42: A História de uma Lenda

42 is a movie about that particular black man, who entered the league for the very first time, challenged everyone, including his teammates and won. Jackie Robinson (Chadwick Boseman) became the pioneer athlete to stand alongside the white sportsmen on the field when segregation & racial discrimination was a "rule" in United States. However, film does not actually follow the whole story of Jackie, it more tells a story of racial revolution in baseball, which escalated after one bold decision of Brooklyn Dodgers executive - Branch Rickey (Harrison Ford). Branch was the first manager to hire a black man, a talented black man who ran fast, who could catch any ball and who could bring hundreds of black spectators to the field. And since every of them, regardless their skin color paid money to see Robinson playing, this new transfer to the team could be successful.

Brian Helgeland wrote a pretty interesting and engaging script, with really good dialogues (well, he has a great experience of it from LA Confidential and Mystic River). Even though there is no much tension in the movie, it still makes you enjoy every minute of it. At first I was not comfortable with the idea of racial discrimination, because I've seen so many good movies on this topic, and it just makes me feel bored. Most of them look like each other much. I believe that any film that regards this topic, shall be very much emotional, which helps director to deliver a message successfully. The last film that affected on me, and for sure on every person, was The Help - a masterful presentation of historic segregation. But 42 does not arise rave emotions, it instead provokes great satisfaction. That is why 42 is an above average film.

Picking totally unfamiliar actor, Chadwick Boseman, for lead role, which actually presents the whole idea of the movie, is a risky choice by director. But Jackie was exactly as it should be. Chad delivers a passionate, evolving character who struggles with his emotions and almost every person surrounding him. His convincing performance is really worth to call potentially one of the best performances this year.

And Harrison Ford, it's been years I've not seen him acting well. In fact, the portrait of Branch Rickey is one of the best performances he'd ever had. Even though Mr. Ford gets older, he can make Brooklyn Dodgers story unbelievably interesting.

As for the rest of cast, everyone is good. Maybe not the best actors you can imagine, but they make a good team and there is nothing we can reject about their performances.

An well done depiction of the struggles Jackie Robinson went through to just play baseball. I think all the casting was well done -especially Chadwick Boseman and Harrison Ford. It was hard to see the discrimination then and knowing how it continued for many years - but that was the time of my parents and it was true to the time (so sad). I think Harrison Ford should get an Oscar nomination for best supporting actor - it is such a good performance. I totally forgot who the actor was and got into the personality of Branch Rickey - it was all about the best for the baseball team - but he had a heart too for his players. It was fun to see J.R.Knight in a film again - I have always liked him. I liked the music (I grew up with it) and the costuming was accurate. The sets were well done and the language - that is the way it was - not tolerated now thank heaven. Jackie Robinson was a man of honor and strength - an admirable man.

I remember seeing Jackie Robinson as a retired man and walking with a cane, being applauded before World Series games in 1972. Was wondering who was that man. My mother told me he did something important in baseball, better than a winning home run.

Thank God what he did was open the doors to talented black and other ethnic players to play baseball, it changed the game forever.

This movie depicts this feat done by this man as well as the audacious Branch Rickey, general manager of the Dodgers. Well photographed, story well written and good characters. I noticed there were a lot of barriers that the Dodgers itself had to suffer (bigotry, banned from hotels, possible strike by players, white people booing). But that did not move Jackie on the field.

Sad that the producers did not shot a local scene regarding Montreal where he played for the "Royals". There was an anecdote that Robinson was ran over on the streets, not for bigotry, but for heroism on the field. And of course at the time, French-Canadians were subject to some bigotry by the English Canadian majority (until a certain Maurice Richard gave them courage to stand up, there was a movie about it...). Jackie Robinson is well honoured here with a statue near Olympic Stadium. However, the jersey said it all, and the former "Expos" did made a replica in 1992.

For the rest, a movie to see. To remember that there a place for all, and all can succeed, despite the hatred and bigotry...

You probably think this film is completely focused on the story of Jackie Robinson. That is definitely not the case, as this film finds balance between the story of Robinson, baseball, and segregation. And this film succeeds in depicting all three aspects to bring a powerful, heartwarming, humorous film. The casting is great. Every actor fits his or her character perfectly. Harrison Ford does an amazing job portraying his character with his no- nonsense humorous attitude. He has a good chance of grabbing an academy award nomination for this roll. This is one of those movies that takes you for an emotional thrill ride. You feel for the Robinson. You want him to win. And you rejoice when he does. So sit back and let the film drag you in; it's worth your time.

Greetings again from the darkness. After some soul searching, I have decided to turn off the critical side of my brain and concentrate on what is good about this movie. As a baseball and movie fanatic, a bit of trepidation creeps in when the two come together. However, this really isn't a baseball movie, though the story focuses on what may be the most critical turning point in baseball history. In fact, this turning point was much bigger than the American Pasttime ... it was also key to the Civil Rights Movement. The movie is a reminder of how different things could have been with the wrong man rather than the right one ... Jackie Robinson.

Writer/Director Brian Helgeland (s/p for L.A. Confidential and Mystic River) takes a look at what occurred in 1945-47, when Brooklyn Dodgers President and GM Branch Rickey (played by Harrison Ford) made the business decision to integrate baseball. We see his selection process ... Roy Campanella "too nice", Satchel Paige "too old". He settles on Jackie Robinson after their infamous 3 hour meetings where Rickey confronts Robinson with his need for a black player "with the guts NOT to fight back".

Chadwick Boseman portrays Jackie Robinson as a man thoroughly in love with his wife Rachel (played by Nicole Beharie), and one who says he just wants to "be a ballplayer", while at the same time taking pride in his world-changing role. We see his evolution from his stint as shortstop for the Kansas City Monarchs of Negro Leagues to his time with the Dodgers' AAA minor league team in Montreal and finally to his introduction to the Major Leagues in 1947.

This is an earnest and sincere movie that removes the complexities of the times and the main characters. Much of it is portrayed as good guys versus bad guys. The good guys are really good and the bad guys are really bad. Alan Tudyk has the unenviable task of portraying Philadelphia Phillies manager Ben Chapman, who famously unleashed a verbal assault of vile racism on Robinson. Mr. Rickey credited Chapman's small-mindedness as the single biggest factor in unifying the Dodger team around Robinson. The other famous moment given time in the movie is when beloved shortstop Pee Wee Reese (Lucas Black) put his arm around Robinson, shushing the Cincinnati fans. Of course as a baseball fan, I enjoyed the all too brief antics of Brooklyn manager Leo Durocher (Christopher Meloni) whose place in the Robinson story would have been much more profound had he not succumbed to the weakness of the flesh (so to speak).

Filmmaker Helgeland provides a tale of morality and social change, and provides a glimpse at the character and strength required by those involved. The story has much more to do with demonstrating how the times began to change than it does with how Jackie Robinson, an unpolished ballplayer but superior athlete, transformed himself into a perennial all-star and league MVP. And that's as it should be. As Rickey stated, acceptance will only occur if the world is convinced Robinson is a fine gentleman and a great baseball player. That burden must have weighed heavily at times, but it's very clear that Robinson was the right man at the right time.