AVALIAÇÃO DA IMDb
6,4/10
42 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaDuring a team-building retreat in the mountains a group of sales representatives are hunted down one by one.During a team-building retreat in the mountains a group of sales representatives are hunted down one by one.During a team-building retreat in the mountains a group of sales representatives are hunted down one by one.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 2 indicações no total
Julianna Drajkó
- Olga
- (as Juli Drajkó)
Béla Kasi
- Headbutt Killer
- (as Bela Kasi)
Avaliações em destaque
I'm quite surprised that this movie hasn't done better as I thought it had hit written all over it. This film has only been out for two weeks here in Scotland and it already only has one showing at 10.25 at night and the screen that we were in only had around 15 people in it. Shame that, as this movie is brilliant entertainment.
It starts out with pretty funny moments but gets very violent and gory after a while. This is what I found a bit confusing with the film as I found myself not sure whether to laugh at some parts or not (the part with the guys leg being the main example).
However I did enjoy it though and some parts, especially the ending are very exciting. The plot is pretty clever and the characters are likable. All in all if you can handle the violence then this is a movie worth catching. Shame it's not getting the same recognition as Shaun Of The Dead.
It starts out with pretty funny moments but gets very violent and gory after a while. This is what I found a bit confusing with the film as I found myself not sure whether to laugh at some parts or not (the part with the guys leg being the main example).
However I did enjoy it though and some parts, especially the ending are very exciting. The plot is pretty clever and the characters are likable. All in all if you can handle the violence then this is a movie worth catching. Shame it's not getting the same recognition as Shaun Of The Dead.
A team-building weekend in the mountains of Eastern Europe goes horribly wrong for the sales division of the multi-national weapons company Palisade Defence when they become the victims of a group of crazed killers who will stop at nothing to see them dead.
I recall this film coming out in 2006 and getting a lot of positive buzz from horror fans. For one reason or another, I never ended up watching it until now (March 2013). And I must say, the buzz was probably correct -- while not among the best horror films out there, it sure is well above average.
The trick of this film is that it is a horror film, but only in its feeling. Terrorists, a bus flipping over, guns and bombs... that is an action film. This should be an action comedy. But the style is definitely in the horror vein, with the way certain things are presented (particularly the bear trap). What makes a horror film a horror film? That question has been asked many times, and I think this film definitely makes you wonder.
Although many of the references were lost on me, I now know (from looking into the production) that many of the scenes were evoking Kubrick ("2001", "Strangelove" and "Clockwork Orange") and other notable directors. I love it. I love the subtlety of these homages... the "Clockwork" scene was clear to me, but I also am probably most familiar with that Kubrick film (although I have seen them all at least once).
I would need to see this again to fully review it, but my initial impression is that it is a great blend of action, humor and horror. Well worth a look.
I recall this film coming out in 2006 and getting a lot of positive buzz from horror fans. For one reason or another, I never ended up watching it until now (March 2013). And I must say, the buzz was probably correct -- while not among the best horror films out there, it sure is well above average.
The trick of this film is that it is a horror film, but only in its feeling. Terrorists, a bus flipping over, guns and bombs... that is an action film. This should be an action comedy. But the style is definitely in the horror vein, with the way certain things are presented (particularly the bear trap). What makes a horror film a horror film? That question has been asked many times, and I think this film definitely makes you wonder.
Although many of the references were lost on me, I now know (from looking into the production) that many of the scenes were evoking Kubrick ("2001", "Strangelove" and "Clockwork Orange") and other notable directors. I love it. I love the subtlety of these homages... the "Clockwork" scene was clear to me, but I also am probably most familiar with that Kubrick film (although I have seen them all at least once).
I would need to see this again to fully review it, but my initial impression is that it is a great blend of action, humor and horror. Well worth a look.
Co-writer and director Christopher Smith puts a rather fresh and funny spin on the standard slasher formula with this irreverent horror comedy. The employees of a multinational weapons manufacturer named Palisade travel to the Eastern European woods for a "team building" retreat. They get on each others' nerves for a while, but this will not turn out to be their biggest worry. What happens is that a very stealthy and extremely sadistic killer is going to target them, and arrange for them to meet nasty ends.
Give Smith and his co-writer James Moran some credit for playing around with the conventions of slasher cinema without resorting to self-referential dialogue. The set-up is certainly a topical one, and the filmmakers do work in digs at corporate culture as well as this genre. The characters may grate on the nerves of some viewers. "Severance" does fall into that familiar trap of "dumb people doing dumb things", but at least not all of the characters are hopeless. Laura Harris plays Maggie as a resilient person who keeps a cool head in an emergency.
Genre lovers will be pleased with a respectable amount of splatter, and it must be said that these particular woods - "Severance" was filmed in Hungary and The Isle of Man - possess some decent atmosphere. The performances are generally capable. Danny Dyer is the principal supplier of comedy relief as the immature Steve. Toby Stephens is fun in the role of Harris. The filmmakers also work in a brief and very amusing way to contrive some nudity.
Ultimately, this is rather predictable and the ending isn't all that great, but this is still pretty enjoyable while it lasts.
Seven out of 10.
Give Smith and his co-writer James Moran some credit for playing around with the conventions of slasher cinema without resorting to self-referential dialogue. The set-up is certainly a topical one, and the filmmakers do work in digs at corporate culture as well as this genre. The characters may grate on the nerves of some viewers. "Severance" does fall into that familiar trap of "dumb people doing dumb things", but at least not all of the characters are hopeless. Laura Harris plays Maggie as a resilient person who keeps a cool head in an emergency.
Genre lovers will be pleased with a respectable amount of splatter, and it must be said that these particular woods - "Severance" was filmed in Hungary and The Isle of Man - possess some decent atmosphere. The performances are generally capable. Danny Dyer is the principal supplier of comedy relief as the immature Steve. Toby Stephens is fun in the role of Harris. The filmmakers also work in a brief and very amusing way to contrive some nudity.
Ultimately, this is rather predictable and the ending isn't all that great, but this is still pretty enjoyable while it lasts.
Seven out of 10.
I recently saw this film premiere in Manchester as part of the Sky Festival and I have to say, I was impressed. I went in expecting nothing much, having read the comments and other info on IMDb before I went. However, these do not do this film justice.
It was witty, clever, well written but managed to balance this perfectly with it's horror elements. The idea behind the story is seemingly unique within cinema, and therefore was interesting and kept the viewer gripped. The acting was of a high standard in particular, Andy Nyman. I would say that Danny Dyer's role was well-played etc etc, but I met him afterwards, (and there was also a Q+A session) and he was rather obnoxious, I didn't like him (think Moff from Human Traffic... that wasn't method acting).
As for the direction, it is very commendable, in fact, the director Chris Smith, held a Q+A after the film and he definitely knew what he was talking about, as a big horror fan/geek, that was refreshing to see, particularly since none of his other films have approached this genre with any gusto. The film is reminiscent of Calvaire (the ordeal) and you can definitely see this in the direction - (he did say that Calvaire was one of his favourite films when I questioned him about the similarities).
Overall the film is definitely worth your hard earned £6. A wonderful example of GOOD contemporary British cinema, something which is difficult to find these days. However, I can't help wondering whether or not it's all an allegory to British rave culture...?!?!
It was witty, clever, well written but managed to balance this perfectly with it's horror elements. The idea behind the story is seemingly unique within cinema, and therefore was interesting and kept the viewer gripped. The acting was of a high standard in particular, Andy Nyman. I would say that Danny Dyer's role was well-played etc etc, but I met him afterwards, (and there was also a Q+A session) and he was rather obnoxious, I didn't like him (think Moff from Human Traffic... that wasn't method acting).
As for the direction, it is very commendable, in fact, the director Chris Smith, held a Q+A after the film and he definitely knew what he was talking about, as a big horror fan/geek, that was refreshing to see, particularly since none of his other films have approached this genre with any gusto. The film is reminiscent of Calvaire (the ordeal) and you can definitely see this in the direction - (he did say that Calvaire was one of his favourite films when I questioned him about the similarities).
