Dois jovens americanos com habilidades especiais precisam correr para encontrar uma garota em Hong Kong antes que uma organização governamental obscura o faça.Dois jovens americanos com habilidades especiais precisam correr para encontrar uma garota em Hong Kong antes que uma organização governamental obscura o faça.Dois jovens americanos com habilidades especiais precisam correr para encontrar uma garota em Hong Kong antes que uma organização governamental obscura o faça.
- Prêmios
- 1 vitória e 2 indicações no total
Hsin-Nan Hung
- Dice Man's Heavy
- (as Sun Nan Hung)
Hal Yamanouchi
- Pop Father
- (as Haruihko Yamanouchi)
Avaliações em destaque
All of the reviews I've read of this movie have savaged it and, personally, I didn't think it was nearly bad as bad as all that. There were some interesting characters (the guy they enlist to help them hide themselves from the bad guys comes to mind here), and it put a new and interesting spin on the whole "people with super powers" genre. BUT...what really makes me love this film is the depictions of Hong Kong. See, I have been living in Hong Kong for almost 5 years now and I've told all my friends and family that if they want to get a good look at the many sides of the city (other than the touristy facade is typically presented), watch this movie. The film makers really did a great job of capturing what it's like to wander around Hong Kong, and the cinematography is like eye candy.
I was really surprised by how entertained I was by this. There were many negative reviews of this film and after watching the film I realised how many critics are actually quite lazy. They derided the plot as convoluted but actually I found it complex but understandable. To dismiss it as a heroes knock-off is also unfair. It's a sci-fi film but that doesn't mean all sci-fi films are the same. The film makes good use of its Hong Kong location more so than any recent film I've seen and the characters were memorable. The special effects were there for the story and not the other way around. I usually read film reviews but am glad, in this instance, I ignored them.
These days you can't throw a half-brick in the air without it landing on someone who can fly, or was bitten by a radioactive spider (and that's assuming that the 'half-brick' in question doesn't GIVE the person it lands on the power to fly or climb walls!). However, back in 2009, superhero movies (or those generally showing young, good-looking people with superpowers) weren't quite always guaranteed to make as much money as today's average Marvel Cinematic Universe film. Therefore, 'Push' sort of flew below radar at the time. I'd like to say that it's achieved a 'cult following' over time and it's a bit more of a 'sleeper hit,' however, it seems to have been completely forgotten. And, in my opinion, that's a shame - I really enjoyed it!
I guess to sum it up simply, it's a bit like the 'X-men.' There may not be a 'recognised' team of superheroes dedicated to saving the world here, but you do have a sub-group of human who are 'cursed' with special powers and so destined to either be hunted by shady Government agents before being studied in Top Secret laboratories , or simply working for the afore-mentioned shady Government agencies.
Chris Evans is one such 'person of power' - yes, THE Chris Evans who glossed over the 'Fantastic Four' to become one of the headliners of the Marvel universe, Captain America. However, rather than wielding a red, white and blue shield (or being able to burst into flames at will!) here he's a 'mover.' This is one of the many types of 'ability' these 'special' people exhibit and, in his case, basically means someone with telekinetic powers. He's currently on the run from the authorities in Hong Kong, but his life of hiding comes to a premature end when a young 'watcher' (someone who can see the future and played by Dakota Fanning) tracks him down in order to help her rescue more of their kind.
What follows is effectively a 'chase movie' where the 'gifted' youngsters are pursued by their evil equivalents. And, like I say, if you like superhero-type movies, it's all good sci-fi fun. The characters are likeable enough and there's good chemistry between the leads. Plus there's plenty of action and a few fight-scenes using special powers which are quite inventive and do stick in your mind once the credits have rolled.
