- Prêmios
- 3 indicações no total
Andrew Garfield
- Francis Weston
- (apenas creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
All and all, not a particularly enjoyable film.
This movie sacrifices all that was interesting about the novel in the first place just to squeeze in all the historical aspects. All of the page turning scenes in the book that would have been interesting to see translated to screen (Anne's bloodstained dress, the deformed child, the courtship between Mary and William) were cut.
Fortuanatly, I expected that. With such a long book, I had to expect most of my favourite scenes were going to get the axe.
What I didn't expect was for the narration to change from that of Mary (aka. "The Other Boelyn Girl" for which the book was named) to yet another story about Anne Boelyn. The film started off well, if rather slow, with the story being told from Mary, but it quickly changes gears as the audience is suddenly following Anne's courtship of Henry and Anne's trials, emotions and desperation. Mary is quickly delegated to little more then a secondary role, with many key moments happening while she isn't on screen.
The story of Anne was told well, she was portrayed brilliantly by Portman, and had several fun and emotional moments. But that's just the problem, I've seen that all before. There have been dozens of films, series, and books written from Anne's point of view. If I wanted to see a story about Anne, I would have watched Anne of the Thousand Days or maybe "The Tudors" HBO series. What made this story special was it told the story behind Anne and Henry (and it was mostly fictional which added to the drama).
Unfortunately the movie ignored this, and thus failed to create the same reaction I had towards the book.
Another problem is that of characterisation, I expected that the movie would make the two sisters friends as it creates more drama towards the end as opposed to them being not particularly close like in the book. Same with the enormous changes they made in the personalities of the parents (and honestly, almost every character)I expected it. Many of the characters in the movie were actually more two-dimensional then the callous characters from the book. It wasn't as though this movie was badly acted or written...it was just bad.
The person I was most disappointed about was George (one of my favourites in the book) who was given a woefully small role, although the actor who portrayed him did it brilliantly. Also, The character of William Stafford seemed to be added in as an afterthought which confused the audience who hadn't read the book (the two main questions I heard were "Is that the guy she married in the beginning" or "What happened to the guy she married in the beginning") and left those of us who had read the book wondering why he was portrayed as such a pansy?
And the editing, where to begin. Horrible, the particularly poignant scenes (few and far between as they were) were not given enough time to sink in before the audience was whisked off to another scene. Even having read the source material I was lost, so I can only imagine how it must have been from those new to the story.
The only bright side of this tedious film were the beautiful costumes, but even the bright colours and swirly dresses couldn't distract anyone with more then a 10 second attention span and despite them the movie soon became unbearably boring.
All in all, this movie probably shouldn't have been made in the first place. It was apparent there was too much story to tell in two hours, it had mini-series written all over it. But seeing as it had to be made for the film industry to cash in the the books success, it could have been done a lot better.
This movie sacrifices all that was interesting about the novel in the first place just to squeeze in all the historical aspects. All of the page turning scenes in the book that would have been interesting to see translated to screen (Anne's bloodstained dress, the deformed child, the courtship between Mary and William) were cut.
Fortuanatly, I expected that. With such a long book, I had to expect most of my favourite scenes were going to get the axe.
What I didn't expect was for the narration to change from that of Mary (aka. "The Other Boelyn Girl" for which the book was named) to yet another story about Anne Boelyn. The film started off well, if rather slow, with the story being told from Mary, but it quickly changes gears as the audience is suddenly following Anne's courtship of Henry and Anne's trials, emotions and desperation. Mary is quickly delegated to little more then a secondary role, with many key moments happening while she isn't on screen.
The story of Anne was told well, she was portrayed brilliantly by Portman, and had several fun and emotional moments. But that's just the problem, I've seen that all before. There have been dozens of films, series, and books written from Anne's point of view. If I wanted to see a story about Anne, I would have watched Anne of the Thousand Days or maybe "The Tudors" HBO series. What made this story special was it told the story behind Anne and Henry (and it was mostly fictional which added to the drama).
