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IMDbPro

Quando Me Apaixono

Título original: Then She Found Me
  • 2007
  • R
  • 1 h 40 min
AVALIAÇÃO DA IMDb
5,9/10
11 mil
SUA AVALIAÇÃO
Quando Me Apaixono (2007)
This is the theatrical trailer for Then She Found Me, directed by Helen Hunt.
Reproduzir trailer2:31
11 vídeos
56 fotos
ComédiaDramaRomance

Uma professora nova-iorquina, vive a crise dos 40 anos. Após ser abandonada pelo marido, inicia um romance com Frank, pai de um aluno seu. Para complicar, sua mãe adotiva morre e a mãe bioló... Ler tudoUma professora nova-iorquina, vive a crise dos 40 anos. Após ser abandonada pelo marido, inicia um romance com Frank, pai de um aluno seu. Para complicar, sua mãe adotiva morre e a mãe biológica torna-se uma excêntrica apresentadora de TV.Uma professora nova-iorquina, vive a crise dos 40 anos. Após ser abandonada pelo marido, inicia um romance com Frank, pai de um aluno seu. Para complicar, sua mãe adotiva morre e a mãe biológica torna-se uma excêntrica apresentadora de TV.

  • Direção
    • Helen Hunt
  • Roteiristas
    • Elinor Lipman
    • Alice Arlen
    • Victor Levin
  • Artistas
    • Helen Hunt
    • Colin Firth
    • Bette Midler
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,9/10
    11 mil
    SUA AVALIAÇÃO
    • Direção
      • Helen Hunt
    • Roteiristas
      • Elinor Lipman
      • Alice Arlen
      • Victor Levin
    • Artistas
      • Helen Hunt
      • Colin Firth
      • Bette Midler
    • 91Avaliações de usuários
    • 68Avaliações da crítica
    • 56Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 3 vitórias e 1 indicação no total

    Vídeos11

    Then She Found Me: Theatrical trailer
    Trailer 2:31
    Then She Found Me: Theatrical trailer
    Then She Found Me
    Clip 1:32
    Then She Found Me
    Then She Found Me
    Clip 1:32
    Then She Found Me
    Then She Found Me
    Clip 2:02
    Then She Found Me
    Then She Found Me
    Clip 1:40
    Then She Found Me
    Then She Found Me
    Clip 0:56
    Then She Found Me
    Then She Found Me
    Clip 2:04
    Then She Found Me

    Fotos56

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    Elenco principal43

    Editar
    Helen Hunt
    Helen Hunt
    • April Epner
    Colin Firth
    Colin Firth
    • Frank
    Bette Midler
    Bette Midler
    • Bernice Graves
    Matthew Broderick
    Matthew Broderick
    • Ben
    Ben Shenkman
    Ben Shenkman
    • Freddy
    Lynn Cohen
    Lynn Cohen
    • Trudy Epner
    John Benjamin Hickey
    John Benjamin Hickey
    • Alan
    Salman Rushdie
    Salman Rushdie
    • Dr. Masani
    Daisy Tahan
    Daisy Tahan
    • Ruby
    Tommy Nelson
    Tommy Nelson
    • Jimmy Ray
    Stephanie Yankwitt
    Stephanie Yankwitt
    • Stacey
    Lillias White
    Lillias White
    • Sheila
    • (as Lillias D. White)
    David Callegati
    David Callegati
    • Gianni
    Kenneth Stern
    • Rabbi
    • (as Rabbi Kenneth A. Stern)
    Robert LuPone
    Robert LuPone
    • Ted
    Chris Chalk
    Chris Chalk
    • Orderly
    Alexa Scott-Flaherty
    • Mother #2
    Marina Durell
    • Attendant
    • Direção
      • Helen Hunt
    • Roteiristas
      • Elinor Lipman
      • Alice Arlen
      • Victor Levin
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários91

    5,910.5K
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    Avaliações em destaque