If I had to mention a negative side (besides the kind of uninspiring title!) I'd say that the world which we find ourselves watching does need a lot of explaining so that you know all the rules of how it all works. Nowadays, we know what to expect in the Marvel Cinematic Universe, but, back then, there was quite a lot of 'exposition' supplied in lengthy voice-overs of segments of dialogue. I'm not sure whether 'Push' was based on a comic, or book, but it felt like you'd certainly pick it up quicker if you'd read a great deal of backstory surrounding what's going on. And, it's because of this lack of knowledge as to what powers people possess, that our heroes seem to bounce from one scene after the next meeting a new person with the exact superpower required to either get them out of their current predicament, or move the story along.
However, I can forgive that and simply enjoy it for what it is - a harmless piece of superhero fun. Even if it never got the recognition that I felt it at least deserved, it's still fun. And, if you can find it on any of the popular modern streaming services, I'd recommend you watch it - even if it's just to see what Chris Evans did before life in the MCU.
I guess to sum it up simply, it's a bit like the 'X-men.' There may not be a 'recognised' team of superheroes dedicated to saving the world here, but you do have a sub-group of human who are 'cursed' with special powers and so destined to either be hunted by shady Government agents before being studied in Top Secret laboratories , or simply working for the afore-mentioned shady Government agencies.
Chris Evans is one such 'person of power' - yes, THE Chris Evans who glossed over the 'Fantastic Four' to become one of the headliners of the Marvel universe, Captain America. However, rather than wielding a red, white and blue shield (or being able to burst into flames at will!) here he's a 'mover.' This is one of the many types of 'ability' these 'special' people exhibit and, in his case, basically means someone with telekinetic powers. He's currently on the run from the authorities in Hong Kong, but his life of hiding comes to a premature end when a young 'watcher' (someone who can see the future and played by Dakota Fanning) tracks him down in order to help her rescue more of their kind.
What follows is effectively a 'chase movie' where the 'gifted' youngsters are pursued by their evil equivalents. And, like I say, if you like superhero-type movies, it's all good sci-fi fun. The characters are likeable enough and there's good chemistry between the leads. Plus there's plenty of action and a few fight-scenes using special powers which are quite inventive and do stick in your mind once the credits have rolled.
If I had to mention a negative side (besides the kind of uninspiring title!) I'd say that the world which we find ourselves watching does need a lot of explaining so that you know all the rules of how it all works. Nowadays, we know what to expect in the Marvel Cinematic Universe, but, back then, there was quite a lot of 'exposition' supplied in lengthy voice-overs of segments of dialogue. I'm not sure whether 'Push' was based on a comic, or book, but it felt like you'd certainly pick it up quicker if you'd read a great deal of backstory surrounding what's going on. And, it's because of this lack of knowledge as to what powers people possess, that our heroes seem to bounce from one scene after the next meeting a new person with the exact superpower required to either get them out of their current predicament, or move the story along.
However, I can forgive that and simply enjoy it for what it is - a harmless piece of superhero fun. Even if it never got the recognition that I felt it at least deserved, it's still fun. And, if you can find it on any of the popular modern streaming services, I'd recommend you watch it - even if it's just to see what Chris Evans did before life in the MCU.
The fact I had heard next to nothing about this movie made my expectations low, but while it was light on characterisation and a back story it was an okay 'Super Power' movie. Chris Evans and Dakota Fanning were fine in the leads but I couldn't figure out whether Camilla Belle's performance was deliberate or an inability to act. I would say give the movie a try, it's better than 'Jumper'.
I don't see why this movie has been turned down by so many people or why such a bad word has been spread about it.
Push is one of the better modern superhuman-themed movies you will find. It won't be your top five of the year and you won't watch it a million times, but you should really like it. It won't blow you away, but it won't disappoint you.
I give my opinion on this movie not as a fully fledged movie expert, fully up-to- date, premier-going, Oscar-loving critic - but as an artistically natured, deep- rooted film lover. And I say this movie is worth watching. It has a bit of everything that is to be desired in a good movie. While a lot could've been different, and you could've improved it in many ways, it's still fine just as it is.
The story in this movie is excellent. How it is portrayed and told is great. The actors all fulfill their role, some with splendor. And no matter what anyone might have told you; this movie is greatly artistical.
