AVALIAÇÃO DA IMDb
4,7/10
3,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA terrifying journey into one man's twisted world of torture and cruelty, in which a young woman must fight back against a sadistic, psychopath hell bent on breaking her mind and body.A terrifying journey into one man's twisted world of torture and cruelty, in which a young woman must fight back against a sadistic, psychopath hell bent on breaking her mind and body.A terrifying journey into one man's twisted world of torture and cruelty, in which a young woman must fight back against a sadistic, psychopath hell bent on breaking her mind and body.
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- 2 vitórias no total
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Avaliações em destaque
I just can't agree with the nay sayers on this title. I watch an average of 40 horror films a month so for my taste I can instantly spot something that rises above the crap. True, there are many mysteries and perhaps because of that holes in the movie. The how's and Why's of the situation are never explained but then again a real life victim that is kidnapped,tortured and condition seldom gets a pat answer. The acting is convincing as is the gore and while the story is simple it's never boring.I think some people might have a problem with it's raw non Hollywood feel.SOme may link this to the current trend of "Torture Porn" but this is a far cry from the slick and premeditated madness of Saw or Hostel. THis is actually closer to the seventies horror survival films like Alive,Man In THe WIlderness,I spit on Your Grave and The Town That Dreaded Sundown. With such awful films like the remake of The Invasion Of The Bodysnatchers,The Boogey Man,Hide And Seek and Hostel 2 I am continually perplexed to hear people trash a film like this so indiscriminately. What is your cup of tea,Final Destination 3?
I am gonna skip the synopsis and run to the review itself.
This low budgeted B-Movie is a good surprise. This British independent film has a small cast (3 actors only), very little dialog and set almost entirely in the woods. It hardly sounds like this thing can pull us up for anything good but Simon Boyes and Adam Mason have created a gory, shocking, intelligent and modern thriller.
Broken is somehow paced, I mean, could be a little bit slow for some people out there already hypnotized on clichéd/biased Hollywood horror crap, but let me tell you, this thing will throw suspense and confusion every time you think you know what's going to happen next...
Nadja Brand (Oh! What a gorgeous and sexy woman!), is absolutely fantastic while making her character very realistic and credible.
Eric Colvin is magnificent according to his character on script.
Abbey Stirling is a young actress and did a mediocre job for her first appearance. Who's to blame?
Summing all and concluding, the cinematography makes the film look a lot more expensive for a 9000 Euro cost. The editing is professional, the script good and the directing is quite an accomplishment comparing to other British indie movies of such grandness like Dog Soldiers, Cradle of Fear, Dead Meat and even Boy Eats Girl.
So, we or you will think: If it's so damn good why it's not being distributed in international theaters? Well... because it's too grim and too violent for the regular viewers... but not for me.
I bet on Broken... do you?
This low budgeted B-Movie is a good surprise. This British independent film has a small cast (3 actors only), very little dialog and set almost entirely in the woods. It hardly sounds like this thing can pull us up for anything good but Simon Boyes and Adam Mason have created a gory, shocking, intelligent and modern thriller.
Broken is somehow paced, I mean, could be a little bit slow for some people out there already hypnotized on clichéd/biased Hollywood horror crap, but let me tell you, this thing will throw suspense and confusion every time you think you know what's going to happen next...
Nadja Brand (Oh! What a gorgeous and sexy woman!), is absolutely fantastic while making her character very realistic and credible.
Eric Colvin is magnificent according to his character on script.
Abbey Stirling is a young actress and did a mediocre job for her first appearance. Who's to blame?
Summing all and concluding, the cinematography makes the film look a lot more expensive for a 9000 Euro cost. The editing is professional, the script good and the directing is quite an accomplishment comparing to other British indie movies of such grandness like Dog Soldiers, Cradle of Fear, Dead Meat and even Boy Eats Girl.
So, we or you will think: If it's so damn good why it's not being distributed in international theaters? Well... because it's too grim and too violent for the regular viewers... but not for me.
I bet on Broken... do you?
Saw this film at a horror festival in Scotland, while we were visiting Britain this year.
A poorly made, SAW rip-off, that makes me want to run out into a forest with cheap camera and show these guys how to make a movie.
It's amateurish, not in style (which would be clever) but in execution (which isn't clever in the slightest) which leads me to believe that the director could have recently been lobotomized, or more likely still, lack any talent or eye for film-making in any way, shape or form.
The no-budget, no-time film projects at college had more thought, script and flair than this does. How a movie like this ever got made is truly remarkable.
The director, not only has no idea of where to put the camera, the dp has no idea where to put the lights, the effects department don't do too badly, but are let down by the performances, which are utterly horrendous.
I would usually blame this on the actors, but in this case, they have been directed into the toilet.
In summary, I would like to say that I'm usually a huge advocate of low-budget films that buck the trend - but in this case, it's a low-talent film that rapes the very idea of storytelling and reduces it to simple mongoloid utterances.