Unfortunately the movie ignored this, and thus failed to create the same reaction I had towards the book.
Another problem is that of characterisation, I expected that the movie would make the two sisters friends as it creates more drama towards the end as opposed to them being not particularly close like in the book. Same with the enormous changes they made in the personalities of the parents (and honestly, almost every character)I expected it. Many of the characters in the movie were actually more two-dimensional then the callous characters from the book. It wasn't as though this movie was badly acted or written...it was just bad.
The person I was most disappointed about was George (one of my favourites in the book) who was given a woefully small role, although the actor who portrayed him did it brilliantly. Also, The character of William Stafford seemed to be added in as an afterthought which confused the audience who hadn't read the book (the two main questions I heard were "Is that the guy she married in the beginning" or "What happened to the guy she married in the beginning") and left those of us who had read the book wondering why he was portrayed as such a pansy?
And the editing, where to begin. Horrible, the particularly poignant scenes (few and far between as they were) were not given enough time to sink in before the audience was whisked off to another scene. Even having read the source material I was lost, so I can only imagine how it must have been from those new to the story.
The only bright side of this tedious film were the beautiful costumes, but even the bright colours and swirly dresses couldn't distract anyone with more then a 10 second attention span and despite them the movie soon became unbearably boring.
All in all, this movie probably shouldn't have been made in the first place. It was apparent there was too much story to tell in two hours, it had mini-series written all over it. But seeing as it had to be made for the film industry to cash in the the books success, it could have been done a lot better.
The Tudors are very chic at the moment. If it isn't "Elizabeth: The Golden Age" (awful) or the television series, "The Tudors" (soft-pornographic trash), then it is "The Other Boleyn Girl", the latest film written by the Oscar nominated screenwriter, Peter Morgan. After his work on the Golden Globe winning TV film "Longford" and the Oscar winning (for its lead actors) "The Queen" and "The Last King of Scotland", his scripts must be in demand by actors across the globe. Little wonder then that this film attracts a stellar cast, including Eric Bana, Scarlett Johansson and Natalie Portman. So, why is it that this film, which is filled with great talent and potential, delivers only satisfaction? This was originally slated for release late last year, right in the middle of the awards season. Yet, for some reason, it was moved back. Why this was done is not widely known, but, as the IMDb had the film listed as completed last autumn, I should think that the decision was taken that this film would draw more attention outside of the congested awards season. Watching the film, you are aware of the ambition and lavish costumes that would draw the gaze of Oscar. But the film lacks punch, depth and the power to grip you the whole way through.
That's not to say that it isn't entertaining. Far from it, the film is, for an hour and a quarter, perfectly pleasant, with intrigue, scheming and romance aplenty. A lot of the credit must go to the performances, which range from accomplished to fantastically enjoyable to watch. Natalie Portman is impressive as Anne Boleyn. She ranges from scheming and nasty to genuinely sympathetic. It is her most notable work to date. Scarlett Johansson is fine, but everybody is still waiting for her to realise the potential she showed when she announced herself on the scene in "Lost in Translation" and "The Girl with the Pearl Earring". The supporting cast are a joy to watch. Eric Bana is excellent as Henry VIII, but it is the schemers in the background who provide the best entertainment. David Morrissey is having a lot of fun, whilst Mark Rylance and Kristin Scott Thomas are great as the Boleyn parents.
It is a perfectly bearable watch, but unfulfilling. There's an awful lot crammed into the hour and fifty minutes. As year after year of history is skipped through, the film's focus continually shifts, failing to allow certain characters from gaining appropriate intensity. Henry VIII is not as proactive as he might, or should, be. He is more driven then driving, whilst his first wife, Catherine of Aragon (Ana Torrent), is given very little time on screen, thus sidelining a character which should be a figure of great interest. But your expectations are dashed mainly because the film reaches its climax with half-an-hour to go, with an emotional pinnacle being reached and never again surpassed. A rape scene, which seems to be the start of the culmination, with so many points of interest going on in it, proves to be the end of it. The last thirty minutes, whilst quite stylish, are drawn out and slow, and end with a final scene that can only be described as cheesy.
