Half Nelson

Dan (Ryan Gosling) is a drug-addicted high school history teacher. Drey (Shareeka Epps) is one of his students, who can see herself possibly following in her brother's footsteps and working for a local drug dealer. Dan and Drey strike up a friendship.

Dan is a smart, fundamentally decent man leading a life of quiet desperation. His ex-gf, Rachel (Tina Holmes), tells him that some people get better, and Dan is adamant in his response. Not him. Change is not for him. To another girl, he explains how he tried rehab, but it doesn't work for him. And yet Dan's desire for change is shown in his lessons to his students. He constantly describes opposites - up and down, left and right - and talks about change. From one breath to your next breath, change has happened. And yet Dan's affliction just provides more and more of the same.

The film is all about Ryan Gosling, who gives us a complete portrait of his character. You just can't take your eyes off of this guy. Whether babbling under the influence or talking with real passion to his students or just sitting quietly saying nothing at all, Gosling shows us a man, who has a lot to give, but is held down by his affliction. The out-of-nowhere flashes of humour and the many moments of vulnerability completely endear us to Dan. His friendship with Drey arouses moral instincts in him that brings his self-loathing and helplessness more to the surface. We understand Dan, and our understanding of him is mirrored in the eyes of all the supporting characters, played out by a perfect ensemble cast. So much is conveyed just in the briefest character exchanges.

So the film succeeds with strong performances and making sure all the pieces fit together with respect and care. And yet the finished puzzle isn't really as gripping as it should be. Maybe because we've been through this material before, or maybe because this is a film that lives through its many small moments and observations. With tense character-driven material like this, I was sort of expecting more flash and meltdown, but this isn't that sort of film. This is a film, where you can admire the focus, commitment, and quality, but its a slow burn - not a big jolt to the system.

Ryan Gosling made happen what happens only once every so often. Made me look at what I seen before under a new magnifying light. He took me with him and showed me, with the most astonishing clarity, the complexity of a talented man dragged down by a legacy of good intentions and addiction. We're permitted to visit his family once and we understand what he's fighting with without any weapons. He doesn't blame anyone but he's the result of his own DNA and he knows it. His bright moments, the explanation of what History is for instance, is a glimpse into the man he could actually be, fully. The humanity that Ryan Gosling lends to his character on his darker moments it's as chillingly real as it is moving. The chemistry he establishes with the wonderful Shareeka Epps is as powerful as the one he established with me. I want to meet him, I want to meet Dan and while I was thinking that I realize I know him already. He lives next door to me, he's related to me, I was his friend. This is what superb performances do. They re-awake you.

Ryan Gosling delivers a performance in HALF NELSON that is a marvel to watch and to see the talent which this young man/actor brings to the film and screen. Every frame delivers the intensity and drama within this young teacher's life and the issues he handles with his addiction and how he strives to reach his students in the classroom through honesty, humor and the lessons of history delivered on screen.

Just watching Gosling in every frame is a triumph in what character development is all about, along with the brilliance of his performance. Gosling adds HALF NELSON to his outstanding work in the films THE UNITED STATES OF LELAND and the gorgeous NOTEBOOK.

Shareeka Epps as a young, struggling student, is a perfect foil to Gosling, and her intelligence and strength matches that of Gosling as they both deliver scenes that are memorable and tremendous. From the classroom to the basketball court, to the painful addiction scenes, Epps and Gosling make HALF NELSON come alive with anger, pain and the true pathos of life represented in America today.

With the final scene in the film, one can only hope that the characters may move from despair into lives which might give them a sense of hope, and finally a chance, as with the lessons of history, to move beyond their unhappy past into a brighter and more rewarding future.

I am teacher. And I saw this film from the angle of my job. As a realistic portrait of a special universe. As honest image of the essence of a work. As one of the most inspired performances of Ryan Gosling. As a great film. About the deep reality behind the appearences. A film about truth. And eulogy of friendship. Short, a teacher, his student and the fight against him. Enough for few questions about near reality and the choices around it.

Half Nelson, the first feature by director Ryan Fleck, steers clear of the inspiring clichés of teacher-student films and the usual violence of films set in the ghetto.

Half Nelson is a character study, with a meager plot stretched into a one-act film. Not to say this is a bad thing. If one wishes to be thoroughly entertained, steer clear of this film. If one wishes to have a comfortable time at the movies, steer clear of this film. However, if one wishes to view a unique and risky example of independent cinema, see this film.

Any viewer can tell how much blood and sweat went into making Half Nelson, which was shot on 16mm for less than $1 million. Ryan Gosling is truly admirable for seeing something in this screenplay. After breaking viewers' hearts in The Notebook, Gosling carries this film. Gosling plays Dan Dunne, a Brooklyn middle-school teacher who is addicted to crack cocaine, with admirable subtlety. It's a performance that will make the audience cringe with anguish and sympathy as Gosling takes one self-destructive step after another.

It isn't surprising to hear that Half Nelson was once a short film by Fleck titled Gowanus, Brooklyn. That film starred the young actress Shareeka Epps as a bright, tough African-American girl named Drey in Dunne's class. The film characterized her unlikely friendship with Dunne, after she discovered his crack habit. Epps reprises her role in Half Nelson, and is astonishingly good in her feature debut, giving a real, down-to-earth performance. Rounding out the main cast is the charismatic Anthony Mackie as Frank, a local drug dealer who is actually nice.

Anna Boden's screenplay, co-written by Fleck, is filled with ranges of intensity, awkwardness, sadness, and humor. Fleck veers from the norm in his direction, giving an extremely claustrophobic look into the lives of the characters.

Half Nelson, although somewhat painful to watch, will stay with you for a long time.