Olhar do Desejo

This is one of the overlooked gems of indie cinema that make you happy to find it.

Our friend Hallam Foe is a Scottish youth, upset over the suicide of his mother and the ascendancy of his stepmother. After various confrontations in his home town, mostly brought on by spying on the locals, he flees to London and begins a stalker type of romance with a hotel worker who looks like his deceased mother.

The charm of this movie is in the witty dialog, Hallam's unexpected cleverness, and his determination to confront his own issues. Even though his actions would be somewhat creepy in an older or less charming person, you can sympathize with him and hope that he somehow manages to cope with life in the big city. The film starts out kind of slow and confused but gets together about 30 minutes in and becomes clear. The ending is especially good, being just about what you would expect to happen in real life.

There is a real overtone of romance in this movie, making it a good date film, and a couple of clever sex scenes that are graphic without being explicit: there isn't much skin on display, but what's going on is obviously no-holds-barred humping.

Guys will like this film for Hallam's cleverness and determination, girls will like it for the offbeat romance, and everyone will groove to it for the quirkiness. See it, you'll be happy you did.

The seventeen year-old Hallam Foe (Jamie Bell) is a weird teenager that misses his mother that committed suicide, drowning in a lake nearby their house in Edinburgh after an overdose of sleeping pills. Hallam spends his spare time peeping the locals and blames his stepmother Verity Foe (Claire Forlani), accusing her of killing his mother. After a discussion with his father Julius Foe (Ciarán Hinds), Hallam sneaks out from his house and travels to London, where he sees Kate Breck (Sophia Myles) and becomes obsessed for her because of her resemblance with his mother. Kate hires Hallam to work in the kitchen of the hotel where she works and they have a strange romance, while Hallam reaches his maturity through the hardest way.

"Hallam Foe" is a surprisingly great and stylish little movie with an original and erotic romance with Oedipus complex, obsession and voyeurism. The enjoyable story is funny, sexy and dramatic and the characters are well developed with great performances and chemistry of Jamie Bell and Sophia Myles. My vote is eight.

Title (Brazil): Not Available

Since Hallam's (Jamie Bell) mother died two years ago, he has detached himself from life, watching (even spying) the people from a distance, going as far as breaking in and searching their closets. He despises his stepmother (a surprisingly matured Claire Forlani) who he suspects of having murdered his mom. So Hallam takes off from the Scottish countryside to Glasgow, where he prowls the roofs, and finds a girl eerily resembling his mother. Revealing more of the story wouldn't do it justice. Jamie Bell masterfully plays an angry young man, reminiscing of Holden Caulfield. The film creates magical sequences, sports a wry northern humour, and doesn't shy away from exploring the feeling of loss and pain. Although the plot background relies too much on textbook psychology, HALLAM FOE remains a kindhearted, lively drama beyond the streamline tearjerkers. 7/10

Hallam Foe is so self-consciously a left field British Indie, at times it seems close to self-parody. The result is a film that strives hard to be a departure, but spoils its early promise.

The film is about an adolescent, Hallam Foe, in a Scots upper middle-class dysfunctional family (wife recently dead, the husband having replaced her with his young English lover) on a remote Scottish estate. The early scenes are full of an atmosphere of unknown menace and lurid danger, reminiscent of Ian MacEwan's early stories.

Hallam Foe is a very unusual, oedipal adolescent, one of many young screen protagonists that seem to be the spawn of the original fictional teenage weirdo, Holden Caulfield. After a lurid altercation with his father's distinctly dodgy lover, Hallam jumps ship and goes to the big city, where he quickly becomes obsessed with a female stranger who resembles his mother, and struggles with the loss of innocence and tensions of adolescence. But after developing a relationship with the stranger, the film becomes slack and loses interest as the plot becomes tenuous and spins off into improbability.

Still, on the plus side, Hallam Foe is not bad and even quite funny, and has a real sense of place. The cast is good, particularly Jamie Bell and Sophia Myles, both of whom give demanding performances.

Jamie bell has certainly come a long way from that little dancing boy 'Billy Elliot', although he never seems to get any older, and here he takes another challenging role as Hallam Foe. Hallam is introduced to us as he skylines onto a couple having sex near his tree house, not only is he semi-clad and wearing make-up he is sporting a rather bizarre piece of headgear made out of a badger. It is at this point we the audience can assume that Hallam is not only a bit mad but a bit creepy, which apparently stems from his mothers suicide. From here on in the story sees him leave behind his tree house sanctuary, not by choice, and fly the nest to Edinburgh, he is homeless, jobless and believes his step mother killed his real mother. Armed with his trusty binoculars he scrambles around the roof tops spying on the residents of the city and we learn that he distanced himself from people when he lost his mother and it just turned into a kind of habit, a modern day peeping tom. As opposed to the obsession he had with everyone before he left home, he becomes focused on Kate, a human resources officer for a large hotel, mainly due to the fact that she reminds him of his mother. After conning his way into a job at the hotel he embarks on a relationship with Kate but his spiralling madness, dark secret and Kate's regular sex partner threaten everything and push Hallam further down the spiral. Directed by David Mackenzie it really does have a sense of love for the city and its people, but its Bell and Sophia Myles (Kate), whose strange relationship forms the centre of the film, that carry the plot along. With music from the likes of Orange Juice to Sons and Daughters and an exclusive Franz Ferdinand track the pace is upbeat and the David Shrigley Cartoon titles should be an inclination to the type of quirky film this is. Bold, funny and a little disturbing Hallam Foe is an enjoyable romp through the weird and wonderful world of the human mind and emotions and how certain things can affect our everything.