It's a shame that this film is nothing more than admirable in places. But it is a good film for this time of year (that springtime lull between the quality of Winter and the bombast entertainment of Summer). It is an entertaining and satisfying way to pass an afternoon, but it won't live long in the memory.
That's not to say that it isn't entertaining. Far from it, the film is, for an hour and a quarter, perfectly pleasant, with intrigue, scheming and romance aplenty. A lot of the credit must go to the performances, which range from accomplished to fantastically enjoyable to watch. Natalie Portman is impressive as Anne Boleyn. She ranges from scheming and nasty to genuinely sympathetic. It is her most notable work to date. Scarlett Johansson is fine, but everybody is still waiting for her to realise the potential she showed when she announced herself on the scene in "Lost in Translation" and "The Girl with the Pearl Earring". The supporting cast are a joy to watch. Eric Bana is excellent as Henry VIII, but it is the schemers in the background who provide the best entertainment. David Morrissey is having a lot of fun, whilst Mark Rylance and Kristin Scott Thomas are great as the Boleyn parents.
It is a perfectly bearable watch, but unfulfilling. There's an awful lot crammed into the hour and fifty minutes. As year after year of history is skipped through, the film's focus continually shifts, failing to allow certain characters from gaining appropriate intensity. Henry VIII is not as proactive as he might, or should, be. He is more driven then driving, whilst his first wife, Catherine of Aragon (Ana Torrent), is given very little time on screen, thus sidelining a character which should be a figure of great interest. But your expectations are dashed mainly because the film reaches its climax with half-an-hour to go, with an emotional pinnacle being reached and never again surpassed. A rape scene, which seems to be the start of the culmination, with so many points of interest going on in it, proves to be the end of it. The last thirty minutes, whilst quite stylish, are drawn out and slow, and end with a final scene that can only be described as cheesy.
It's a shame that this film is nothing more than admirable in places. But it is a good film for this time of year (that springtime lull between the quality of Winter and the bombast entertainment of Summer). It is an entertaining and satisfying way to pass an afternoon, but it won't live long in the memory.
Overall, the movie is entertaining. I thought the acting was good, particularly Scarlett Johansson's. The cinematography and editing leave much to be desired, and the entire movie seems rushed. If you have any knowledge of Tudor history,you will recognize the many inaccuracies, but those did not bother me as much as did the fact that important characters were omitted, undeveloped, or even seemingly forgotten (as in the case of Mary's husband, William Carey).
There ARE very affecting characters and scenes, but I left the theatre wishing for MORE. The fascinating lives of these people simply cannot be dealt with in a movie that lasts less than two hours.
There ARE very affecting characters and scenes, but I left the theatre wishing for MORE. The fascinating lives of these people simply cannot be dealt with in a movie that lasts less than two hours.
I think that the main critics done to this film came from those who don't like Natalie or Scarlett. I hope it has nothing to do with the the fact that it is a costum movie - I personally found this film an excellent piece of drama, as well as the book was (I think it's an awesome reading, too!). A perfect cast, a good storyline and a strong screenplay are the main reasons that made "The Other Boleyn Girl" a wonderful screen adaptation - and both Portman and Johansson revealed themselves in one of their best performance ever! I also believe that the choice of casting two of the most brilliant and famous young actresses in Hollywood (perhaps the best ones, right now) was a smart move from the movie producers and - as well as the most fascinating thing about it is the rivalry between the two sisters - let it able to do captivate young people's attention. I really hope this film is going to be a good hit - at least to receive good reviews from the critis...
