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6,1/10
11 mil
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Adicionar um enredo no seu idiomaJuvenile delinquents are sent to a small British island after a fellow prisoner's death, where they have to fight for survival.Juvenile delinquents are sent to a small British island after a fellow prisoner's death, where they have to fight for survival.Juvenile delinquents are sent to a small British island after a fellow prisoner's death, where they have to fight for survival.
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Recipe: take one large dollop of Lord of the Flies, toss in a few heaping tablespoons of Southern Comfort, sprinkle with traces of Deliverance, and add The Most Dangerous Game to taste. Blend on high for 110 minutes and presto, you've got a tasty treat of Wilderness, the new survival thriller by Director Michael J. Bassett.
Set on a remote uninhabited island used by Britain's correctional services as a retreat for troubled youth, the movie tells the story of a group of juvenile criminals who get sent to the remote location only to find themselves being stalked by a trained killer bent on revenge.
Screened at the 2006 edition of Montreal's Fantasia Film Festival, the movie doesn't make much effort to conceal the identity of the stalker. In fact, most viewers can figure this out in the first 15 minutes. However keeping secrets isn't what this story is about. Rather, it's about the thrill of hunting humans, the most sophisticated predator on the planet, and the diverse and innovative tricks involved.
Featuring Sean Pertwee, who seems to own a clause in British movie contracts saying he will appear in every UK thriller/horror film under production, the film showcases the talents of a young cast of unknowns who, while not demanded of Shakespearean performances, nonetheless turn in flawless performances to round out the movie.
Bassett, whose previous directorial debut was 2002's intriguing but flawed Deathwatch, seems to have found his stride with this effort. Scenes appear carefully thought out and executed, with a nice attention to detail. He clearly understands how to pace a film of this nature, and what works and what doesn't in what clearly was a demanding shoot involving attack dogs, forest chases, fires and numerous stunts.
The movie has something for every fan of the genre; beheadings, vicious forest traps, maulings, being eaten alive, crossbows, knife fights, skinheads, near drownings, the list goes on.
Viewers can add this to the ever growing list of British horror films such as The Descent, Dog Soldiers, and 28 Days Later (to name only a few) that are currently setting the world standard for delivering quality cinematic chills and thrills.
Set on a remote uninhabited island used by Britain's correctional services as a retreat for troubled youth, the movie tells the story of a group of juvenile criminals who get sent to the remote location only to find themselves being stalked by a trained killer bent on revenge.
Screened at the 2006 edition of Montreal's Fantasia Film Festival, the movie doesn't make much effort to conceal the identity of the stalker. In fact, most viewers can figure this out in the first 15 minutes. However keeping secrets isn't what this story is about. Rather, it's about the thrill of hunting humans, the most sophisticated predator on the planet, and the diverse and innovative tricks involved.
Featuring Sean Pertwee, who seems to own a clause in British movie contracts saying he will appear in every UK thriller/horror film under production, the film showcases the talents of a young cast of unknowns who, while not demanded of Shakespearean performances, nonetheless turn in flawless performances to round out the movie.
Bassett, whose previous directorial debut was 2002's intriguing but flawed Deathwatch, seems to have found his stride with this effort. Scenes appear carefully thought out and executed, with a nice attention to detail. He clearly understands how to pace a film of this nature, and what works and what doesn't in what clearly was a demanding shoot involving attack dogs, forest chases, fires and numerous stunts.
The movie has something for every fan of the genre; beheadings, vicious forest traps, maulings, being eaten alive, crossbows, knife fights, skinheads, near drownings, the list goes on.
Viewers can add this to the ever growing list of British horror films such as The Descent, Dog Soldiers, and 28 Days Later (to name only a few) that are currently setting the world standard for delivering quality cinematic chills and thrills.
I enjoyed this movie for the most part, but thought the writing/dialog was a little weak at points. I honestly think one of the cheesiest moments in movie history was in this particular movie when the guy offered up a hunk of fresh cooked dog meat to his girl.. and she hugged him gleefully...
But anyways, the idea of the movie was pretty cool and I enjoyed the beginning and how they ended up on the island. In the tradition of No Escape and Battle Royale, this is a great addition to the 'island survival' genre but is by no means a stand out.
Definitely give it a watch if the synopsis interests you!
But anyways, the idea of the movie was pretty cool and I enjoyed the beginning and how they ended up on the island. In the tradition of No Escape and Battle Royale, this is a great addition to the 'island survival' genre but is by no means a stand out.
Definitely give it a watch if the synopsis interests you!
This film was on my radar for more than a decade. Saw this recently.
It is a bloody n brutal take on the revenge n survival saga.
Young offenders r sent to an isolated island for disciplinary method.
The locations r picturesque but the plot has many flaws.
