AVALIAÇÃO DA IMDb
5,5/10
65 mil
SUA AVALIAÇÃO
Um funcionário americano percebe que seu jovem filho pode ser literalmente o diabo encarnado.Um funcionário americano percebe que seu jovem filho pode ser literalmente o diabo encarnado.Um funcionário americano percebe que seu jovem filho pode ser literalmente o diabo encarnado.
- Prêmios
- 1 vitória e 7 indicações no total
Predrag Bjelac
- Vatican Observatory Priest
- (as Pedja Bjelac)
Tomas Wooler
- Damien - 2 Years Old
- (as Tomas Wooller)
Avaliações em destaque
A pretty tired remake of the original; admittedly they had a very hard act to follow but didn't really even start to live up to it.
Quite apart from the film merely following the original scene for scene but with less impressive actors was the state of the locations. The original was actually filmed in London but in the remake they substituted Prague for London. One European city may look like another if you've never been East of the Mississippi but if you actually live here it just made the whole thing look like a joke.
The American Embassy was suddenly transported from Grosvenor Square (a leafy tree-lined square built up on all sides) to the south bank of the Thames with big open views across the river.
And somehow we were supposed to believe that Prague's cathedral, the tramlines and overhead cables and traffic lights were supposed to be central London? In your dreams!
Quite apart from the film merely following the original scene for scene but with less impressive actors was the state of the locations. The original was actually filmed in London but in the remake they substituted Prague for London. One European city may look like another if you've never been East of the Mississippi but if you actually live here it just made the whole thing look like a joke.
The American Embassy was suddenly transported from Grosvenor Square (a leafy tree-lined square built up on all sides) to the south bank of the Thames with big open views across the river.
And somehow we were supposed to believe that Prague's cathedral, the tramlines and overhead cables and traffic lights were supposed to be central London? In your dreams!
In a nutshell, if you've never heard of the original or are unaware of the storyline, the average horror film lover will enjoy this flick. If however you saw/liked the original, you'll likely still enjoy it..but you'll know exactly what's coming next because it is very faithful to the original. In fact, in most scenes, it's a line-by-line remake, and many camera shots are virtually identical to the 1976 version. What has changed is that Damien's parents are younger, and it's been updated to reflect a contemporary world of today. Also, the screenwriter decided to throw in 9/11 and recent disasters as indicators that the Armageddon is on it's way via Damien Thorne. (SPOILERS FOLLOW) There are elements of "Final Destination", but the original Omen was in fact the first to play with this type of death scene(s), where things mysteriously happen to people through strange accidents,etc. Having said that, these scenes are a little different from the original (most of them anyway) and again, as a horror fan, you'll enjoy the fact that they don't pull any punches graphically.
Acting wise, the film was somewhat weak - particularly Mia Farrow's performance. In an fitting homage to Rosemary's Baby, Farrow is cast as Mrs.Baylock, the satanic disciple, summoned to protect the Devil's son (in a sense, like her character in Rosemary's Baby)Damien Thorne, in the form of a nanny. I found that she was not nearly as creepy and menacing as the original actress. Julia Stiles was not strong either, and Schrieber was OK. The kid who plays Damien isn't bad, but it's just another brooding kid role with few lines so it's tough to screw that up.
Visually i loved this film, and a few sequences in particular were very very well done. As for the scares, there aren't many at all, and a few could be seen coming a mile away (dream sequence/mirror open then shuts to see apparition in rear,etc..) I did jump physically in one sequence where i wasn't expecting it (which i won't mention specifically so it may surprise you too).
So, it was an entertaining 2 hours. Nothing terribly new, and not as creepy or Gothic as the first one. In a way, i was hoping it might go in a different direction, but perhaps, it's the producers' ultimate compliment to the original - keep it very similar,just updating it for a new generation of horror fans. Recommended.
