Max Payne

Max Payne was a game that was born of Film Noir and John Woo. This movie? Voice overs = 1 or two. (There was hope in the opening but then nothing) Action scenes = minimal. (Not too bad other than being sparse) Acting = very good for what little the script offers. (The actors do not deserve the blame for this atrocity unless it is for choosing to do this script.) Scenery/Cinematography = Brilliant but wasted on scenes like 8 minutes picking up a folder with no conflict in the scene. (The scenery was impressively accurate to the game. I kept feeling like it was going to get better because of it. Then nothing would happen.)

I wanted this to be good. I kept lying to myself and saying it would get better any minute.

People who say I am disappointed because it isn't the video game need to understand I didn't want the video game I wanted an action film that captured the essence of the game.

We are left with no reason to care for Max Payne. If I was the writer I would have been ashamed to have my name attached.

Max Payne got the Indy treatment.

I really want my money back on this one. I felt insulted that they thought this script was a passable story.

We know that Mark Wahlberg refused to play Rockstar's "Max Payne" game before performing in this film, but, in addition, I must assume that neither the director nor the screenwriter ever played this game before, either. If there weren't so many shots of the background scenery that tied in with the game (although they were never fully or, in some cases, partially explored), I would assume that no one involved in the movie had even seen cut scenes from the game. I would have assumed that they got a one paragraph synopsis on the game, with character names, and just made up their own story that barely connected to the game storyline.

When this movie was made for a "PG-13" rating instead of an "R" rating, most of the fans were nervous. And, after seeing the train wreck this film became, it's clear to see that our worst fears were realized. Worse even than whether this works as a movie adaptation of a video game is whether this film would works as a movie if you have no knowledge of the video game. Unfortunately, if you went to see this film looking for an action flick, you would say that this was one of the most boring, yawn-inducing films you'd seen in the action genre.

The lack of narration throughout this film, the lack of a solid action director like John Woo (who knows how to do slow-mo), and the lack of anyone from the Rockstar team helping with screen writing added up to what can only be described as a hollow, dull film that has virtually no tie to the amazing game that spawned it. The studio system strikes again.

As everybody said Max Payne was a major pain in the butt when it releases a couple of years back, I didn't go to the theatres to see it. Last night, it was coming on TV and I thought, hey let me give it a try and sat down to watch it. The concept wasn't too bad, but the execution is very shoddy and amateurish.

Max Payne (Mark Wahlberg) is a New York City police detective and he is haunted by the murder of his wife and baby's death even after three years. He killed two of the murderers, but couldn't kill the last one. He is a tortured soul who wants nothing more than hunting down the last murderer. During one of his routines to gather new leads and information about his family's murderer, he befriends Natasha Sax (Olga Kurylenko) who is murdered and her sister, Mona Sax (Mila Kunis) wants revenge. Jack Lupino (Amaury Nolasco) is her murderer and both Payne and Mona team up to get their revenge. But, is Lupino the real antagonist or is there someone operating behind the curtain?

First of all the cinematography is excellent - I loved the feel of the movie, the score is not overbearing. But what really is a drag, is that there is nothing in the story that drags the viewer in. The starting of the movie kind of captured my attention, but by the 30th minute, it was getting boring. Mark Wahlberg only has one expression in his face throughout the movie and it is a major pain in the ass when he portrays the same expression when he is happy with his family too. That is kind of confusing, wasn't he happy with his family when they were alive or what? Bad casting choice there and the writer seems to have no job here, as there are hardly any dialogues and whatever there is seems to be drowned out by Mr. Major Pain. Olga Kurylenko - why does so many of you think she is sexy again? She can act (Quantum Of Solace), but she isn't sexy (they should have roped in Megan Fox, now that is one hot babe) and she plays only a cameo which didn't add anything to the story. Amaury Nolasco (Prison Break) as the bald Lupino who is high on drugs, looks and acts credibly, but there is not enough scope for his acting ability. Mila Kunis is also wasted. Why were there huge man-crows (or 'angels' like they call them) flying through the skies of NYC in the minds of people? I only got it, when they showed that all of them were druggies. This film seems to be telling us not to get addicted to drugs, we get it. Move on, will you? I don't do drugs (I am a 20 year old guy) and nor will anyone else who knows what drugs can really do. The slow motion scenes were good, but there was only a couple of them and the dark angels were very cool.