Ignore the flaws n u get a bloody good time.
There are ferocious dogs n the maulings r frighteningly gory.
Ther is also a very innovative immolation scene, few stabbings n axe chopping the shoulder scene. Now I came to kno that Adam Green got the body slicing axe scene in Hatchet 1 from this film.
Some may crib that the killer's identity is revealed very early.
Inspite of the director being new n the budget not that great, the film is a solid thriller n the best part is the entire film is shot in broad daylight n ther r no pov or shaky cam stuff.
I enjoyed this film after 13 years of its release, imagine the impact the film wud have done 13 yrs back.
I have liked M.J. Bassett's Deathwatch but found his Silent Hill 2 n Solomon Kane dull.
Obviously films like Deliverance, Southern Comfort, Rituals aka Creeper, Just Before Dawn, The Most Dangerous Game, etc. may come to mind.
Obviously films like Deliverance, Southern Comfort, Rituals aka Creeper, Just Before Dawn, The Most Dangerous Game, etc. may come to mind.
After a fellow inmate commits suicide due to the constant bullying and turning a blind eye of his fellow inmates. The young group are shipped off to a deserted island, to build character and bond. However they're not alone and someone with a crossbow and a pack of dogs begin to hunt them down.
Woodland horror. I love this sub-genre. However this particular British item builds an interesting story to only fumble it with half-baked revelations, obnoxious characters and splintered direction. The survival trek is filled with blood soaked surprises, jarring jolts, and a notorious mean streak. Yippy! Yeah some of the wicked deaths are ferocious, but it did become a bit boring. When director Michael J Bassett gets hot under the collar (after slowly milking it out to begin with), he engineers taut and breakneck tension to only let the lean story be navigated by implausible and contrived staples that eventually go on to cement a numbing and uneven pattern. The unmasking of the killer is flat (though its no surprise, and it never is because we find out just after it all begins), and the confrontation comes off lousy and underdone. The characters don't break away from their underwritten, clichéd persona's. They do become a sorry, and tiring bunch that you couldn't care less about. Sure they're not meant to be likable, but hell they really irritated me. But I guess that was the perfect mould though. The story stays firm and simple, going out hard. I have mixed emotions about it, but this is more towards its timing and pushy developments, and how it eventually went about trying to cover its lack of atmosphere with rapid, uncertain movements and bloated shocks. I thought the setting could've been implemented better. Peter J Robertson's professional camera-work gets some nice shots, and his location framing and adventurous style works off fine. The music by Mark Thomas features a foreboding sting. The performances are by the books. Sean Pertwee sits back, Alex Reid gives all her will to the part and Toby Kebbell neurotically goes through the motions. Stephen Wight is probably the pick of the lot as the seething bully skinhead.
Woodland horror. I love this sub-genre. However this particular British item builds an interesting story to only fumble it with half-baked revelations, obnoxious characters and splintered direction. The survival trek is filled with blood soaked surprises, jarring jolts, and a notorious mean streak. Yippy! Yeah some of the wicked deaths are ferocious, but it did become a bit boring. When director Michael J Bassett gets hot under the collar (after slowly milking it out to begin with), he engineers taut and breakneck tension to only let the lean story be navigated by implausible and contrived staples that eventually go on to cement a numbing and uneven pattern. The unmasking of the killer is flat (though its no surprise, and it never is because we find out just after it all begins), and the confrontation comes off lousy and underdone. The characters don't break away from their underwritten, clichéd persona's. They do become a sorry, and tiring bunch that you couldn't care less about. Sure they're not meant to be likable, but hell they really irritated me. But I guess that was the perfect mould though. The story stays firm and simple, going out hard. I have mixed emotions about it, but this is more towards its timing and pushy developments, and how it eventually went about trying to cover its lack of atmosphere with rapid, uncertain movements and bloated shocks. I thought the setting could've been implemented better. Peter J Robertson's professional camera-work gets some nice shots, and his location framing and adventurous style works off fine. The music by Mark Thomas features a foreboding sting. The performances are by the books. Sean Pertwee sits back, Alex Reid gives all her will to the part and Toby Kebbell neurotically goes through the motions. Stephen Wight is probably the pick of the lot as the seething bully skinhead.
Wilderness is an effective and brutal thriller/horror movie. The premise is straight forward- a group of juvenile offenders and their keeper out on a camping trip are picked off one by one by a mysterious and ruthless killer with a crossbow a pack of attack dogs and a skill for booby traps. It is brutal, violent, fast moving and visceral. It is quite well made- the tension and pace never drops, which is essential for this kind of movie and there is a gritty, unremitting feel to the movie which works in its favour. The deaths are unpleasant and violent and the characters aren't likable keeping it somewhat unpredictable as to what is going to happen, who is going to die and so on. Wilderness doesn't hold back in terms of the violence and nastiness but still keeps, for the most part a gritty realistic vibe and it works.
