired after a blow, now where he goes, young H. B. will also go, as he supports his father's hand, acquiring most of the scrub land, with the knowledge of the flow that sits below. But a preacher seeks to meddle, interfere, and Daniel Plainview's disinclined to be so dear, H. B's deafened by a boom, a long lost brother finds a tomb, there's no salvation, when your life's so insincere.

Two of the finest cinematic characters you'll encounter.

The year I was born was the same year Predator and Robocop came out. When I was finally old enough to appreciate films, Little Nicky was in theaters. I know, believe me, I know; rocky start. And often I would watch older films, or specials on older films, and be dazzled. You know the ones. Remember when they made Spartacus? Remember sitting in the movies and watching Gregory Peck play Atticus Finch in To Kill A Mockingbird? Remember the first time you heard "I could've been a contender" through theater speakers? Well I sure as hell don't. But I'll tell you what, now I feel somewhat caught up. Let's begin with the obvious. Daniel Day Lewis. No one's arguing about this. The man is a veritable God among ants on the screen. He takes his role by the reigns and I don't doubt him for a second. In fact, at times, I was downright afraid of the man. Lewis gives what is easily, EASILY the best performance of the past five years. But let's get serious about it. Lewis' Daniel Plainview is the most convincing, awe-inspiring, and downright mortifying character to take the big screen that I can remember. Here, perfectly in his element and at his best, Lewis could go toe to toe with Brando and Kinski, playing a part that oozes enough skill and pathos to earn him a place among Hollywood's, and perhaps the world's, greatest performances of all time. He gives those of us who missed out on the craft, depth of character, and technique of classic cinema a chance to admire a tour de force portrayal of a memorable, identifiable, and completely despicable character, and it's so damned refreshing that I can't stop singing the man's praises. Paul Dano has been taking a lot of fire for this whole thing. People continue to spout their disapproval of the film's casting, saying that Dano has no business rivaling the seasoned Lewis on the screen. Listen, lay down your swords a minute and consider the obvious. The guy was cast opposite the performance of the decade, he's not going to outshine Lewis and you'd be crazy to expect him to. In fact, I think that he and Lewis' back-and-forths are the films highlights, as we see the juxtaposition not only in the characters themselves, but also in their acting techniques. And the cinematography? Welcome to the old days of film. The glory days of Hollywood. Anderson gives us one of the most beautifully shot and directed films in recent memory, truly at the top of his craft on this one. Every moment feels more epic than the last, until the film becomes such a towering cinematic spectacle that the end leaves the viewer exhausted. It's truly an experience not to be missed. Yeah, we missed out on A Street Car Named Desire. And Casablanca isn't gonna be in theaters again any time soon. But in the meantime, There Will Be Blood is just about as good, and will likely haunt our generation as much as the Hollywood studio epics of the past...

Who is Paul Thomas Anderson? There is something about him that does't belong to this earth. That could be a compliment or not, it's all up to us. That's what make his cinema so damn unique. At the end of the day it's all up to us. But the abrasive way in which he visits universes and throws his views to us is so powerful, so arrogant, so enthralling, so infuriating that the experience leaves you baffled and suspicious. but also enchanted, transformed. Here, Daniel's saga could very well be the saga of a Hollywood maverick. So little time for sentimentality. Daniel Day Lewis seems to understand it all and he adds his unmistakable humanity to another monster, after his butcher in Gangs Of New York. His performance goes beyond anything we've seen recently anywhere. From Upton Sinclair to Paul Thomas Anderson via Daniel Day Lewis an unmissable work of art.