AVALIAÇÃO DA IMDb
5,5/10
65 mil
SUA AVALIAÇÃO
Um funcionário americano percebe que seu jovem filho pode ser literalmente o diabo encarnado.Um funcionário americano percebe que seu jovem filho pode ser literalmente o diabo encarnado.Um funcionário americano percebe que seu jovem filho pode ser literalmente o diabo encarnado.
- Prêmios
- 1 vitória e 7 indicações no total
Predrag Bjelac
- Vatican Observatory Priest
- (as Pedja Bjelac)
Tomas Wooler
- Damien - 2 Years Old
- (as Tomas Wooller)
Avaliações em destaque
A pretty tired remake of the original; admittedly they had a very hard act to follow but didn't really even start to live up to it.
Quite apart from the film merely following the original scene for scene but with less impressive actors was the state of the locations. The original was actually filmed in London but in the remake they substituted Prague for London. One European city may look like another if you've never been East of the Mississippi but if you actually live here it just made the whole thing look like a joke.
The American Embassy was suddenly transported from Grosvenor Square (a leafy tree-lined square built up on all sides) to the south bank of the Thames with big open views across the river.
And somehow we were supposed to believe that Prague's cathedral, the tramlines and overhead cables and traffic lights were supposed to be central London? In your dreams!
Quite apart from the film merely following the original scene for scene but with less impressive actors was the state of the locations. The original was actually filmed in London but in the remake they substituted Prague for London. One European city may look like another if you've never been East of the Mississippi but if you actually live here it just made the whole thing look like a joke.
The American Embassy was suddenly transported from Grosvenor Square (a leafy tree-lined square built up on all sides) to the south bank of the Thames with big open views across the river.
And somehow we were supposed to believe that Prague's cathedral, the tramlines and overhead cables and traffic lights were supposed to be central London? In your dreams!
What happens when the son of the devil is raised by an American politician and his young wife? Exactly what you'd expect: all hell breaks loose!
While I haven't seen the original Omen in a while, I remember a few key scenes clearly and I remember I liked it. This alone is enough to make me wonder why they remade it (why remake good movies when there are so many bad films to fix?). But they did good, keeping many scenes identical but making the story very 2006 appropriate.
My favorite thing about the film was the adaptation of the plot to fit around 9/11, and the space shuttle disaster, which were obviously missing from the original. This does seem to imply that American tragedies are more important than non-American ones, though. Many people really feel the apocalypse is coming, so this was an appropriate choice. I also like the move from English characters to Americans (though this really doesn't matter).
The demons were spooky and the new Damien is one goony looking little boy, which is great. I don't mind a Damien that looks like Batboy from the Weekly World News. The other actors were also decent: Mia Farrow, best known to horror fans from that other Satanic child film, "Rosemary's Baby", was the perfect nanny and Liev Schreiber has that level of fame that makes him great for starring roles of this sort (not too big to overshadow the film, but big enough to fill the shoes). See "Phantoms" if you don't believe me. The actors did many of their owns stunts, with Liev Schreiber even cracking a rib.
My biggest concern was Julia Stiles. I said to myself, "Self, this chick is known for over-acting in Shakespearean romances and teen comedies... can she tone it down enough for a horror film?" A few moments had Stiles poking her melodramatic head up out of the ground, but overall she played it straight and I think she was commendable.
The kid who played Damien in the original returns here as a reporter, but don't throw out your copy of the original Omen. But don't go out of your way to avoid this one, either. It is a solid horror film with more than competent directing and acting behind it.
While I haven't seen the original Omen in a while, I remember a few key scenes clearly and I remember I liked it. This alone is enough to make me wonder why they remade it (why remake good movies when there are so many bad films to fix?). But they did good, keeping many scenes identical but making the story very 2006 appropriate.
My favorite thing about the film was the adaptation of the plot to fit around 9/11, and the space shuttle disaster, which were obviously missing from the original. This does seem to imply that American tragedies are more important than non-American ones, though. Many people really feel the apocalypse is coming, so this was an appropriate choice. I also like the move from English characters to Americans (though this really doesn't matter).
