O Amor Não Tira Férias

Iris Simpkins (Kate Winslet) is a pushover for her ex (Rufus Sewell) and she's blindsided by his engagement. Amanda Woods (Cameron Diaz) is tired of her cheating boyfriend (Edward Burns) and leaves her LA life for a few weeks. They use a vacation website to chat up a home exchange. During their vacation, they each fall for their own local guys.

It's a double rom-com. Jack Black is trying to be a romantic lead. He and Winslet make an odd couple. She's absolutely charming. He's not himself, and Eli Wallach is better as the lead. Jude Law is a more conventional choice for a leading man. He and Diaz work well together.

It's an unabashed chick flick. It does exactly what you expect it to do. It just does it twice. It explains the running time of over 2 hours. It's kinda corny and kinda formulaic, but it has its heart in the right place.

There are some romantic comedies that I don't like, but The Holiday is an exception. I found it sweet and very entertaining at times. The four stars, Cameron Diaz, Kate Winslet, Jude Law and Jack Black are very talented actors, and their performances take centre stage here. Kate Winslet was lovely as Iris, but I was really delighted with Cameron Diaz as Amanda, especially when she is seen wearing stilettos in the snow. At my first viewing the whole cinema were like "How does she do that?" I also thought their exchange on the phone was hilarious too. As the men, I really liked Jack Black as Miles, a perfect blend of subtlety and spirit. Jude Law, an actor who isn't always my cup of tea, does very well indeed, as Diaz's new friend Graham. This tells the story of two women who swap homes and make lifelong friends, or something along the lines of that. My sister has this on DVD and absolutely loves it. I have only two quibbles with this movie, the script is a little weak and frothy at times, and there are some places where the story is underdeveloped. Still a beautiful-looking and hugely enjoyable film. 8/10 Bethany Cox

While this movie is not going to be a masterpiece and held up in the future as an example of "great" film making, it was, in my opinion, a well made, albeit predictable, movie.

I did appreciate the storyline was a bit of a formula, but it had enough in the sub plots to keep me interested all the way through.

I got what I expected and a little more from the lead characters, but was a little disappointed in the performance of Jack Black. I am a fan of Jack, but am seeing a lot of the same from him in his facial contortions. Even so the character was "lovable"! The real surprise for me was the whole "Arthur Abbott" (Eli Wallach) sub plot. It was delightful and saved the show from the malaise that plagues the romantic comedy, that being predictability.

I am not a romantic comedy type of guy, yet I was sucked into this movie well and truly.

As I left, I felt like I had been treated as a human being. I had not been assaulted by the violence, overt sexual references, gunfire and the explosions that seem to be everywhere. (Not that I don't like a good "shoot the baddies" or "indecent suggestive action" type of movie).

This was just good clean "fun"! And I would see it again (next year maybe!)

Do you like chocolate? Do you know that moment, even before you put it in your mouth? You can imagine that taste. You can feel that rich sweetness on your tongue, the smoothness going around your mouth . . .

The Holiday is a romantic comedy. You know what that means. And if you don't like romantic comedies, don't go and see it. If you do, you will know what to expect. The mushy feelings creeping up on you. All those 'If Only . . .' emotions telling you there is a lovely place somewhere in which people fall in love and everything works out kinda perfect. If only for a while . . . say, for the holiday period over Christmas and New Year . . . or for the 138 minutes which this film lasts.

Two Women on the Verge of Emotional Breakdown do holiday house swap. They escape lovelorn predicaments and find 'unexpected' love on their opposite sides of the Atlantic. Cue picturesque English country house just the way Americans imagine it (with sheep out the back). Cue enormous L.A. mansion with swimming pool (just the way Brits imagine it).

Cameron Diaz is Amanda, owner of a movie-trailers editing firm. Since she's played the same comedy character several times, there are few surprises; but an excellent script, written directly for her and the other three leading stars, projects it rather better than average. Kate Winslet as Iris, a successful writer on The Telegraph, is more nuanced: an actor with considerable range, we cannot but help admire the way she does 'pathetic girl' rather beautifully in a role that she could manage with one hand counting the ways to have fun and get paid simultaneously.

Formulaic it is (wonderful women with scoundrelly fellas eventually get The Real Men They Deserve - meeting puppy dogs, children, and falling snowflakes on the way of course). But, well-done within a narrow genre, it still stands out. No-brainers like this tend to have dumb scripts and dumber acting, but The Holiday contains warm, natural dialogue and heartfelt chemistry. If this was the 40's, you'd want Jude Law and Cameron Diaz to get married off-screen afterwards. Charismatic and entertaining, unless you find Diaz, Law or Winslet personally irritating (some people do), they are a joy to watch, filling their parts with love and light. Excellent production values keep the rather trite story flowing. Everything is picture-perfect, long lenses flattering the features of the already handsome stars, filters and soft-focuses carefully delineating the mood.

There is an overall honesty to the performances. "You look like my Barbie!" delights a four-year-old excitedly to Diaz. Ironic? But said with so much affection it is self-deprecating rather than cutting. Jack Black struggles to get out of his music-and-silly-faces typecasting but just manages to look the part for an intellectual Iris who is not attracted to skin-deep. Jude Law, on the other hand, could be an advert for men's skin cream, and too rounded a character to be mere pin-up material.

With more Christmas songs than you can shake a piece of tinsel at, The Holiday is a warm, snuggly romance to lose yourself in before coming firmly back down to planet earth. It might be shallow, but it's seasonal entertainment - and a Swiss chocolate of romantic comedies.

This film is perfect for when you're feeling down. It's about people who step away from their lives and switch houses in search of something new. It's a gentle reminder that there are always possibilities for joy and change, often in ways we can't yet see or imagine.

Amanda from Los Angeles and Iris from England are both navigating heartbreak. They swap homes over Christmas, and through unfamiliar places and unexpected connections, they rediscover parts of themselves they thought were lost.

This Christmas film is about healing and finding the courage to start again, that's why I love to watch it when I'm feeling down.