Acting wise, the film was somewhat weak - particularly Mia Farrow's performance. In an fitting homage to Rosemary's Baby, Farrow is cast as Mrs.Baylock, the satanic disciple, summoned to protect the Devil's son (in a sense, like her character in Rosemary's Baby)Damien Thorne, in the form of a nanny. I found that she was not nearly as creepy and menacing as the original actress. Julia Stiles was not strong either, and Schrieber was OK. The kid who plays Damien isn't bad, but it's just another brooding kid role with few lines so it's tough to screw that up.
Visually i loved this film, and a few sequences in particular were very very well done. As for the scares, there aren't many at all, and a few could be seen coming a mile away (dream sequence/mirror open then shuts to see apparition in rear,etc..) I did jump physically in one sequence where i wasn't expecting it (which i won't mention specifically so it may surprise you too).
So, it was an entertaining 2 hours. Nothing terribly new, and not as creepy or Gothic as the first one. In a way, i was hoping it might go in a different direction, but perhaps, it's the producers' ultimate compliment to the original - keep it very similar,just updating it for a new generation of horror fans. Recommended.
"The Omen" is one of those movies that still hold up so well, there's really no need to remake them. The date of June 6th 2006 was probably the most tempting thing for producers to release a new version of this film now.
Well, you can't say they did a bad job. This year's "The Omen" is solid as a rock and very faithful to the original. So faithful in fact, that one has to wonder what the whole point of it is.
Liev Schreiber and Julia Stiles are an odd choice for the leading couple but they're both okay in their respective roles. The direction is just okay, too, but you gotta be thankful that no cheap scares (or not too many of them) were thrown in to keep viewers interested. On the other hand, it must be said that the movie is a bit slow at the beginning, especially if you already know the plot. Opinions will differ on how well recent events such as 9/11, the tsunami in Sri Lanka or the death of Pope John Paul II. were integrated into the story, but that's not really a major issue. The few changes John Moore made involve a different way of dying for one character and two or three rather effective dream sequences (the last one sticks out - it's a sequence of really creepy images without any sound effects at all, probably my favorite moment of the whole movie). Also watch out for a nice reference to "Don't Look Now".
The most interesting thing, however, is the complete absence of the infamous choral score that made the original so scary. God knows why it's not here, it sure wouldn't have seem dated.
If I realized anything watching this movie it's how amazing the script was in the first place. It builds up perfectly, it's thrilling as hell (excuse the pun) and there are no plot holes to be found. This is why "The Omen" still works greatly and will hopefully be enjoyed by a lot of young people who haven't seen the original. For everyone else there's no reason to spend money on a movie we have already seen in a superior version.
Well, you can't say they did a bad job. This year's "The Omen" is solid as a rock and very faithful to the original. So faithful in fact, that one has to wonder what the whole point of it is.
Liev Schreiber and Julia Stiles are an odd choice for the leading couple but they're both okay in their respective roles. The direction is just okay, too, but you gotta be thankful that no cheap scares (or not too many of them) were thrown in to keep viewers interested. On the other hand, it must be said that the movie is a bit slow at the beginning, especially if you already know the plot. Opinions will differ on how well recent events such as 9/11, the tsunami in Sri Lanka or the death of Pope John Paul II. were integrated into the story, but that's not really a major issue. The few changes John Moore made involve a different way of dying for one character and two or three rather effective dream sequences (the last one sticks out - it's a sequence of really creepy images without any sound effects at all, probably my favorite moment of the whole movie). Also watch out for a nice reference to "Don't Look Now".
The most interesting thing, however, is the complete absence of the infamous choral score that made the original so scary. God knows why it's not here, it sure wouldn't have seem dated.
If I realized anything watching this movie it's how amazing the script was in the first place. It builds up perfectly, it's thrilling as hell (excuse the pun) and there are no plot holes to be found. This is why "The Omen" still works greatly and will hopefully be enjoyed by a lot of young people who haven't seen the original. For everyone else there's no reason to spend money on a movie we have already seen in a superior version.