I believe Push is quite unique in many ways, foremost for its unusual lack of hierarchy of the powers you see in the film. You're used to see a lot of people possessing powers, but only one of them - Magneto for instance - being the one standing above all else. But in Push no one is the obvious stronger one.
Push uses a lot of twists, and not in the first-Saw-movie way which blows you out of your seat, but it still manages to keep the movie interesting, even tough the twists are all quite predictable.
Push is also, as I said, greatly artistical. It has a lot of fantastic colors and utilizes lighting very well, it's set in very beautiful environments, and there are a lot of other great cinematic techniques being used. I especially like the choice of soundtrack in this movie. It reminds me a lot of the way they choose to use music in The Dark Knight. Instead of some really catchy, noticeable soundtrack there's been a very diligent work done with a subtle yet powerful soundtrack that emerges only when necessary and gives an indescribable force to the movie.
All in all, Push is a quite non-mainstream, entertaining, good movie worth watching.
Push is one of the better modern superhuman-themed movies you will find. It won't be your top five of the year and you won't watch it a million times, but you should really like it. It won't blow you away, but it won't disappoint you.
I give my opinion on this movie not as a fully fledged movie expert, fully up-to- date, premier-going, Oscar-loving critic - but as an artistically natured, deep- rooted film lover. And I say this movie is worth watching. It has a bit of everything that is to be desired in a good movie. While a lot could've been different, and you could've improved it in many ways, it's still fine just as it is.
The story in this movie is excellent. How it is portrayed and told is great. The actors all fulfill their role, some with splendor. And no matter what anyone might have told you; this movie is greatly artistical.
I believe Push is quite unique in many ways, foremost for its unusual lack of hierarchy of the powers you see in the film. You're used to see a lot of people possessing powers, but only one of them - Magneto for instance - being the one standing above all else. But in Push no one is the obvious stronger one.
Push uses a lot of twists, and not in the first-Saw-movie way which blows you out of your seat, but it still manages to keep the movie interesting, even tough the twists are all quite predictable.
Push is also, as I said, greatly artistical. It has a lot of fantastic colors and utilizes lighting very well, it's set in very beautiful environments, and there are a lot of other great cinematic techniques being used. I especially like the choice of soundtrack in this movie. It reminds me a lot of the way they choose to use music in The Dark Knight. Instead of some really catchy, noticeable soundtrack there's been a very diligent work done with a subtle yet powerful soundtrack that emerges only when necessary and gives an indescribable force to the movie.
All in all, Push is a quite non-mainstream, entertaining, good movie worth watching.
Você sabia?
- CuriosidadesIn order to deal with the constant bustle of Hong Kong, director Paul McGuigan and the crew decided to shoot the film "guerilla-style", with the cameras hidden in vans, filming through small holes, and the actors doing their scenes in one take on the streets.
- Erros de gravaçãoDuring the final scene when the mover Victor breaks open the locker to retrieve the case, when the camera pans out to a wider view the locker is clearly no longer broken but is closed and in perfect condition.
- Citações
Cassie Holmes: [in tears] Tell me I'm a crappy artist and that everything is going to be fine.
Nick Gant: You are a *crappy* artist. Everything is going to be fine, I promise.
- Cenas durante ou pós-créditosAs the opening credits appear onscreen, the names and their attributes are wholly or partially redacted (crossed out so as to be illegible).
- Trilhas sonorasRocket
Written by Working for a Nuclear Free City (as Working For A Nuclear Free City)
Performed by Working for a Nuclear Free City (as Working For A Nuclear Free City)
Courtesy of Deaf+Dumb+Blind Records
By arrangement with Zync Music Inc.
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
Bilheteria
- Orçamento
- US$ 38.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 31.811.527
- Fim de semana de estreia nos EUA e Canadá
- US$ 10.079.109
- 8 de fev. de 2009
- Faturamento bruto mundial
- US$ 48.858.618
- Tempo de duração
- 1 h 51 min(111 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente