Mutilados

I was a big fan of Chris Smith's previous film Creep and had heard this was even better so I had high expectations going in. They were completely surpassed by this superlative slice of hilarious horror action.

The way the film combines humour and horror is skilled and the script is smarter than average for the genre. The film works better as a comedy and there are some absolutely precious comedy moments that I won't detail here as I don't want to spoil any of them. Suffice to say that the audience were busily quoting them and some of the better of the fantastic lines of dialogue after the screening. I feel people will be quoting some of these lines for years!

On a more serious note, there are some seriously scary scenes in the picture and even a couple of deaths of some of the more sympathetic characters that are actually quite moving.

The cast is also perfect, none of them put a foot wrong. Laura Harris completely kicks ass as the heroine.

I sorta want to see a sequel but heaven knows where they'd go with it.

Overall, I loved the film - it's made by a writer and director who are genuine horror fans and it shows. They're also both very talented.

I recently saw this film premiere in Manchester as part of the Sky Festival and I have to say, I was impressed. I went in expecting nothing much, having read the comments and other info on IMDb before I went. However, these do not do this film justice.

It was witty, clever, well written but managed to balance this perfectly with it's horror elements. The idea behind the story is seemingly unique within cinema, and therefore was interesting and kept the viewer gripped. The acting was of a high standard in particular, Andy Nyman. I would say that Danny Dyer's role was well-played etc etc, but I met him afterwards, (and there was also a Q+A session) and he was rather obnoxious, I didn't like him (think Moff from Human Traffic... that wasn't method acting).

As for the direction, it is very commendable, in fact, the director Chris Smith, held a Q+A after the film and he definitely knew what he was talking about, as a big horror fan/geek, that was refreshing to see, particularly since none of his other films have approached this genre with any gusto. The film is reminiscent of Calvaire (the ordeal) and you can definitely see this in the direction - (he did say that Calvaire was one of his favourite films when I questioned him about the similarities).

Overall the film is definitely worth your hard earned £6. A wonderful example of GOOD contemporary British cinema, something which is difficult to find these days. However, I can't help wondering whether or not it's all an allegory to British rave culture...?!?!

I'm quite surprised that this movie hasn't done better as I thought it had hit written all over it. This film has only been out for two weeks here in Scotland and it already only has one showing at 10.25 at night and the screen that we were in only had around 15 people in it. Shame that, as this movie is brilliant entertainment.

It starts out with pretty funny moments but gets very violent and gory after a while. This is what I found a bit confusing with the film as I found myself not sure whether to laugh at some parts or not (the part with the guys leg being the main example).

However I did enjoy it though and some parts, especially the ending are very exciting. The plot is pretty clever and the characters are likable. All in all if you can handle the violence then this is a movie worth catching. Shame it's not getting the same recognition as Shaun Of The Dead.

I didn't like it much. It's not nearly as clever or funny as it thinks it is, and the horror violence seems disturbing and mean-spirited instead of mocking and over-the-top. The dialogue really isn't that sharp at all, and the characters are either incredibly unlikeable or just plain bland. There's only a few minutes of side-splitting humour (the rocket/plane being the highlight), and there's some moments of sly comic brilliance (loved the three different stories told), but it just turns into the very thing it's trying to mock by the end. The villains are too real and too human to be properly made fun of, and thus any joke involving them just falls flat. It's not nearly funny enough to be labeled a hybrid, so instead it's just a horror with some black comedy elements. Shame.

Co-writer and director Christopher Smith puts a rather fresh and funny spin on the standard slasher formula with this irreverent horror comedy. The employees of a multinational weapons manufacturer named Palisade travel to the Eastern European woods for a "team building" retreat. They get on each others' nerves for a while, but this will not turn out to be their biggest worry. What happens is that a very stealthy and extremely sadistic killer is going to target them, and arrange for them to meet nasty ends.

Give Smith and his co-writer James Moran some credit for playing around with the conventions of slasher cinema without resorting to self-referential dialogue. The set-up is certainly a topical one, and the filmmakers do work in digs at corporate culture as well as this genre. The characters may grate on the nerves of some viewers. "Severance" does fall into that familiar trap of "dumb people doing dumb things", but at least not all of the characters are hopeless. Laura Harris plays Maggie as a resilient person who keeps a cool head in an emergency.

Genre lovers will be pleased with a respectable amount of splatter, and it must be said that these particular woods - "Severance" was filmed in Hungary and The Isle of Man - possess some decent atmosphere. The performances are generally capable. Danny Dyer is the principal supplier of comedy relief as the immature Steve. Toby Stephens is fun in the role of Harris. The filmmakers also work in a brief and very amusing way to contrive some nudity.

Ultimately, this is rather predictable and the ending isn't all that great, but this is still pretty enjoyable while it lasts.

Seven out of 10.