    6gelman@attglobal.net

    A Sleeper

    If "Then She Found Me" got any real notice when it came out, it certainly passed by me. I didn't know what to expect when I chose the streaming video version, mainly because I've always liked Helen Hunt, and she's backed by a pretty impressive cast. Although it's certainly no blockbuster, the film is well worth seeing. Since it is immediately disclosed, I don't feel I'm spoiling anything in saying that Hunt plays the part of an adopted woman whose marriage at age 39 fails almost immediately because her groom (Matthew Broderick) is completely immature. Hunt's character (April Hepner) is unexpectedly confronted by her birth mother (Bette Midler) and also finds herself in a potentially romantic relationship with Frank (Colin Firth), a single father with two children whose wife left the family to travel around the world with her lover. April desperately wants to have a child, and time is quickly running out. Complications ensue on several fronts -- with her birth mother, with the husband from whom she is separated, and with Frank and Frank's kids. Hunt directed this film and co-wrote the script. Although she's a little old to be 39 again, she's still slim, beautiful, a skilled comic actress and believable in a serious, emotionally wrenching role. I can't give the movie more than a 6 but I liked it. The ending, which I won't describe, is plausible but a little too abrupt. However, I'll concede that filling the gap could not have been done quickly. And that's a potent argument for ending it without an explanation as they chose to do.
    7cloudymorning

    Great movie, especially for the married, divorced and close to forty set

    I popped into the theater one night because I happened to be driving by and had some time to myself. I hadn't seen a movie in a while and had no idea what was playing or what "Then She Found Me" was about, but 'Colin Firth' and 'Helen Hunt' caught my eye so I figured I couldn't go wrong.

    I was expecting your typical light-hearted rom-com, but instead found myself engrossed in a very moving and believable story, thanks to the marvelous acting of Firth and Hunt. Still romantic and still on the lighter side, but with nice balance of despair and heartache to remind you that life sucks sometimes.

    In my humble opinion, however, Matthew Broderick came across as a bit blank and not quite believable as the "one person in the world" that could make Helen Hunt do anything. And quite frankly (I know I'll get slammed for this), Bette Middler bore my socks off. Does she ever play any other type of character? It was like "Beaches" all over again. That being said, Firth and Hunt were still able carry out a damn good movie.
    tomgrant3

    This movie manages to be turgid and silly at the same time

    "Then She Found Me" is an insult to the intelligence. At least with the "American Pie" and "Saw" franchises you know what you're in for. A cast like this leads one to expect some degree of quality -- or at least coherence. Wrong! Helen Hunt is an unsmiling, self-absorbed, masochistically willing victim. Matthew Broderick is meant to be a feckless Peter Pan but doesn't convey a scintilla of that. Bette Midler is woefully miscast in a role that completely ignores her comedic and dramatic talents. Colin Firth's character -- also grumpy and funereal in demeanor -- acts and reacts entirely without plausible motivation. John Benjamin Hickey flits around enigmatically like some latter-day Tinker Bell. It's as if all the characters were just put in front of the camera without directorial discussion of the movie's message, plot or intent. I'm not sure it's fair to blame Hunt (as director) because the screenplay is unrelievedly lousy. Not only is it poorly plotted, the "cute" dialog is in fact just plain dumb. This film will appeal only to those willing to suspend even subatomic levels of disbelief.
    7EUyeshima

    Another Biological Clock Ticks…But Hunt Provides Heart and Conviction to Her Directorial Debut

    Having just seen "Baby Mama", which covers the same emotional territory but in much broader slapstick terms, this 2008 serio-comedy is driven far more by character than situation. In this case, the protagonist is 39-year-old April Epner, a New York schoolteacher who was raised in a close-knit Jewish family and desperately wants the biological connection of a birth child before her alarm clock goes off. She marries fellow teacher Ben, an inarticulate schlub with a terminal case of the Peter Pan Syndrome. After a brief time, he wants out of the marriage, and at almost the same time, April's adoptive mother Trudy dies. Not even a month goes by before April's biological mother suddenly shows up in the form of the brazenly overbearing but genuinely likable Bernice Graves, a cable talk-show hostess who is something of a local media celebrity. If life was not complicated enough, April also finds herself drawn to Frank, the single father of one of her pupils. Unlike Ben, he feels the same about April but is fighting his own bitterness about his own recent divorce.

    Not only does Helen Hunt star as April, but she also co-wrote the screenplay with Alice Arlen and Victor Levin and makes her big-screen directorial debut. Granted she's more impressive as an actress than a filmmaker, but as a director and writer, she makes the most of a storyline that stacks the deck a bit like a Lifetime TV-movie. There are enough realistic surprises that take the plot off the rails in a good way. Looking gaunt and avoiding much make-up, Hunt is really playing a variation of the beaten-down waitress she played in "As Good As It Gets", as she carries that same constantly pained expression of disappointment and looks about to explode during moments of emotional duress. However, a decade later, Hunt inhabits the character more naturalistically this time and with a deeper sense of vulnerability and haggard exhaustion. Perhaps to minimize any unnecessary dramatic risk, Hunt cast the other principal roles with actors playing familiar parts. Matthew Broderick effectively portrays Ben as the perpetually dazed man-child he is, while perennial love interest Colin Firth gives texture to the seemingly ideal suitor Frank, especially as he edges toward the breaking point in tolerating the sum of April's foibles.