The demons were spooky and the new Damien is one goony looking little boy, which is great. I don't mind a Damien that looks like Batboy from the Weekly World News. The other actors were also decent: Mia Farrow, best known to horror fans from that other Satanic child film, "Rosemary's Baby", was the perfect nanny and Liev Schreiber has that level of fame that makes him great for starring roles of this sort (not too big to overshadow the film, but big enough to fill the shoes). See "Phantoms" if you don't believe me. The actors did many of their owns stunts, with Liev Schreiber even cracking a rib.
My biggest concern was Julia Stiles. I said to myself, "Self, this chick is known for over-acting in Shakespearean romances and teen comedies... can she tone it down enough for a horror film?" A few moments had Stiles poking her melodramatic head up out of the ground, but overall she played it straight and I think she was commendable.
The kid who played Damien in the original returns here as a reporter, but don't throw out your copy of the original Omen. But don't go out of your way to avoid this one, either. It is a solid horror film with more than competent directing and acting behind it.
In a nutshell, if you've never heard of the original or are unaware of the storyline, the average horror film lover will enjoy this flick. If however you saw/liked the original, you'll likely still enjoy it..but you'll know exactly what's coming next because it is very faithful to the original. In fact, in most scenes, it's a line-by-line remake, and many camera shots are virtually identical to the 1976 version. What has changed is that Damien's parents are younger, and it's been updated to reflect a contemporary world of today. Also, the screenwriter decided to throw in 9/11 and recent disasters as indicators that the Armageddon is on it's way via Damien Thorne. (SPOILERS FOLLOW) There are elements of "Final Destination", but the original Omen was in fact the first to play with this type of death scene(s), where things mysteriously happen to people through strange accidents,etc. Having said that, these scenes are a little different from the original (most of them anyway) and again, as a horror fan, you'll enjoy the fact that they don't pull any punches graphically.
Acting wise, the film was somewhat weak - particularly Mia Farrow's performance. In an fitting homage to Rosemary's Baby, Farrow is cast as Mrs.Baylock, the satanic disciple, summoned to protect the Devil's son (in a sense, like her character in Rosemary's Baby)Damien Thorne, in the form of a nanny. I found that she was not nearly as creepy and menacing as the original actress. Julia Stiles was not strong either, and Schrieber was OK. The kid who plays Damien isn't bad, but it's just another brooding kid role with few lines so it's tough to screw that up.
Visually i loved this film, and a few sequences in particular were very very well done. As for the scares, there aren't many at all, and a few could be seen coming a mile away (dream sequence/mirror open then shuts to see apparition in rear,etc..) I did jump physically in one sequence where i wasn't expecting it (which i won't mention specifically so it may surprise you too).
So, it was an entertaining 2 hours. Nothing terribly new, and not as creepy or Gothic as the first one. In a way, i was hoping it might go in a different direction, but perhaps, it's the producers' ultimate compliment to the original - keep it very similar,just updating it for a new generation of horror fans. Recommended.
Acting wise, the film was somewhat weak - particularly Mia Farrow's performance. In an fitting homage to Rosemary's Baby, Farrow is cast as Mrs.Baylock, the satanic disciple, summoned to protect the Devil's son (in a sense, like her character in Rosemary's Baby)Damien Thorne, in the form of a nanny. I found that she was not nearly as creepy and menacing as the original actress. Julia Stiles was not strong either, and Schrieber was OK. The kid who plays Damien isn't bad, but it's just another brooding kid role with few lines so it's tough to screw that up.
Visually i loved this film, and a few sequences in particular were very very well done. As for the scares, there aren't many at all, and a few could be seen coming a mile away (dream sequence/mirror open then shuts to see apparition in rear,etc..) I did jump physically in one sequence where i wasn't expecting it (which i won't mention specifically so it may surprise you too).
So, it was an entertaining 2 hours. Nothing terribly new, and not as creepy or Gothic as the first one. In a way, i was hoping it might go in a different direction, but perhaps, it's the producers' ultimate compliment to the original - keep it very similar,just updating it for a new generation of horror fans. Recommended.
"The Omen" is one of those movies that still hold up so well, there's really no need to remake them. The date of June 6th 2006 was probably the most tempting thing for producers to release a new version of this film now.
Well, you can't say they did a bad job. This year's "The Omen" is solid as a rock and very faithful to the original. So faithful in fact, that one has to wonder what the whole point of it is.