The movie shows you don't necessarily need likable characters but only believable ones to make a movie work. The more likable characters are only more likable by comparison i.e. they are only cowardly or selfish as opposed to being sadistic and cruel. The one character that seems like they may actually be competent and a decent human being is out of the picture comparatively early on. This comes across as lot more credible than those movies which contain groups of supposedly hardened criminals or delinquents who prove to be suitably heroic and noble and band together when it comes to the crunch. The characters here aren't over the top nasty either- they are full of petty meanness and posturing, selfishness and banality without being irredeemably evil as you would probably expect such kids to be in real life. The acting, mostly by fairly unknown young British actors is pretty good and low key- the Brits are generally better at this sort of thing. This gives the film its grittier edge and helps make it a little bit less predictable than it could be. Okay, the designated hero is obvious from the get-go and it isn't too unexpected when most of the unsavoury cast is wiped out but it isn't cloyingly obvious all the way through that things will happened the way you would predict in accordance with movie conventions.
The movie is not without flaws. The plot isn't always particularly believable or fresh. It seems strange that there is on one prison guard with this group of about ten juvenile offenders out on a supposedly deserted island and the killer seems almost too effective is dispatching his prey although to be fair it works for the movie in terms of the scariness of the villain and some explanation is provided for his skill in this regard. Toward the end when the hunter and his motivation is revealed he is far less effective a bad guy, his motivation and presence slightly contrived (Though still plausible) and he suddenly seems to become a lot less competent in order for him to be defeated. It might have been better if the makers had left the killer a mysterious motiveless figure. There are a few times when the movie does seem to go a bit too far with its nastiness, the flip side of the movie slack of restraint. The way in which some of the gorier death scenes, such as the first dog killing, are lingered on is a bit too much and toward the end some of the character's abhorrent behaviour comes across as a bit much also (Okay we already knew these guys were scum, can we get on with it).
On the whole a slick, well made and exciting movie which is both helped and hampered, but mostly helped, by it's willingness to be mean spirited and harsh.
The movie shows you don't necessarily need likable characters but only believable ones to make a movie work. The more likable characters are only more likable by comparison i.e. they are only cowardly or selfish as opposed to being sadistic and cruel. The one character that seems like they may actually be competent and a decent human being is out of the picture comparatively early on. This comes across as lot more credible than those movies which contain groups of supposedly hardened criminals or delinquents who prove to be suitably heroic and noble and band together when it comes to the crunch. The characters here aren't over the top nasty either- they are full of petty meanness and posturing, selfishness and banality without being irredeemably evil as you would probably expect such kids to be in real life. The acting, mostly by fairly unknown young British actors is pretty good and low key- the Brits are generally better at this sort of thing. This gives the film its grittier edge and helps make it a little bit less predictable than it could be. Okay, the designated hero is obvious from the get-go and it isn't too unexpected when most of the unsavoury cast is wiped out but it isn't cloyingly obvious all the way through that things will happened the way you would predict in accordance with movie conventions.
The movie is not without flaws. The plot isn't always particularly believable or fresh. It seems strange that there is on one prison guard with this group of about ten juvenile offenders out on a supposedly deserted island and the killer seems almost too effective is dispatching his prey although to be fair it works for the movie in terms of the scariness of the villain and some explanation is provided for his skill in this regard. Toward the end when the hunter and his motivation is revealed he is far less effective a bad guy, his motivation and presence slightly contrived (Though still plausible) and he suddenly seems to become a lot less competent in order for him to be defeated. It might have been better if the makers had left the killer a mysterious motiveless figure. There are a few times when the movie does seem to go a bit too far with its nastiness, the flip side of the movie slack of restraint. The way in which some of the gorier death scenes, such as the first dog killing, are lingered on is a bit too much and toward the end some of the character's abhorrent behaviour comes across as a bit much also (Okay we already knew these guys were scum, can we get on with it).
On the whole a slick, well made and exciting movie which is both helped and hampered, but mostly helped, by it's willingness to be mean spirited and harsh.
Você sabia?
- Erros de gravaçãoWhen Callum is chasing Davie's Dad with the Crossbow. As he slides down the cliffs while following him the Crossbow goes from being cocked, to de-cocked, and back to cocked again.
- Versões alternativasThe distributor had requested the film be considered for a '15' when it was seen by the BBFC in the UK, but the language in the film was considered too strong for '15'. The distributor chose to reduce the very strong language in the film's final edit, leaving a single use of 'c**t' where there had originally been four uses.
- ConexõesReferences Batalha Real (2000)
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- How long is Wilderness?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- £ 3.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 566.098
- Tempo de duração
- 1 h 33 min(93 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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