Das Goebbels-Experiment

SPOILER: The Nazis lose World War Two.

For my quids, Paul Joseph Goebbels was far and away the most interesting and complicated of the Nazi leaders. Goering and Himmler were motivated purely by self-interest; so was Speer, but he was also caught up in Hitler's cult of personality. Goebbels, on the other hand, was no mere stooge. He was an accomplished playwright and poet, who was committed to the National Socialist cause even before Hitler emerged as that cult's leader. In the diary which Goebbels kept from the 1920s until shortly before his death, he frequently questioned Hitler's leadership, and wondered if the movement was travelling the wrong way. (I'm astounded that Goebbels saved those diary entries after Hitler had consolidated his power.) Goebbels married a beauty queen, had six children off her, and juggled simultaneous affairs with multiple mistresses ... quite different from his boss Hitler, who was terrified of physical intimacy. If Goebbels had been the head Nazi, things might have ended very differently.

The simple but riveting film 'The Goebbels Experiment' is constructed round a brilliant idea. Silent newsreel footage — depicting the rise of the Nazi movement, the Third Reich, its glorious zenith and then its inglorious downfall — is shown on screen while Kenneth Branagh reads entries from Goebbels's diaries in chronological order, making no attempt to 'perform' the text as a dramatic role. Goebbels's chilling words speak for themselves.

For me, the most startling moment in this documentary occurred early on, when the Nazi party have successfully manipulated Germany's national election, becoming the duly-elected political force ruling Germany. When this happens, Goebbel openly exults (as did Hitler), saying that the last time he felt this excited was when the Kaiser declared war in 1914. I quite believe that Goebbels sincerely felt this way, but I was pulled up short by it ... because Germany's adventure of 1914 turned out to be a huge mistake, bankrupting the nation and destroying its national currency, as well as toppling the German royal family and humiliating the nation.

Did Goebbels never for one instant stop to think that the Nazi triumph in the national elections might turn out to be as much of a 'victory' as the Kaiser's war declaration ... in other words, an utter failure? Evidently not. We know what happened next. There are no surprises in 'The Goebbels Experiment', but this documentary is train-wreck fascinating, and I strongly recommend it. A full 10 out of 10.

Writers-directors Lutz Hachmeister and Michael Kloft structured this documentary in an unusual way by offering the actual words from Joseph Goebbels's 1924-1945 diaries.

Goebbels's word are spoken by the gifted British actor-director Kenneth Branagh, who unfortunately reads them as if he were just passing through town and needed a few extra bucks. Goebbels was a man of mercurial emotion, but that's hard to pick up from Branagh's rapid-fire and seemingly diffident delivery.

The film's structure leads to bigger problems: there are too many glaring omissions of crucial events in world history. A second narrator should have been used to fill in these gaps.

The examples of omission are numerous. We get a mere passing glance at the invasion of Poland, the event that was singularly responsible for launching World War II in Europe. We barely see the violent roundup of Jews all over the country, although Goebbels wrote often about his hatred of the 'Juden'.

The Battle of Britain, a critical early turning point in the war that is often credited with dissuading Hitler from invading England, is not even mentioned. The war on the eastern front with Russia is barely examined, we hear only scant mention of D-Day, there is no reference to the famous attempt on Hitler's life, and the film abruptly ends in less than five minutes with the pristine bodies of Goebbels's children and his own charred corpse.

The film does work as an examination of Goebbels's exasperation and frustrated self-importance (he saw himself as a possible Fuhrer). His smugness and arrogance are noted throughout in his diaries. He imagines himself as a 'new' Dostoyevsky, he deems the brilliant cinematographer-propagandist Leni Reifenstahl as an irritating 'minor' talent, he scoffs at Goering, Himmler and others, and he fairly glows when Der Adolph pats him on the back.

Joseph Goebbels and his 'philosophy' of propaganda (repeat lies often enough and they will eventually be interpreted by the public as truth) are alive and well in our society. Goebbels may be dead, but his ideas, in different forms, live on.

