Almost Normal

As an avid viewer to any and all gay themed movies...this one made me think the most. don't get me wrong it was entertaining, however, I almost wonder if this is some how trying to make society think that being gay IS a choice. On that I don't agree. On the other hand, when you take the dominant sexual preference of society and turn the tables on them and let them see what the outcome is, I wonder if the message will get across. You will have to form your own opinion. I truly enjoyed the casting, and the lead actor is quite versatile in his ability to portray then and now. 8 out of 10 in my book. Definitely worth seeing.

Premise? Brad, a 40 year old college professor, gets propelled back in time to his high school years (paging Peggy Sue). The time machine of choice is an automobile (paging Doc Brown). The twist here is that his past is now a world where same sex relations are the norm and being a 'breeder' is considered 'queer'. Unfortunately, ALMOST NORMAL suffers a bit from adhering to it's 'concept' - showing us a world every gay person has dreamt of, where being gay is the acceptable norm. Some of the character and plot energy is diverted to this noble experiment and thankfully, it eventually pays off. Although an indy in spirit, ALMOST NORMAL looks and sounds pretty slick and manages to be quite winning, despite some apparent flaws. The scenes where Brad and his boyfriend go on an 'ice cream' date and where the hunky boyf eventually proposes marriage are genuinely moving and refreshingly real. The convention of having Brad remain 'different' even in his new world is the film's toughest trick and I'm glad to say it works. The performances are capable and except for a few of the smaller roles, the acting is uniformly pretty good. The score and photography are above the norm for this type of endeavor, generally on a par with a Hollywood effort. The direction is a bit uneven, with a few scenes a bit too farcical and others veering toward the too sentimental. But for the most part ALMOST NORMAL is almost as clever and unique a film as Doc Brown could possibly confabulate.

40-year-old gay teacher has a car accident and dreams he's back in high school again--only this time, gay is 'normal' and he's attracted to a comely female student. Silly, low-budget, under-populated comedy-drama is more ambitious than its thin production or straight-seeming cast can handle. The script is stuck in a revolving closet--the teacher has to come out all over again--and it's never clear to whom the picture is meant to appeal, straight or gay audiences. The filmmakers' idea of a novel twist is to have the homosexuals be the unyielding bashers, but is the movie preaching tolerance and acceptance or is it a treatise for heterosexuals in need of reassurance? (after all, their side wins). A less 'colorful' take on this material might have made for a funnier and perhaps thought-provoking comedy, but "Almost Normal" doesn't even scratch the surface of those possibilities. * from ****

I liked this film because it brought a unique view to prejudice and misunderstanding. Here being gay is normal and straight (breeders) is not. The length and breadth of this perspective makes it quite persuasive. You get a chance to see life from the other side. Brad is 40, gay and not partnered. On his way home to attend his dysfunctional parents' 45th Anniversary an accident lets him go back in time to high school where he sees himself as straight and "alone" in a school where all the "normal" boys like boys and the girls like girls. The first time in school he fancied the star of the basketball team and knew he couldn't get him. Now he's there and the star is hoping to make it with him. Brad couldn't fix a car or do lots of other "straight" appearing things. Now he can and it makes him different. He doesn't like it. He comes out as straight in high school during the second visit and is attacked for it. The boy he wanted as a boyfriend turns out to be his friend and the girl he wanted as a friend turns out to be his girlfriend. Handled with humor and sincerity by a cast that handled the job well.

This is obviously a film that comes from the heart. If only it had embraced its sincere dramatic elements more fully, it might have been a worthwhile outing. It does indeed suffer from many of the usual ailments associated with ultra-low-budget films (e.g. inexperienced actors, flimsy production design, gaping plot-holes, etc.) but the biggest problem by far is its insistence on assaulting the audience with copious amounts of tone deaf "wacky comedy". Just about every time the plot builds to a moment of poignancy, the script turns around and kicks itself in the balls with an ill-timed, unfunny joke. This, combined with the bargain basement production values, makes for a grating, nearly unbearable experience.