Dois jovens americanos com habilidades especiais precisam correr para encontrar uma garota em Hong Kong antes que uma organização governamental obscura o faça.Dois jovens americanos com habilidades especiais precisam correr para encontrar uma garota em Hong Kong antes que uma organização governamental obscura o faça.Dois jovens americanos com habilidades especiais precisam correr para encontrar uma garota em Hong Kong antes que uma organização governamental obscura o faça.
- Prêmios
- 1 vitória e 2 indicações no total
Hsin-Nan Hung
- Dice Man's Heavy
- (as Sun Nan Hung)
Hal Yamanouchi
- Pop Father
- (as Haruihko Yamanouchi)
Avaliações em destaque
I don't see why this movie has been turned down by so many people or why such a bad word has been spread about it.
Push is one of the better modern superhuman-themed movies you will find. It won't be your top five of the year and you won't watch it a million times, but you should really like it. It won't blow you away, but it won't disappoint you.
I give my opinion on this movie not as a fully fledged movie expert, fully up-to- date, premier-going, Oscar-loving critic - but as an artistically natured, deep- rooted film lover. And I say this movie is worth watching. It has a bit of everything that is to be desired in a good movie. While a lot could've been different, and you could've improved it in many ways, it's still fine just as it is.
The story in this movie is excellent. How it is portrayed and told is great. The actors all fulfill their role, some with splendor. And no matter what anyone might have told you; this movie is greatly artistical.
I believe Push is quite unique in many ways, foremost for its unusual lack of hierarchy of the powers you see in the film. You're used to see a lot of people possessing powers, but only one of them - Magneto for instance - being the one standing above all else. But in Push no one is the obvious stronger one.
Push uses a lot of twists, and not in the first-Saw-movie way which blows you out of your seat, but it still manages to keep the movie interesting, even tough the twists are all quite predictable.
Push is also, as I said, greatly artistical. It has a lot of fantastic colors and utilizes lighting very well, it's set in very beautiful environments, and there are a lot of other great cinematic techniques being used. I especially like the choice of soundtrack in this movie. It reminds me a lot of the way they choose to use music in The Dark Knight. Instead of some really catchy, noticeable soundtrack there's been a very diligent work done with a subtle yet powerful soundtrack that emerges only when necessary and gives an indescribable force to the movie.
All in all, Push is a quite non-mainstream, entertaining, good movie worth watching.
Push is one of the better modern superhuman-themed movies you will find. It won't be your top five of the year and you won't watch it a million times, but you should really like it. It won't blow you away, but it won't disappoint you.
I give my opinion on this movie not as a fully fledged movie expert, fully up-to- date, premier-going, Oscar-loving critic - but as an artistically natured, deep- rooted film lover. And I say this movie is worth watching. It has a bit of everything that is to be desired in a good movie. While a lot could've been different, and you could've improved it in many ways, it's still fine just as it is.
The story in this movie is excellent. How it is portrayed and told is great. The actors all fulfill their role, some with splendor. And no matter what anyone might have told you; this movie is greatly artistical.
I believe Push is quite unique in many ways, foremost for its unusual lack of hierarchy of the powers you see in the film. You're used to see a lot of people possessing powers, but only one of them - Magneto for instance - being the one standing above all else. But in Push no one is the obvious stronger one.
Push uses a lot of twists, and not in the first-Saw-movie way which blows you out of your seat, but it still manages to keep the movie interesting, even tough the twists are all quite predictable.
Push is also, as I said, greatly artistical. It has a lot of fantastic colors and utilizes lighting very well, it's set in very beautiful environments, and there are a lot of other great cinematic techniques being used. I especially like the choice of soundtrack in this movie. It reminds me a lot of the way they choose to use music in The Dark Knight. Instead of some really catchy, noticeable soundtrack there's been a very diligent work done with a subtle yet powerful soundtrack that emerges only when necessary and gives an indescribable force to the movie.
All in all, Push is a quite non-mainstream, entertaining, good movie worth watching.
This little bit of cinematic junk food is moderately entertaining if you're not looking to exercise any brain cells. It's about a bunch of people -- some good, some bad -- with special powers in pursuit of a suitcase that contains something that everybody wants. I could go into what the suitcase actually contains, and why it's important, and why everyone wants it, but I don't have the energy, and it doesn't matter much anyway, because the film is more interested in its style than it is in its plot, which isn't in this case a criticism.
The film reminded me of a jacked up version of one of those 1940s crime thrillers, where everyone speaks in a hard-boiled patter and what happens isn't nearly as important as how it all looks happening. So what if this film's plot seems needlessly complicated, and so what if there are way too many narrative threads that don't ever get completely developed, and so what if the whole thing is edited to within an inch of its life? It's still pretty fun if you're in the mood for it.
Chris Evans and Dakota Fanning are the nominal stars, and Djimon Hounsou makes an appearance, proving yet again that what he really needs more than anything is a better dialect coach.
The crazy color palettes and art direction in this film reminded me as I was watching it of "Lucky Number Slevin," another bit of entertaining B pulp. How funny then that I look at this film's director's (Paul McGuigan) resume only to find that it includes....you guessed it....."Lucky Number Slevin." If nothing else, his films certainly have a visual style in common.
