Qing dian da sheng

Flattering comparisons have been made between this holiday 2005 special effects bundle and Steve Chow's seminal Journey to the West rendition of the Monkey King legend, a film now over ten years old. While some similarity does come to pass, the awkwardly-titled newer film has more to do with stuff from the first half of this decade, namely goofball comedies like The Lion Roars and Himalaya Singh. And when we tell you that Tall Story's not even as accomplished as those, that should be enough to seal its fate and consign the thing to that dubious realm of half-baked movie projects hovering somewhere between the recycle and bargain bins.

Not wanting to be harsh, really, but how can we possibly gloss over a meager story that's clearly never intended to become anything remotely attractive, instead playing distant runner-up to visual stimulants that, quite frankly, not only seem like true lifts out of Tsui Hark's Legend of Zu (2001), but also add nothing to the pantheon of video bonanzas when considering much older fare, to wit Storm Riders (yes, some eight years ago if memory serves us right).

Indeed, Tall Story compiles various components in a feeble attempt to sway audiences, but sadly possesses nary a bona fide element worthy of acclaim, save perhaps for the surprising amount of gore evident throughout. Considering its kid-friendly rating, one must surely feel satisfied with the producers' decision to go ahead and include several instances of such sheer carnage.

The main issue with Jeff Lau's latest project is that, unlike his own heartfelt but humorous Chinese Odyssey 2002, Tall Story plays out a connect-the-dots scenario, thus leaving folks with almost no tangible merits to cling on to. And with its focus on effects not coming up roses due to their rather formulaic execution, the movie perhaps could have hoped for increased reliance on a strong cast. Alas, it has none.

Nicholas Tse flies in from leftfield in his second release of the season, hot on the heels of also-ran, likewise-failed The Promise. Here reformed rebel Tse plays naughty Buddhist monk Tripitaka, on a pilgrimage to hallowed city Shache, which turns out to be yet another stereotypical portrayal of what moviegoers in China today are supposed to expect India to look like. Thus, the place comes nestled around some hills and you get people dancing in the streets to the merry tune of off-screen snake tamers. Whoa, as Neo would probably have quipped.

Tirpitaka's in town with his apostles, or hangers-on, questing to obtain ancient knowledge on their way to nirvana. The three stooges accompanying him (Steven Cheung, Chen Bo Lin and Kenny Kwan) could have passed for the Monkey King's posse were they actually good for anything, but as the picture stands all receive very little play and produce next to no effect.

Later monk and holy city come under attack from nefarious evil forces known as the Tree Spirits, although they don't mind being called Insomnia, 'cause that's the baddie from Legend of Zu, their obvious source of "inspiration". At least these mean, ugly bastards look passable on screen, more than can be said for much of the film's video contingent.

Literally shot out of harm's way, Tripitaka falls into the custody of a deviant clan of reprobate imps, especially assigned caretaker Meiyan, who's under orders from her mom to eat the pilgrim for his fountain of youth-like flesh. Meiyan's cavewoman visage should be enough to send anyone packing, and we're meant to observe her as the embodiment of everything repulsive (played by Charlene Choi of Twins, and hey, we're not saying anything). Naturally, as the would-be plot progresses, that turns out to be quite misleading.

Mostly, the bulk of this story revolves around Tripitaka and the nasty, devilish imps as they try to subvert him away from righteousness. This leads to numerous gags and routines that truly arrive at scant funny conclusions. Even likable Isabella Leung (Bug Me Not) makes no difference at all.

Other influences on the story include a spacefaring, aristocratic beauty (Fan Bingbing) who returns to earth in order to combat the overzealous Tree Spirits with her armada of googley-eyed Ultraman clones. Again, these guys do look OK, and also serve to garnish Tall Story with its much-vaunted SF categorization, something most genre-purists, understandably enough, have been balking (and hurling) at.

Additionally, we witness one slightly courageous scene where Tripitaka, a prettified Meiyan (now looking like Charlene Choi minus the heavy makeup, and hey, we're still not saying anything) plus everyone else takes on the Yellow Emperor himself. On the off-chance Lau wants us to deem it as some sort of sly political comment, well, all the more power to him, but it remains highly doubtful.

That about sums up the extent of A Chinese Tall Story, and here's hoping the next one soars taller. It's too bad the last big HK release of the year doesn't deliver on its promises of action, laughs, frights and CG superlatives. With a bland, often dragging, storyline, characters that don't really go anywhere and sights of a distinctly average persuasion, we can't honestly issue a recommendation, and it doesn't matter if the folks involved in this project wanted it to come out right and gave their best.

And shouldn't it have been a tall tale, anyway? Rating * * 1/2

STORY Chinese Tall Story tells the story of righteous monk Tripitaka, who, along with his guardians Monkey, Sandy and Pigsy make their journey west on a quest to recover ancient Sutras, finally, they reach the final leg of their journey in Shache City But all is not as it seems when the city is attacked by evil tree demons. Monkey tries his best to battle them but is overwhelmed, knowing his master is in grave danger, he uses his trusty golden staff to thrust Tripitaka to safety.