Overall the film is definitely worth your hard earned £6. A wonderful example of GOOD contemporary British cinema, something which is difficult to find these days. However, I can't help wondering whether or not it's all an allegory to British rave culture...?!?!
Severance is a pitch-black comedy/horror that successfully blends laughs with outrageous scenes of extreme violence to tell the tale of a group of employees for a weapons company who, whilst on a team-building weekend in Eastern Europe, run into trouble when they are attacked by masked assailants.
I found the film to be both highly amusing and also rather creepy, although how much you enjoy the film will depend on how warped your sense of humour is. I liked it a lot, but then my sense of humour has always been rather questionable.
The story, which bears some resemblance in places to the extremely over-rated Hostel, allows some conjecture on the audience's part as to exactly who the killers aresomething I particularly liked. Theories are bandied about by the film's characters, but the issue is never resolved absolutely, allowing the audience to decide for themselves.
The likable cast give sterling performances and manage both the comedic and horrific elements with ease. Director Christopher Smith, who also made the rather humdrum Creep, handles the action well, and the film moves at a brisk pace delivering plenty of chills and thrills along the way.
And to cap it all, Smith makes sure that the gore-hounds get their quota of blood 'n' guts, and even finds time to throw in a couple of topless escort girls for good measure.
I give Severance a very respectable 7 out of 10.
I found the film to be both highly amusing and also rather creepy, although how much you enjoy the film will depend on how warped your sense of humour is. I liked it a lot, but then my sense of humour has always been rather questionable.
The story, which bears some resemblance in places to the extremely over-rated Hostel, allows some conjecture on the audience's part as to exactly who the killers aresomething I particularly liked. Theories are bandied about by the film's characters, but the issue is never resolved absolutely, allowing the audience to decide for themselves.
The likable cast give sterling performances and manage both the comedic and horrific elements with ease. Director Christopher Smith, who also made the rather humdrum Creep, handles the action well, and the film moves at a brisk pace delivering plenty of chills and thrills along the way.
And to cap it all, Smith makes sure that the gore-hounds get their quota of blood 'n' guts, and even finds time to throw in a couple of topless escort girls for good measure.
I give Severance a very respectable 7 out of 10.
Você sabia?
- CuriosidadesThe actor who plays the irate bus driver, Sándor Boros is a Hungarian stunt driver, and it is he who drives the bus during the crash scene. In the DVD featurette Crashing a Coach (2007), director Christopher Smith goes into detail about how the crash scene was staged, and in it, he points out how the Hungarian stunt team were "less concerned with health and safety issues" than British stunt teams. Smith explains that for the crash scene, the stunt coordinator told Boros to drive at 35mph, but Boros felt this wouldn't produce a good enough scene, so he hit the stunt ramp at 50mph, producing a much more spectacular crash than Smith wanted. As it was a one-time only shot, this newly spectacular crash forced a hasty rewriting of the screenplay, as due to the severity of the crash, the characters now needed to be substantially more injured than was originally planned. Smith was also amazed that the only safety equipment Boros used during the scene was a seat belt and a motorcycle helmet. Indeed, during the stunt, Boros was knocked completely unconscious.
- Erros de gravação(at around 2 mins) When George is hanging upside down it is clearly visible that his nostrils are blocked, this to prevent blood from seeping into them.
- ConexõesFeatured in Breakfast: Episode dated 22 August 2006 (2006)
- Trilhas sonorasItchycoo Park
Performed by The Small Faces
Written by Steve Marriott & Ronnie Lane
Published by EMI Music Publishing Ltd
(p) 1967 Sanctuary Copyrights Ltd
Licensed Courtesy of Sanctuary Records Group Ltd
(p) 1967 Immediate
Licensed from Licensemusic.com ApS
An Original Immediate Recording
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Lo que acecha en las sombras
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- £ 5.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 137.221
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.316
- 20 de mai. de 2007
- Faturamento bruto mundial
- US$ 5.515.163
- Tempo de duração
- 1 h 36 min(96 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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