Grade: B
The film reminded me of a jacked up version of one of those 1940s crime thrillers, where everyone speaks in a hard-boiled patter and what happens isn't nearly as important as how it all looks happening. So what if this film's plot seems needlessly complicated, and so what if there are way too many narrative threads that don't ever get completely developed, and so what if the whole thing is edited to within an inch of its life? It's still pretty fun if you're in the mood for it.
Chris Evans and Dakota Fanning are the nominal stars, and Djimon Hounsou makes an appearance, proving yet again that what he really needs more than anything is a better dialect coach.
The crazy color palettes and art direction in this film reminded me as I was watching it of "Lucky Number Slevin," another bit of entertaining B pulp. How funny then that I look at this film's director's (Paul McGuigan) resume only to find that it includes....you guessed it....."Lucky Number Slevin." If nothing else, his films certainly have a visual style in common.
Grade: B
PUSH is one of those movies which really got me excited after the first viewing of the trailer, and now that I've finally watched it, I'm glad that I did.
The storyline was rather good and believable, didn't leave me confused or bored at the end. Although more time could have been spent explaining certain things in detail instead of the constant scenes of standing around and pondering the next move.
The visual effects in this film are pretty good. And the acting isn't too bad either. Applause for Dakota Fanning and Chris Evans. Also, I really enjoyed the way the movie was shot, there was somehow this sense of realism to the whole thing.
However, I didn't enjoy Camilla Belle's acting. Although I did enjoy her performance in The Quiet, she just seemed really off in this movie. Either she wasn't given enough screen time, or she was outshone by Dakota.
By the way, those who are comparing this show to HEROES are preposterous. Telekineseis and all of these special abilities have been around long before then! Though I am a huge fan of HEROES, I think it's really nothing in comparison to PUSH.
By the way, this show had me glued to the sit even when I really had to use the toilet. In other words, I hope there's a sequel.
The storyline was rather good and believable, didn't leave me confused or bored at the end. Although more time could have been spent explaining certain things in detail instead of the constant scenes of standing around and pondering the next move.
The visual effects in this film are pretty good. And the acting isn't too bad either. Applause for Dakota Fanning and Chris Evans. Also, I really enjoyed the way the movie was shot, there was somehow this sense of realism to the whole thing.
However, I didn't enjoy Camilla Belle's acting. Although I did enjoy her performance in The Quiet, she just seemed really off in this movie. Either she wasn't given enough screen time, or she was outshone by Dakota.
By the way, those who are comparing this show to HEROES are preposterous. Telekineseis and all of these special abilities have been around long before then! Though I am a huge fan of HEROES, I think it's really nothing in comparison to PUSH.
By the way, this show had me glued to the sit even when I really had to use the toilet. In other words, I hope there's a sequel.
The fact I had heard next to nothing about this movie made my expectations low, but while it was light on characterisation and a back story it was an okay 'Super Power' movie. Chris Evans and Dakota Fanning were fine in the leads but I couldn't figure out whether Camilla Belle's performance was deliberate or an inability to act. I would say give the movie a try, it's better than 'Jumper'.
Push is a movie that shouldn't have been a movie. There are so many cool ideas and concepts here, a world I'd love to know more about and explore further but cramming it all into one movie was a mistake. This would work so much better as a (mini)series but we get what we get. As a movie, it's a mess of mixed ideas mashed together, characters rush through things and the world is a string of narration and clumsy storytelling. The acting and the cinematography are all a little off too leaving this feeling like it's got great potential but in reality it's a whiff on delivery.
I still feel like this is worth a background watch for science fiction fans, the ideas here are really interesting but the reality is that it's a clunky, awkward and underwhelming mess of a film.
I still feel like this is worth a background watch for science fiction fans, the ideas here are really interesting but the reality is that it's a clunky, awkward and underwhelming mess of a film.
Você sabia?
- CuriosidadesIn order to deal with the constant bustle of Hong Kong, director Paul McGuigan and the crew decided to shoot the film "guerilla-style", with the cameras hidden in vans, filming through small holes, and the actors doing their scenes in one take on the streets.
- Erros de gravaçãoDuring the final scene when the mover Victor breaks open the locker to retrieve the case, when the camera pans out to a wider view the locker is clearly no longer broken but is closed and in perfect condition.
- Citações
Cassie Holmes: [in tears] Tell me I'm a crappy artist and that everything is going to be fine.
Nick Gant: You are a *crappy* artist. Everything is going to be fine, I promise.
- Cenas durante ou pós-créditosAs the opening credits appear onscreen, the names and their attributes are wholly or partially redacted (crossed out so as to be illegible).
- Trilhas sonorasRocket
Written by Working for a Nuclear Free City (as Working For A Nuclear Free City)
Performed by Working for a Nuclear Free City (as Working For A Nuclear Free City)
Courtesy of Deaf+Dumb+Blind Records
By arrangement with Zync Music Inc.
Principais escolhas
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- How long is Push?Fornecido pela Alexa
- Is "Push" based on a book?
- What are the types of psychics in this film?
Detalhes
Bilheteria
- Orçamento
- US$ 38.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 31.811.527
- Fim de semana de estreia nos EUA e Canadá
- US$ 10.079.109
- 8 de fev. de 2009
- Faturamento bruto mundial
- US$ 48.858.618
- Tempo de duração1 hora 51 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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