I was really hoping this film would give some real insight to the life of a very complex and horrible person. Unfortunately, it is, for the most part, a chronological retelling of events. It tells you little about his early life, his switch from socialist to Nazi, next to nothing about his joining and rise in the Nazi party, his reaction to events like the Putsch, the Battle of Britain, Stalingrad, the assassination attempt on Hitler. It gives no information about the making of films like "the Eternal Jew" or any of the inner workings at UFA studios. It does show his dislike of Reifenstahl and then, subsequent fawning over her when giving an award, but the commentary is very limited.

I understand they wanted to limit it to his diary entries but they just aren't enough to give a full perspective on Goebbels. No mention is made of his families' and his deaths (portrayed so well in "Downfall") and nothing of his life in the bunker. Too many gaps, way too much left out. There are some interesting comments about his mistrust and jealousies with Himmler and Goering, but all stuff that has been well reported elsewhere. Some of the footage is interesting including pieces I haven't seen before, but really not much that is of an informal nature. If you're hoping to gain more perspective on why someone would do what he did, or even the inner workings of Nazi Germany, sadly you might as well skip this film.

Perhaps if this diminutive propaganda minister hadn't been such an outcast as a youth, he wouldn't have grown up to be such a jerk. The Goebbels Experiment is definitely worth your time if you're into WWII history, and hope to learn what might have made some of these villains tick. Kenneth Branagh lends his voice to an hour and a half of diary entries from Joseph Goebbels, a would-be novelist, poet, propagandist, and fascist anti-Semite who rose from obscurity along with Hitler, and helped his fuhrer terrorize a great many people. We learn of his painful and lonely childhood marred by crippling polio and then being shunned by his schoolmates. We hear the angst felt by many during the Weimar years, and the antisemitism pooling inside him. By the early 1920s, Goebbels has fallen under Hitler's spell, and the two men's destinies are intertwined for the rest of their lives... until their brutal suicides.

Anyone looking for insight into the cause of this man's hatred of Jews won't find much. Antisemitism in Europe hardly began with the Third Reich, and didn't end with it either. The bulk of this film centers around squabbles within the party, and Goebbels' ideas of what make good or bad propaganda. Despite his extramarital affairs (which he only hints at), Goebbels still attempts to portray himself as the quintessential German family man. With WWII raging around him, he still lives the high life by hobnobbing with actors, traveling to swanky Paris and Venice, all the while enjoying the power his position has afforded him. The journal entries turn noticeably pessimistic and more urgent, from the moment he mentions reading a letter from a commander on the eastern front. Suddenly, the fortunes of war seem to be turning. Not much in the way of specific battles are mentioned. Again, this is not exactly a blow- by-blow account off the war. Just the musings of one of the key players. His relationship with Hitler starts as some sort of a man-crush, then goes through a phase of distrust, then ultimately ends up trying to reason with him over mistakes he has made fighting the war. Goebbels also claims to be one of the few Nazi leaders respected by their soldiers on the battlefield.

From the time he hears of the trouble in Russia, Goebbels can most likely guess that his future, and that of the people closest to him, looks quite dark indeed. Still he urges the German people to fight on, and many do... until the very end. And we see this end in graphic detail. Do we the audience feel in any way sorry for him? Maybe for his family, but the words of this man deserve a harsh punishment. And they must never be forgotten. The Goebbels experiment is worth your time. A good blend of newsreel footage, speeches, and an inside look at one of the most notorious figures of perhaps the most evil regime of all time. 8 of 10 stars.

The Hound.

This film basically has the narrator reading from Josef Goebbels diary from the early 20's through to his death in 1945. The film is bookended by the charring corpse of Goebbels, though the film reveals his dead daughters, since Goebbels had them poisoned rather than be captured. You learn a lot of things about Goebbels. He critiqued movies, panning The Battleship Potemkin for being too unsubtle in its propaganda (and obviously being inspired by it at the same time.) He thought Churchill was a better speaker than "that idiot Chamberlain". He was paranoid, often attacking then loving Hitler. You learn that Hitler's favorite men were not friends (Goebbels hates Goring, for example.) This is a must see for anyone interested in the goings-on in the inner sanctum of the Nazis.