Liev Schreiber and Julia Stiles are an odd choice for the leading couple but they're both okay in their respective roles. The direction is just okay, too, but you gotta be thankful that no cheap scares (or not too many of them) were thrown in to keep viewers interested. On the other hand, it must be said that the movie is a bit slow at the beginning, especially if you already know the plot. Opinions will differ on how well recent events such as 9/11, the tsunami in Sri Lanka or the death of Pope John Paul II. were integrated into the story, but that's not really a major issue. The few changes John Moore made involve a different way of dying for one character and two or three rather effective dream sequences (the last one sticks out - it's a sequence of really creepy images without any sound effects at all, probably my favorite moment of the whole movie). Also watch out for a nice reference to "Don't Look Now".
The most interesting thing, however, is the complete absence of the infamous choral score that made the original so scary. God knows why it's not here, it sure wouldn't have seem dated.
If I realized anything watching this movie it's how amazing the script was in the first place. It builds up perfectly, it's thrilling as hell (excuse the pun) and there are no plot holes to be found. This is why "The Omen" still works greatly and will hopefully be enjoyed by a lot of young people who haven't seen the original. For everyone else there's no reason to spend money on a movie we have already seen in a superior version.
Well, you can't say they did a bad job. This year's "The Omen" is solid as a rock and very faithful to the original. So faithful in fact, that one has to wonder what the whole point of it is.
Liev Schreiber and Julia Stiles are an odd choice for the leading couple but they're both okay in their respective roles. The direction is just okay, too, but you gotta be thankful that no cheap scares (or not too many of them) were thrown in to keep viewers interested. On the other hand, it must be said that the movie is a bit slow at the beginning, especially if you already know the plot. Opinions will differ on how well recent events such as 9/11, the tsunami in Sri Lanka or the death of Pope John Paul II. were integrated into the story, but that's not really a major issue. The few changes John Moore made involve a different way of dying for one character and two or three rather effective dream sequences (the last one sticks out - it's a sequence of really creepy images without any sound effects at all, probably my favorite moment of the whole movie). Also watch out for a nice reference to "Don't Look Now".
The most interesting thing, however, is the complete absence of the infamous choral score that made the original so scary. God knows why it's not here, it sure wouldn't have seem dated.
If I realized anything watching this movie it's how amazing the script was in the first place. It builds up perfectly, it's thrilling as hell (excuse the pun) and there are no plot holes to be found. This is why "The Omen" still works greatly and will hopefully be enjoyed by a lot of young people who haven't seen the original. For everyone else there's no reason to spend money on a movie we have already seen in a superior version.
Movie was good, better than expected, don't know why but it reminded me a lot to stigmata, anyways, picture is pretty good all over the movie, characters were chosen fine, i think Julia Stiles is still too young for her character, the kid was amazing, of course never like Harvey Spethens but still, the new Demian's smile was one of the best things on the movie, priests were fine as usual, and the nanny wasn't scary as i expected. The deaths were probably he highlights of the movie, absolutely well done, i think i jumped off the chair like 5 times. Now the worst thing, THE MUSIC, something so necessary in this kind of movies, it felt many times that appropriate music was being missed. so, an overall of 6 out of 10, great movie to have a good time, not one to remember. Happy 6/6/6 to everyone
Você sabia?
- Curiosidades(at around 19 mins) Harvey Stephens, who portrayed Damien in A Profecia (1976), appeared in this remake as the tabloid reporter who asks Robert Thorn (Liev Schreiber) if the deceased nanny "was on drugs".
- Erros de gravação(at around 18 mins) When the nanny jumps off the balcony at Damien's birthday party, the distance to the ground and the rope are way too long - her head would rip off.
- Citações
Father Brennan: When the Jews return to Zion, and a comet fills the sky, and the holy Roman Empire rises, then you and I must die. From the eternal sea he rises, creating armies on either shore, turning man against his brother, until man exists no more.
- Cenas durante ou pós-créditosNames of crew in main title are animated, so some of their letters become crosses or "6".
- Trilhas sonorasOld Comrades
Written by Andrew C. Pilmer (as Andrew Pilmer)
Original melody by Carl Teike (uncredited)
Courtesy of Associated Production Music, LLC.
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- The Omen
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 25.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 54.607.383
- Fim de semana de estreia nos EUA e Canadá
- US$ 16.026.496
- 11 de jun. de 2006
- Faturamento bruto mundial
- US$ 119.975.084
- Tempo de duração
- 1 h 50 min(110 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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