Segundo Evangelho

The Gospel was a nice movie. It was what the Fighting Temptations should have been. Unlike the Fighting Temptations, this movie dealt with real situations and showed people going through real struggles. It showed people who were flawed and who were struggling with their faith but who persevered and grew. It was not a groundbreaking movie but there were surprises. Some of the characters went in different directions than I expected. The ending could have been made a little clearer. The director choose to end with flashes of scenes that you had to look at quickly before they went away. But it was a nice movie. The music was nice too, although I would have liked to have seen more variety in the songs they picked. Most of the songs came from only one composer.

This was by no means an outstanding movie, and if I didn't feel some professional obligation to see it (I'm a pastor) I probably would have passed. But then I would have missed out on a solid film telling a compelling story with some fine acting and even better music.

Yes, many of the characters are two-dimensional, and yes, the plot is predictable. But that's because it's telling an old, old story. Within that old, old story a variety of subplots bring up real-life issues in families, workplaces, churches...and excuses to bring on some very fine black gospel music (as well as gospel adaptations of popular "white" tunes).

I'm not a pastor in the black church, so I can't speak to the back rooms of that culture, but I can say that most pastors of whatever stripe do face the lure to "bigger and better," whether it be budget or attendance or campus acreage or book sales or conference registrations. And the wives of pastors face the constant challenge of being both honest and supportive, without losing their own integrity in what's a very difficult environment.

I would definitely recommend this film; for all its shortcomings it is a powerful piece.

Its saddening that a lot of people have just voted '1' just to ruin the rating of this film on IMDb. I doubt if anyone really believes it is that bad as there are very few films (that I have chosen to watch) I would give ratings below 2. Equally a few people have given it 10 to counteract the 1's sadly they are out numbered. I have rated it 7 as I believe it had its highlights but also a few shortcomings.

I don't think you need to be a Christian to watch the film and not even black (I can remember seeing only one white character that spent more than two seconds on screen, what a change). One requirement might be to enjoy music though.

The film starts with a very good mass choir rendition of a popular gospel tune 'Our God is an Awesome God' (has about 5 minutes of screen time over the opening credits) and later there are at least 2 other performances of equal duration. Sadly the performance by Fred Hammmond of Commissioned fame was interspersed with acting. There was also singing from Yolanda Adams and Tamyra Grey (former American idol contestant).

As the story opens, Pastor Fred Taylor has a thriving church in Atlanta which his son David is leading in praise and worship. David's mother dies and he blames Fred for never being there for them. David leaves the church and 15 years later becomes a successful R&B Singer with a hit on the charts called "Let Me Undress You." David's friend, Rev Charles Frank (Idris Elba)who was also in youth ministry stays behind at the church becomes an associate minister and is now in line to take over the church which happens to now be having financial problems.

Pastor Fred develops cancer and David returns home to be with his dad and the rest of the film focuses on his internal dilemma whether he should focus on his music career or the church and the leadership battle between Frank - who has now developed a great ego - and Associate Pastor Terrance Hunter (Donnie McClurkin).

Boris Kodjoe (once voted as one of the 50 most beautiful people on the planet) was very good in the lead role as David Taylor however there were a few areas where his acting came across as being stiff when he was out of his comfort zone. I was impressed by his acting when he was leading the choir. Omar Gooding was also excellent as the Manager/sidekick. Other members of the cast were very good including Idris Elba, Clifton Powell and Donnie McClurkin.

The movie attempted to explore church politics in a very realistic way, however I was a bit disappointed at the sudden reversal of Frank. (Perhaps it will be explored further in the deleted scenes on the DVD. (And to the reviewer from earlier - yes some of us do want to see the deleted scenes).

I must admit I don't see links to the fighting temptations as that was mainly a comedy and this was a powerful drama.

My main criticism is that they tried too hard to give the film a happy ending that would please all but it didn't strike me as being very realistic. Overall though a very good film worth watching.

A story of redemption, pride, jealousy, and reconciliation.

Fine cast with a stirring gospel soundtrack.

Although others have criticized the camera work and editing, those aspects of the movie neither bothered me nor detracted from my enjoyment of this uplifting film. I found that the acting, music, and story were engaging and enjoyable.

The singing performances of the choral groups and such gospel stars as Yolanda Adams, Fred Hammonds, Mom Winans, and Martha Munizzi combined nicely with, and elegantly complemented, the dramatic work of Idris Elba, Omar Gooding, Nona Gaye, and Clifton Powell.

American IDOL finalist Tamyra Gray shined in her acting and singing roles and showed that she has a bright future.

Not an award winning film, but quite entertaining.

There is something about THE GOSPEL that makes you want to like it: some fine actors (Boris Kodjoe, Idris Elba, Clifton Powell, Tamyra Gray, Aloma Wright, Nona Gaye) and some really terrific gospel singing. Writer/director Rob Hardy stretches the biblical tale of the Prodigal Son to the updated story of the son of a bishop of an evangelical church who runs away to become a R&B singing star only to return to his father when cancer of the prostate signals the end of his life. The 'other' son has inherited the mantle of the bishop with special interests deflecting his commitment to the bishop's origins and the Prodigal Son finally finds acceptance in offering his talents to further the original dream of his father.

The script is conversationally pedestrian but the actors do their best to make credible characters. There is a sense of commitment from the cast of extras that leaves a warm afterglow, but in the end this is a slight story saved by some fine music. Grady Harp, January 05