When I first saw the trailer for The Other Boleyn Girl, I have to admit, it looked good, but like it wasn't accurate. I am a huge history buff, especially in the time of England's dark ages, I am fairly familiar with the Boleyn sisters and their affections for King Henry, Anne being the second wife to be executed for committing adultery and not birthing a son heir to the thrown, her life was absolutely horrific if you think about how hard it was to be a woman in this era. I was a little scared that they wouldn't portray her well in this film, but my mom and I saw The Other Boleyn Girl today and even though I'm not fully satisfied with the portrayal of Anne, the movie is still very good. The story has a Hollywood layer to give the story a little more "oomph" sort of speak, like most other pictures, but The Other Boleyn Girl is still a very decent movie.
The Boleyn has quite a family, a mother, father, a son, and two daughters. After failing at several attempts for Queen Catherine to have a son heir to King Henry's thrown, he wishes for a mistress. Sir Thomas Boleyn offers his daughter, Anne, but when King Henry sees Thomas's other daughter, Mary, he is smitten with her and wants her as his mistress. She gives birth to a son, but they are not married and she is looked down upon. Anne is given a second chance to come back after a marriage that was not granted and then annulled, but King Henry then falls for her and wishes her to give herself to him, but she puts up a fight and tells him not until she assumes the crown and to be his wife. But she fails to give him a son, her life depends on it as well sadly.
The true story of Anne Boleyn is very sad, but extremely interesting, I wouldn't recommend the book, just go for a regular history book when it comes to this story. But for the movie, The Other Boleyn Girl, I liked it, it had good acting, beautiful costumes and sets, and a very good story. If you are looking for a history lesson, this is not the film for you, but if you are looking for a good movie, then watch it. Just like the film "Elizabeth", they make the story a little more juicy, it's for the sake of some audience members who don't understand why England has the system it does, but it still makes for good drama.
7/10
The Boleyn has quite a family, a mother, father, a son, and two daughters. After failing at several attempts for Queen Catherine to have a son heir to King Henry's thrown, he wishes for a mistress. Sir Thomas Boleyn offers his daughter, Anne, but when King Henry sees Thomas's other daughter, Mary, he is smitten with her and wants her as his mistress. She gives birth to a son, but they are not married and she is looked down upon. Anne is given a second chance to come back after a marriage that was not granted and then annulled, but King Henry then falls for her and wishes her to give herself to him, but she puts up a fight and tells him not until she assumes the crown and to be his wife. But she fails to give him a son, her life depends on it as well sadly.
The true story of Anne Boleyn is very sad, but extremely interesting, I wouldn't recommend the book, just go for a regular history book when it comes to this story. But for the movie, The Other Boleyn Girl, I liked it, it had good acting, beautiful costumes and sets, and a very good story. If you are looking for a history lesson, this is not the film for you, but if you are looking for a good movie, then watch it. Just like the film "Elizabeth", they make the story a little more juicy, it's for the sake of some audience members who don't understand why England has the system it does, but it still makes for good drama.
7/10
Você sabia?
- CuriosidadesAnne was originally sentenced to be "beheaded or burned at the king's pleasure," but was thought to have been allowed the easier death in exchange for signing away the legitimacy of her marriage and child. While her brother George was executed by an axe, Anne was given the favor of beheading by an expert swordsman brought in from France. Future queens sentenced to death would not be so lucky.
- Erros de gravaçãoThe film implies that Mary raised her niece Elizabeth. As royalty, Elizabeth had her own household. Margaret Bryon cared for her until she was four, then Kat Ashley took over her upbringing and education.
- Citações
King Henry VIII: [Before the hunt] With no man to hold onto, how do you propose to stay on the horse?
Anne Boleyn: As you do, Your Grace - with my thighs.
- Trilhas sonorasWestron Wynde
Traditional
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- La otra reina
- Locações de filme
- Haddon Hall, Bakewell, Derbyshire, Inglaterra, Reino Unido(interiors: Hever Castle)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 35.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 26.814.957
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.203.061
- 2 de mar. de 2008
- Faturamento bruto mundial
- US$ 78.201.830
- Tempo de duração1 hora 55 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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