    In one of her increasingly rare screen appearances, Bette Midler gives a scene-stealing performance as Bernice. She lights up the movie with Bernice's unfettered sense of abandonment while gradually exposing the secrets that threaten to undermine her newly found relationship with her daughter. Other parts are played with minimum fuss - Ben Shenkman as April's physician brother Freddy feeling put-upon for having a biological tie to their mother, and Salman Rushdie (author of "The Satanic Verses" which brought him a death sentence from the Ayatollah Khomeini in 1989) as April's doctor. Hunt provides her actors, especially herself, plenty of good, meaty scenes with opportunities for bravura moments. It just doesn't quite come together as a whole by the end, and that may be that Hunt is so used to the sitcom format of the long-running series, "Mad About You". The result is that some laughs feel a bit contrived, some scene transitions seem jarring, and some expected character revelations are given short shrift. Nonetheless, the dramatic developments toward the end carry the emotional impact necessary to make the movie truly affecting, and Hunt should be given credit for a most auspicious debut as a filmmaker.
    6wxgirl55

    Deserves a look

    Seen at a September 2007 Toronto Film Festival screening.

    First time director, Helen Hunt, said this movie was 10 years in the making. Her passion for the film and subject matter is evident, but also sets her up for her biggest downfall. She indulges the movie (her baby) which is interesting given this is relationship themed (mother/ daughter). Had she struck closer to that thread, the movie would have a tighter, more focused feel.

    As it is, the outer reach of her film, a foray into her intimate, romantic relationships, with the intent of colouring her main character (April) instead seems like an untrained hand that colours outside of the lines. As a movie director, if this was her greatest weakness; I still give her kudos for doing a pretty good job. The woman took on a heavy load: first time directing, co-producer, co-writing the screenplay, and acting in the main role, all done on a 27 day shoot schedule! I almost feel guilty for any criticism.

    At the post-screening Q&A Ms Hunt told us that the original story centred exclusively on the mother/daughter relationship. She wrote in the characters of Ben, her passive husband (Matthew Broderick) and Frank, her 'quickest rebound in history' mate (Colin Firth) herself. Understandablly she wants to add subtext to April's world and all the issues she's dealing with, but I felt somewhat 'pinballed' from scene to scene without feeling a smooth transition. A little more editing of these extra layers would help.

    I can't leave it unsaid that what repeatedly struck me was why April loved her husband and continued to connect with him. He was such a shallow and thoughtless person. To me, that particular character was the weakest link in the movie.

    Overall, I found many funny and poignant moments in the movie and think it deserves a look by a larger audience.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Feature film writing, directing, and producing debut for Helen Hunt. She also acted.
    • Erros de gravação
      The ultrasound picture at six weeks is not developmentally correct. At six weeks, the baby's features (hands, spine, etc.) would not be able to be distinguished; it would look more like a bean in shape.
    • Citações

      April Epner: Your wife was seeing someone else?

      Frank: Pretty much everyone else. I was too much for her.

      April Epner: Your wife? I'm sure she didn't feel that way.

      Frank: She told me.

      April Epner: What did she say?

      Frank: 'You're too much for me.'

      April Epner: Ugh.

    • Conexões
      Featured in Siskel & Ebert & the Movies: Made of Honor/Son of Rambow/Then She Found Me/Iron Man/Redbelt/Standard Operating Procedure (2008)
    • Trilhas sonoras
      Mazel Tov Zelda - Zeydns Tants
      Written by Dave Tarras

      Performed by The Klezmatics

      Courtesy of Rounder Records

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    Perguntas frequentes

    • How long is Then She Found Me?
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    • Is "Then She Found Me" based on a book?
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    Detalhes

    Editar
    • Data de lançamento
      • 6 de agosto de 2010 (Brasil)
    • Países de origem
      • Reino Unido
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Former Official site for the film. (Japan)
      • Former Official site for the film. (United States)
    • Idiomas
      • Inglês
      • Hebraico
      • Italiano
      • Francês
    • Também conhecido como
      • Reencuentro
    • Locações de filme
      • Brooklyn, Nova Iorque, Nova Iorque, EUA
    • Empresas de produção
      • Odyssey Entertainment
      • Killer Films
      • John Wells Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 3.500.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 3.735.717
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 72.594
      • 27 de abr. de 2008
    • Faturamento bruto mundial
      • US$ 8.443.998
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 40 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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