The monk ends up being knocked out when he land and when he wakes up he finds himself in the presence of a young lizard imp named Maiyan who takes quite a shine to our young hero, after many verbal misunderstandings Maiyan becomes convinced Tripitaka loves her, so when the monk decides he must rescue Monkey and the others, she insists on accompanying him. So the mismatched pair begins their adventure together.

REVIEW Okay, so, it's another Journey To The West movie, which isn't a bad thing to me since I love the story and the characters associated with it, so I was a little excited to get my hands on the DVD. So I think I'll start off my review with the story, which is all over the place, at first it was your standard fantasy film, then it became a ridiculous comedy then suddenly became full blown sci-fi, if the director Jeff Lau was experimenting with mixing genres then he did a pretty scatological job with this movie. I think it's a pretty unique approach by having the story centre on a character other then the infamous Monkey King, especially taking a character as pacifistic as Tripitaka and then putting him into what is at it's core a love story. So overall, I liked it.

The acting is for the most part solid, with leads Nicholas Tse and Charlene Choi putting in some really good performances, though Ah Char does spend most of her screen time behind some rather ugly make up. The supporting cast is nicely put together, it includes all the usual EEG main stays so Boy'Z and Isabella Leong make appearances, one actor I'd like to mention is Wilson Chen, who plays the Monkey King, he did a good job with the limited material he seemed to have been given, he played a version of the Monkey King who was subdued yet arrogant, I had a feeling he'd be retreading Twins Effect II territory but fortunately that's not the case here. I hope he gets to do a follow up to this with himself in the central role, since the film does leave itself open for a sequel.

Okay, so let's get down to the directing, which again is kinda all over the place, Lau gives too much time to the Stephen Chow-esquire nonsense comedy, which includes a scene where Tripitaka in order to toughen himself up, dresses up as Spider-Man, which I assume lead to many a head scratching moment since the film is meant to be set in Ancient China. He does create some really nice and tender moments between the two leads and does delve into sappy territory but this reviewer does enjoy a bit of sap on occasion so it didn't bother me in the slightest.

Right, now onto the CGI, which for the most part is quite bearable, there are a lot of moments which probably belong on a PS2 like many other reviews have stated but there are some cool moments particularly the scene in which Monkey battles a flying minion. A lot of the CG gags are provided in the form of the golden staff which turns into a range of different things, ranging from a giant fly swatter to a mech suit straight out of The Matrix Revolutions. So yeah, it sounds crazy but I guess you'd have to see it to believe it.

Right, so in closing A Chinese Tall Story isn't a movie without it's flaws but it keeps itself together long enough to be able to entertain and generally be a overall enjoyable movie. If all of the above doesn't swing you to see it how about I put it this way, it's much better then Twins Effect II.

The one line review of this movie is silly and confusing.

This movie has romance, action, fantasy and comedy but seriously misses good storyline.

Acting is over the top and sometimes irritates you and so as CGI.

A silly confusing boring movie.

If the description:

...then the angel flew into the tree demon's mouth, and her golden staff turned into a gatling gun wielding robot which proceeded to shoot down the evil demon birds...

sounds intriguing, then this is a movie for you!

This CGI infused tale travels between the realms of fantasy and science fiction with a very confusing, but ultimately enjoyable result. The plot follows the exploits of a young monk traveling with an ugly demon, and the love that blossoms between them. Their quest to rescue one of the monk's companions takes them from earth to heaven through time and space.

The story is fairly confusing, mainly due to the ever stranger plot twists, so its best just to sit back and watch without trying to make too much sense of things. The movie relies heavily on CGI effects, but no more than the Matrix or Star Wars movies. The two leads are likable, and they encounter many interesting characters along their journey. There are a few tongue in cheek moments, but thankfully the characters don't interact with their audience.

Make no mistake, this movie is often very weird, and goes beyond the realm of 'serious' fantasy movies, but it stays away from being too silly, making it a pretty enjoyable experience.

Is this a game FMV or a movie? In all honesty, I watched this one out of "choice-less-ness". It is a very big waste of time and money.

It seems HK movies are heading in the opposite direction of the rest of the world.

Try to put more effort and money into a production and make us want to watch, rather than something you want us to watch.

The graphics are so horrible than they looked like something out of the early to mid-90s low resolution games (in comparison to today's).

The way they made this movie is almost exactly what they did in the 90s' Wing Commander game, namely the third installment of the series. Stop regressing and make us Asian look so bad at this compared to the big guns in Hollywood.

Sure! They have big budgets and better actors. But we have some of the oldest histories, the myths and the legends, the best technophiles and possibly the largest computer graphic talent base in the world! So what went so very very wrong? Did you start using the same old companies that have been working with you for so many films?! Please stop wasting our time and money. This is the reason why HK movies are heading downhill so rapidly. Didn't you claim to be the Hollywood of the Orient? Guess not.