Noivo em Fuga

The new Ed Burns movie, The Groomsmen, is the seemingly simple story of friends coming together to celebrate an upcoming wedding. Paulie (Ed Burns), the soon-to-be groom/father, is the central character around whom the others revolve. The groomsmen (Jay Mohr, Donal Logue, John Leguizamo, and Matthew Lillard) gather in their home town before the big day, having decided to fore go the "traditional bachelor party" in order to relive the best time of their lives when the most important things were Beer, Baseball and the Band.

Along the way to recapturing their youth, snippets of dissatisfaction, insecurity and regret are woven into the story. With skillful editing and realistic dialogue, Mr. Burns subtly strips away the macho banter, allowing the audience to get to know and care about these life-long friends. In each scene with an individual groomsman, Paulie (the former tag-along little brother) seems to be giving, rather than receiving, advice and in doing so works through his own pre-nuptial jitters. While counseling his old friends he comes to realize he's almost lost his newest friend. The seemingly simplistic resolutions are actually testaments to lasting friendships in which a nod and a hug are all that are necessary to realize you do have the best of both worlds.

This really is such a good movie: the characters are well-developed, the acting is understated, the cinematography is beautiful and the music is not only good, but pertinent. The audience is made to feel a part of it. Thank you, Mr. Burns et al, for 90 minutes of entertainment and hours of discussion on what makes these guys tick. I'm not just going to recommend this movie to my friends, I'll be going back to see it with them! Four Cheers!!

I saw this film at the Waterfront Film Festival in Saugatuck, Michigan and I really enjoyed it. Directed and starring Edward Burns, this was actually an entertaining movie even though it had some of the clichéd things going in the story. Ed Burns is about to marry Brittany Murphy, and the film is about the last few days leading up to the wedding. The part drama part comedy did a good job of portraying longtime friendship and the troubles everyone goes through to keep their friendship together.

I really enjoyed the ensemble, and was actually surprised how good Matthew Lillard was in it. He still had some of his goofy quirks like his usual movie characters, but he acted like an adult in this film. John Leguizamo also did a nice job playing one of the friends that has a secret. Jay Mohr was really the comic part of the film, and I didn't mind, his scenes were funny and amusing.

Overall, Ed Burns made a great buddy picture. Though some of the storyline was pretty familiar, it was well executed and in the end was a lot of fun.

Fresh from the Seattle International Film Festival --

The Groomsmen is a poignant look at relationships and forgiveness; true friendship, spousal, sibling, parent-child, and ex's. It provides a great blend of comedy and drama to not be too heavy, yet stay truly thought provoking. At times the character development scenes were a bit long, but forgivable overall. The cast is amazing, you easily forget their previously roles and see them only as the lifelong friends that they portray in this movie. The soundtrack is an excellent trip back to the rock of the 80's with the likes of Loverboy and Eddie Money. I would recommend this movie to women and men alike. It has something for everybody!

Thank you, Matt, for visiting us in Seattle!

Writer-Director Edward Burns has groomed another creative & wily film in his latest marry, I mean merry, offering "The Groomsmen". Burns also stars as Paulie, a Long Island lifer who is having cold feet by getting the all too familiar "till death due you part" phobia on marrying his pregnant fiancé Sue, played by the chirpy Brittany Murphy. However, the primary premise of "The Groomsmen" is the groomsmen themselves. They are Paulie's lifelong crackers, I mean buddies, who each have a certain dilemma. Donald Logue plays Jimbo, Paulie's beer-quenching brother who is a strip bar dweller & ignores his devoted, but yet, growing impatient wife Julianna (Heather Burns). Next coming through the groomsmen aisle, we have Des (Mathew Lilliard), the dutiful husband & father who gets a candid excitement in getting his 80's high school cover band reunited which obviously are comprised of le groomsmen themselves. Also grooming through, we got the unripe Mike portrayed by Jay Mohr; Mike's childlike & obsessive antics get him in "not to be or like Mike" hot water turmoil with his ex-girlfriend and even with a few of the groomsmen. John Leguziamo plays T.C., which might stand for "too cool" by having a ripe aura about him, but it might also stand for "top covert" because he has been out of town & touch from his crazy clan for eight years due to a personal secret. The ensemble acting of "The Groomsmen" were lords of the auteur rings. However, the best acting men were Mohr & Leguziamo. Steady Eddie's crafty screenplay does ring similar bells in theme & structure to some of his past independent films. However, why should Burns cinematically divorce himself from his exceptional & practical scribing style. Burns once again proves that he masterfully incorporates friendship, family, guilt, Catholicism, Irish-upbringing, and New York homage to his film-work. "The Groomsmen" marches itself as one of the best films of 2006 . ***** Excellent

I can't understand why this film has not been greeted with close to raves from most of the critics; but then, it seems that lots of folks resent Ed Burns' career. He made one good film, Brothers McMullen, and then produced a series of half-baked follow ups. Plus, his good looks gave him an acting career that others must envy.

His good luck aside, Burns is back in top form with The Groomsmen, an insightful look at a group of boy/men tip toeing into middle age. His ear for the venacular, in this case Long Island/Bronx Irish, is just about perfect, he creates an inviting sense of time and place and his work with the actors is pitch perfect.

Ironically, the only weak performance in the film is Burns'. His good looking Irish poker face is not compelling enough to communicate his character's inner turmoil. Matt Dillon, could he have been afforded, would have nailed this role. That said, Burns contributes a basic sense of human decency that permeates the film; it's in his character and in his writing.

I loved the whole cast, but was particularly moved by Matthew Lilligard's portrayal of a "regular joe," a bar owner who dreams of his glory days as a garage band musician now that he is the father of two. His speech about his children, buzzed, standing on his porch in the middle of the night, is a WONDERFUL example of expressive acting and, for me, the highlight of the entire film.

Don't blow this one off if you feel you've been burned by Burns in the past (sorry about that). His ending is too pat, unworthy of some of the honest, painful material that has preceded it; but all in all The Groomsmen makes me look forward to his next film. Check this one out, probably will be great when it hits NETFLIX.