Though the film was somewhat boring, I can't give it a 1, because the visual treatment was excellent and I like some of Mr. Wahlberg's previous works. By the looks of it, there seems to be a sequel coming which I definitely won't be watching if the reviews are the same as this. Don't watch this at any cost, unless you are a teenage boy and get real high seeing girl-on-girl kiss.

4/10

This film is a really big missed opportunity. The styling and story line of the game could have been easily transferred t oa dark and violent film noir with a nice dose of conspiracy thrown in. Unfortunately all of this is wasted on a very tame and lackluster film that stick to a predictable formula with poor character development and sloppy dialogue.

Some of the visuals are nice but the lack of any true bullet time (which is a big mechanic of the games) is a real let down. As for the violence, yes there is a lot of shooting but this is a film that needed to be darker and more visceral. Had the action been more similar to films such as John Wick and the Raid or even the Punisher (TV series not film) and this film could of had potential. Unfortunately all of this was repeatedly squandered through.

The acting is fine but I felt that the poor script left them very little to work with. Hopefully in time this will get some form of reboot and correct these wrongs.

Poor Mark Wahlberg. Ever since he obtained a fully deserved Oscar nomination for The Departed, he has struggled to hit it as big again: Shooter was enjoyable but unmistakably shallow, We Own the Night received very mixed reactions, and The Happening was one of the most unjustly panned movies of 2008 (well, minus the plastic plant scene). None of those, however, is as bad as Max Payne, which just about tails The Truth About Charlie for the title of Wahlberg's career low.

But hey, few people expected Payne to be any good in the first place. For starters, it's based on a video game, and those never turn out well on film. Secondly, it's directed by John Moore, whose body of work is all but encouraging (he remade The Omen, for crying out loud). Plus, it comes off as a mix of fantasy, action and revenge thriller - in short, a mess.

For those not familiar with the game, the story centers on the titular cop (Wahlberg), a brilliant homicide detective who's been reassigned after the brutal murder of his wife and kid. When a Ukrainian girl (Olga Kurylenko) is found dead with his wallet in her pocket, he's immediately charged with the murder, and the only way to clear himself is to find a thug named Lupino (Amaury Nolasco), who might even have something to do with Mrs. Payne's death (go figure..).

With some minor adjustments, this could easily be the latest installment of Death Wish. If only things were that simple: the plot is twisted even more with a subplot concerning a mind-altering drug called Valkyr, which makes everything look like Hell on screen and destroys Norse mythology's credibility off screen. Then again, decent scripts are rare when it comes to this sort of flick, so Moore is supposed to redeem himself with visuals and action scenes: in the first case, he delivers more than enough; in the second, he disappoints, and big time - not counting the first ten minutes and the last twenty, there's a serious lack of pace and ass-kicking.

Last but not least, the acting. Wahlberg does pretty much the same he did in Shooter: gritty and watchable, but never exploits his huge potential. Mila Kunis, who plays the "Payne girl" (sorry, couldn't resist), is totally miscast, being too young and with the wrong background (That '70s Show), except for the fact that she is of Ukrainian descent like her on-screen sister Kurylenko. Beau Bridges, generally a fine presence, manages the unenviable task of becoming worse as the picture progresses, and Nolasco's villain is as lifeless as they come (and let's not even get started on Ludicrous' "acting").

Long story short: if this were a game, it would reach the "Game over" stage after twenty minutes. Compared to this, even Tomb Raider looks decent enough.