O Gosto da Vingança

For director Kim Jee-woon, humor is a basic element of films. And he says no matter how dark and moody it may seem, his new film ''A Bittersweet Life (Talkomhan Insaeng)¡¯¡¯ is no exception.

''This movie basically deals with relationship breakups resulting from small communication breakdowns,¡¯¡¯ Kim said during a news conference Monday after the preview screening of ''A Bittersweet Life.¡¯¡¯ Without calling it comedy exactly, sometimes audiences have to laugh at very serious or ironic situations, Kim said.

Kim has shown his unique morbid sense of humor in previous movies such as ''The Quiet Family,¡¯¡¯ a black comedy about a family who kill visitors to their cottage, ''The Foul King,¡¯¡¯ a comic drama about an amateur wrestler, and one horror contribution work for the omnibus film ''Three.¡¯¡¯ Kim is also behind ''A Tale of Two Sisters,¡¯¡¯ the psychological horror film that became a summer hit in 2003.

''A Bittersweet Life,¡¯¡¯ starring Lee Byung-hun from ''Everybody Has a Little Secret¡¯¡¯ and Shin Mina from ''Madeleine,¡¯¡¯ portrays the desperate and brutal revenge of Sun-woo (played by Lee) after he is expelled from his gang and comes close to being killed by his boss.

Lee Byung-hun is a hit-man who falls for the girlfriend of his boss in the stylishly violent ¡°A Bittersweet Life.¡± Conventional ideas of causation are put into doubt in director Kim Jee-woon's twist on film noire. ''A Bittersweet Life (Talkomhan Insaeng)'' is what Korean critics are describing as ''Action Noire.'' In it, he tweaks the traditional Korean gangster story line, presenting a work with film noire undertones and stylish cinematography.

Sun-woo (Lee Byung-hun) is a revenging dark angel dressed in black. Gang leader Kang (Kim Young-cheol) assigns Sun-woo, his right-hand man, to watch after his nubile girlfriend/professional cellist Hee-soo (Shin Mina) while he is away and find out about the other guy with whom he suspects she is messing around.

The plot is complicated by Sun-woo's existential decision to stray from the explicit instructions with which he is charged. He is cryptically told time and again to make good on a promise, but he never exactly know what that is.

Much of the action occurs in the long shadows the sprawling megapolis Seoul casts. Here, the gangsters wish they were too cool to be killed. No friend can really be trusted as the good guys are not so good and the bad guys can be down right evil. Importantly, the motivation of his tormentors is shrouded in mystery.

But the movie has been labeled ''action noire'' for a good reason. The stylistic ultra-violence of director Kim is superb. The creepy fisherman killer represents a unique Korean twist on the classic film noire villain. Our hero is not a good, good guy either, and I loved that about him. He is not only tough, but also a stone-face killer _ a tribute to both the director and actor's character interpretation.

After all, gangsters should fight to kill, and that means sometimes going for the knees and other joints, hitting low and dirty to take the guy out quick. In general, the fight scenes were creative. Watch for the face-dragged-across-the-cinderblock-wall scene, perhaps a first for cinematic violence.

This masterpiece comes from the director of Tales of Two Sisters and he delivers an epic tale of revenge.

I can't urge you enough to see this movie. The gun battles are reminiscent of Scarface, the martial arts are gritty and realistic, the poignancy of unrequited love is painful, there is a deep philosophical current that underlies this film, and the camera work is superb-but that's not what carries the movie. The actor who plays the main character is what sets this magnificent movie apart from the trash put out by Hollywood. He's a man's man-sharply dressed in well tailored suits driving in a BMW sedan (like the transporter)through beautiful Seoul (showing what a beautiful, spotless, and vibrant city it is). He reaches the point of no return and his vengeance and determination are a tour de force.

Magnificent. Bravo. South Korean films reign supreme.

I had the luck to watch this gem at the Fantasy-Film-Festival in Frankfurt yesterday. It was shown in a theater with about 600 seats and against my expectations the room was packed with people.

In comparison with Oldboy or Sympathy for Mr. Vengeance the story is not as deep and goes more straightforward to the pure revenge theme. But this does not make the movie less enjoyable. The cinematography is brilliant and the main-character delivers a great performance. It contains beautifully choreographed martial-arts and gunfight scenes with references to masterpieces like Taxi Driver and Kill Bill.

Despite the fact it is very harsh in some scenes the humor does not come to short. The scene with a discussion of Korean-Russian wannabe-gangsters made me nearly wet my pants.

This is my first review on here, only because I felt compelled to tell someone about this film… When I say "coolest," I don't mean it in a that-movie-was-really-cool kind of way… Coolest, in this case, means that it is the smoothest, well-crafted, stylish, and beautiful films I have ever seen. Everything about the film has a you'll-never-be-this-cool feel, like Jules and Vincent from Pulp Fiction. Not to mention the fact that it has the same sort of humor.

Now, I am a film student who has actually gotten a lot of praise from students and teachers and whatnot for my first film project… That's great and all, but after seeing this film I am reminded of what Steven Spielberg said after he saw The Godfather; "I guess I should quit now, because I will never make something this good." I am, in no way, comparing myself to Spielberg, I'm just describing the feeling of, "holy s***, this is amazing," and "wow, I could never do this ever…"

See this movie before you die… Or before it gets remade.

I can see how this movie is well liked by many people. It's definitely different from a Hollywood movie, and a breath of fresh air from "the formula". At the same time, it's not so different as to cause discomfort or incomprehension. Violence is violence everywhere.

If you compare this movie against other great Asian action movie directors, than I think it's not that special. It's well done, but it's ultimately a light movie. A bit like an Asian version of an Hollywood action movie. There are some moments though (the end comes to mind), where the movie does show some signs of self awareness. But overall, it's a fairly straightforward, over the top gangster movie. If that's what you're looking for, you'll be pleased, but don't expect to be blown away by a masterpiece of cinema.