As coisas dão errado para um mafioso quando ele não segue as ordens do seu chefe.As coisas dão errado para um mafioso quando ele não segue as ordens do seu chefe.As coisas dão errado para um mafioso quando ele não segue as ordens do seu chefe.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 8 vitórias e 14 indicações no total
Kim Yeong-cheol
- Mr. Kang
- (as Kim Young-chul)
Kim Hae-gon
- Weapon smuggler
- (as Hae-gon Kim)
Eric Moon
- Gun Dealer's Brother
- (as Eric)
Avaliações em destaque
I had the luck to watch this gem at the Fantasy-Film-Festival in Frankfurt yesterday. It was shown in a theater with about 600 seats and against my expectations the room was packed with people.
In comparison with Oldboy or Sympathy for Mr. Vengeance the story is not as deep and goes more straightforward to the pure revenge theme. But this does not make the movie less enjoyable. The cinematography is brilliant and the main-character delivers a great performance. It contains beautifully choreographed martial-arts and gunfight scenes with references to masterpieces like Taxi Driver and Kill Bill.
Despite the fact it is very harsh in some scenes the humor does not come to short. The scene with a discussion of Korean-Russian wannabe-gangsters made me nearly wet my pants.
In comparison with Oldboy or Sympathy for Mr. Vengeance the story is not as deep and goes more straightforward to the pure revenge theme. But this does not make the movie less enjoyable. The cinematography is brilliant and the main-character delivers a great performance. It contains beautifully choreographed martial-arts and gunfight scenes with references to masterpieces like Taxi Driver and Kill Bill.
Despite the fact it is very harsh in some scenes the humor does not come to short. The scene with a discussion of Korean-Russian wannabe-gangsters made me nearly wet my pants.
This is my first review on here, only because I felt compelled to tell someone about this film
When I say "coolest," I don't mean it in a that-movie-was-really-cool kind of way
Coolest, in this case, means that it is the smoothest, well-crafted, stylish, and beautiful films I have ever seen. Everything about the film has a you'll-never-be-this-cool feel, like Jules and Vincent from Pulp Fiction. Not to mention the fact that it has the same sort of humor.
Now, I am a film student who has actually gotten a lot of praise from students and teachers and whatnot for my first film project That's great and all, but after seeing this film I am reminded of what Steven Spielberg said after he saw The Godfather; "I guess I should quit now, because I will never make something this good." I am, in no way, comparing myself to Spielberg, I'm just describing the feeling of, "holy s***, this is amazing," and "wow, I could never do this ever "
See this movie before you die Or before it gets remade.
Now, I am a film student who has actually gotten a lot of praise from students and teachers and whatnot for my first film project That's great and all, but after seeing this film I am reminded of what Steven Spielberg said after he saw The Godfather; "I guess I should quit now, because I will never make something this good." I am, in no way, comparing myself to Spielberg, I'm just describing the feeling of, "holy s***, this is amazing," and "wow, I could never do this ever "
See this movie before you die Or before it gets remade.
Overall a good film and while it plays with the action and drama, the film has massive potential to be so much more. As my title suggests the film is essentially two different films, which begins brightly before fading fast. The first half effortlessly introduces our protagonist and the majority of the cast effortlessly. While stereotypes are put into play they all show something a little different and the plot at it's quietest plays out quite well and to a high standard expected of korean cinema. Yet as Sun Woo's life begins to break down after a costly mistake, the quality and drama quickly takes a backseat to the all too familiar genre of action and revenge. Yet it is disappointing how a country full of great examples and almost infamously associated with the revenge genre can fail so easily. As with many action films it weaves a lot of style at the expense of logic and only gets worse exponentially as guns are introduced and you have a stylish action film which could've been born out of western cinema that lacks the story telling quality it started with. Muddled with a untidy conclusion the film would've been better if the last hour was taken out and the last few minutes kept in
I had the opportunity to watch this brilliant movie at home, while translating it from English to Greek for the viewers of the Thessaloniki Film Festival in November, 2005.
I was impressed by the stunning performance of the leading actor, as well as of the other actors. The music of the film was also wisely selected.
Some -few- funny moments in the film help the viewer lighten up and get ready for what I saw as brilliantly directed fighting scenes, that neither bored me nor made me look away.
At the end of the film, when the desciple was crying for "a dream that can never come true" I was absolutely sure that what I saw was nothing less than a true work of art.
I was impressed by the stunning performance of the leading actor, as well as of the other actors. The music of the film was also wisely selected.
Some -few- funny moments in the film help the viewer lighten up and get ready for what I saw as brilliantly directed fighting scenes, that neither bored me nor made me look away.
At the end of the film, when the desciple was crying for "a dream that can never come true" I was absolutely sure that what I saw was nothing less than a true work of art.
I can see how this movie is well liked by many people. It's definitely different from a Hollywood movie, and a breath of fresh air from "the formula". At the same time, it's not so different as to cause discomfort or incomprehension. Violence is violence everywhere.
If you compare this movie against other great Asian action movie directors, than I think it's not that special. It's well done, but it's ultimately a light movie. A bit like an Asian version of an Hollywood action movie. There are some moments though (the end comes to mind), where the movie does show some signs of self awareness. But overall, it's a fairly straightforward, over the top gangster movie. If that's what you're looking for, you'll be pleased, but don't expect to be blown away by a masterpiece of cinema.
If you compare this movie against other great Asian action movie directors, than I think it's not that special. It's well done, but it's ultimately a light movie. A bit like an Asian version of an Hollywood action movie. There are some moments though (the end comes to mind), where the movie does show some signs of self awareness. But overall, it's a fairly straightforward, over the top gangster movie. If that's what you're looking for, you'll be pleased, but don't expect to be blown away by a masterpiece of cinema.
Você sabia?
- CuriosidadesThe Korean title "Dalkomhan Insaeng" and the name of the bar "La Dolce Vita" translate to "The Sweet Life". As an ironic touch the International English title is called "A Bittersweet Life".
- Erros de gravaçãoToward the end of the film, when Kim Sun-woo is walking down the corridor searching for his former boss, a guard sitting and reading a newspaper gets up to stop him. Kim Sun-woo shoots him but his gun is not pointed at the guard. Rather, it is clearly pointed at the wall where fake blood appears after the shot like a paint gun.
- Citações
Sun-woo: One late autumn night, the disciple awoke crying. So the master asked the disciple, "Did you have a nightmare?" "No." "Did you have a sad dream?" "No," said the disciple. "I had a sweet dream." "Then why are you crying so sadly?" The disciple wiped his tears away and quietly answered, "Because the dream I had can't come true."
- Cenas durante ou pós-créditosAt the end of the credits, the sign above the bar that says "La Dolce Vita" is seen exploding.
- Versões alternativasTwo versions of the film exist, the original theatrical version and the director's cut. The director's cut's edits include slight cutting and re-arrangement of scenes, swapping music placement and some additional scenes that do not appear in the original version of the film.
- ConexõesReferences A Doce Vida (1960)
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Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 10.080.808
- Tempo de duração1 hora 59 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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By what name was O Gosto da Vingança (2005) officially released in Canada in French?
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