Virtual scene-for-scene remake of the 1976 Omen film with the 21st century music video gloss that passes for cinematography now. That this was made by the same director who would later do the awful Max Payne and A Good Day to Die Hard should come as no surprise. John Moore is a director more focused on making a film look good than actually be good.
Did The Omen need to be remade? Of course not but such is the nature of the business. Before I start going on a diatribe about that, I'd better get back to this film and what's good or bad about it. What's good: some nicely staged scenes, but nothing particularly creative or original. For a director so obsessed with visuals, Moore offers little to improve upon the original's film's creative death set pieces. He just copies them. How creatively bankrupt is this man? As for the bad: the movie is plodding, unoriginal, often boring with no suspense or scares worth mentioning. Will viewers unfamiliar with the original film feel the same way? I think so unless these viewers are just generally unfamiliar with movies altogether. The cast is nothing to write home about. Julia Stiles tries and Liev Schrieber is dull as mud. Mia Farrow does fine with a performance that, judging by some of the praise I've seen, is a tad overrated.
Overall, it's yet another misfire remake of a superior film. Do yourself a favor and see the original instead. If you already have seen the original, watch something else. Something new or something old you haven't seen before. Just not another crappy horror remake.
Did The Omen need to be remade? Of course not but such is the nature of the business. Before I start going on a diatribe about that, I'd better get back to this film and what's good or bad about it. What's good: some nicely staged scenes, but nothing particularly creative or original. For a director so obsessed with visuals, Moore offers little to improve upon the original's film's creative death set pieces. He just copies them. How creatively bankrupt is this man? As for the bad: the movie is plodding, unoriginal, often boring with no suspense or scares worth mentioning. Will viewers unfamiliar with the original film feel the same way? I think so unless these viewers are just generally unfamiliar with movies altogether. The cast is nothing to write home about. Julia Stiles tries and Liev Schrieber is dull as mud. Mia Farrow does fine with a performance that, judging by some of the praise I've seen, is a tad overrated.
Overall, it's yet another misfire remake of a superior film. Do yourself a favor and see the original instead. If you already have seen the original, watch something else. Something new or something old you haven't seen before. Just not another crappy horror remake.
Movie was good, better than expected, don't know why but it reminded me a lot to stigmata, anyways, picture is pretty good all over the movie, characters were chosen fine, i think Julia Stiles is still too young for her character, the kid was amazing, of course never like Harvey Spethens but still, the new Demian's smile was one of the best things on the movie, priests were fine as usual, and the nanny wasn't scary as i expected. The deaths were probably he highlights of the movie, absolutely well done, i think i jumped off the chair like 5 times. Now the worst thing, THE MUSIC, something so necessary in this kind of movies, it felt many times that appropriate music was being missed. so, an overall of 6 out of 10, great movie to have a good time, not one to remember. Happy 6/6/6 to everyone
Você sabia?
- Curiosidades(at around 19 mins) Harvey Stephens, who portrayed Damien in A Profecia (1976), appeared in this remake as the tabloid reporter who asks Robert Thorn (Liev Schreiber) if the deceased nanny "was on drugs".
- Erros de gravação(at around 18 mins) When the nanny jumps off the balcony at Damien's birthday party, the distance to the ground and the rope are way too long - her head would rip off.
- Citações
Father Brennan: When the Jews return to Zion, and a comet fills the sky, and the holy Roman Empire rises, then you and I must die. From the eternal sea he rises, creating armies on either shore, turning man against his brother, until man exists no more.
- Cenas durante ou pós-créditosNames of crew in main title are animated, so some of their letters become crosses or "6".
- Trilhas sonorasOld Comrades
Written by Andrew C. Pilmer (as Andrew Pilmer)
Original melody by Carl Teike (uncredited)
Courtesy of Associated Production Music, LLC.
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- The Omen
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 25.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 54.607.383
- Fim de semana de estreia nos EUA e Canadá
- US$ 16.026.496
- 11 de jun. de 2006
- Faturamento bruto mundial
- US$ 119.975.084
- Tempo de duração1 hora 50 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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