The film-makers should find new careers - this one is over guys.
A poorly made, SAW rip-off, that makes me want to run out into a forest with cheap camera and show these guys how to make a movie.
It's amateurish, not in style (which would be clever) but in execution (which isn't clever in the slightest) which leads me to believe that the director could have recently been lobotomized, or more likely still, lack any talent or eye for film-making in any way, shape or form.
The no-budget, no-time film projects at college had more thought, script and flair than this does. How a movie like this ever got made is truly remarkable.
The director, not only has no idea of where to put the camera, the dp has no idea where to put the lights, the effects department don't do too badly, but are let down by the performances, which are utterly horrendous.
I would usually blame this on the actors, but in this case, they have been directed into the toilet.
In summary, I would like to say that I'm usually a huge advocate of low-budget films that buck the trend - but in this case, it's a low-talent film that rapes the very idea of storytelling and reduces it to simple mongoloid utterances.
The film-makers should find new careers - this one is over guys.
An abysmally poor entry into the 'torture porn' genre, a British movie shot out in the Cambridgeshire woods somewhere with the writer/director's own wife playing a central role. I have two questions after watching this: who told the writing/directing team they could direct, and who told the main actress she could act?
BROKEN is the worst kind of horror film, a repulsive exercise in sadism designed to cash in on the popularity of the SAW franchise, which it rips off throughout (and most notably at the beginning). The opening credits play out over a montage of a young woman trying to retrieve a razorblade sewn inside her stomach, and if that sounds like your idea of entertainment then you're welcome to it. The repetitive self-mutilation continues for another twenty minutes or so before the film settles down into a plot less affair which tries to depict a supposedly tense relationship between hostage and captor.
The truth is that BROKEN is entirely void of original idea and intent, so instead it ups the ante in terms of on-screen gore and general nastiness. Not that the special effects are good, because they aren't, but there's a general undercurrent of depravity and sadism which makes it an alternatively gruelling and boring watch. Despite the unpleasantness, there's never any suspense or tension in any of the hackneyed scenes, and the intensely irritating Nadja Brand fails to elicit one iota of sympathy for her character's plight. The villain is a nobody, there's no motivation or backstory for any of the characters, no attempts at characterisation or realism. Just endless repetition and padding until the final, merciful moments.
BROKEN is the worst kind of horror film, a repulsive exercise in sadism designed to cash in on the popularity of the SAW franchise, which it rips off throughout (and most notably at the beginning). The opening credits play out over a montage of a young woman trying to retrieve a razorblade sewn inside her stomach, and if that sounds like your idea of entertainment then you're welcome to it. The repetitive self-mutilation continues for another twenty minutes or so before the film settles down into a plot less affair which tries to depict a supposedly tense relationship between hostage and captor.
The truth is that BROKEN is entirely void of original idea and intent, so instead it ups the ante in terms of on-screen gore and general nastiness. Not that the special effects are good, because they aren't, but there's a general undercurrent of depravity and sadism which makes it an alternatively gruelling and boring watch. Despite the unpleasantness, there's never any suspense or tension in any of the hackneyed scenes, and the intensely irritating Nadja Brand fails to elicit one iota of sympathy for her character's plight. The villain is a nobody, there's no motivation or backstory for any of the characters, no attempts at characterisation or realism. Just endless repetition and padding until the final, merciful moments.
BROKEN (formerly THE HEARTEATER) is a taut survival thriller shot on a low budget in the UK. It's slick and simplistic story will grip you, intrigue and in some cases out right disgust you!
Hope wakes up in wooden box buried under the ground. After a day the box is dug up and she is removed by a man who ties her to a tree asking her "Will you continue?" The twisted game begins. The man has stitched a razor blade inside her which she must dig out in order to cut her ropes. Impressed by her resilience the man fixes her up but continues to keep her bound in chains and turns her into a slave, washing his pots and tending a small garden for food. Hope has no idea how she got here, or why or where her six year old daughter is.
Directors Adam Mason and Simon Boyes deliver the goods here. The film was made over a period of 18 months with Adam's own wife taking on the lead role in a bloody impressive acting turn that would shame the hell out of some big earning actors out there. The whole film has an air of reality which makes it all the more disturbing. The Man is soft spoken, polite and that makes him all the more dangerous. He could easily live next door to you.
The fact that this movie is shot on Digital Video isn't even noticeable. I know that puts off some people ( why i don't know but you'd best get used to it cause it's the future) but the story will grab you and you'll be lost for 89 minutes. And the endings a peach.
If one of your top movie of the last year or so is WOLF CREEK then BROKEN will be for you. And watch out for Adam's new feature THE DEVIL'S CHAIR.
Hope wakes up in wooden box buried under the ground. After a day the box is dug up and she is removed by a man who ties her to a tree asking her "Will you continue?" The twisted game begins. The man has stitched a razor blade inside her which she must dig out in order to cut her ropes. Impressed by her resilience the man fixes her up but continues to keep her bound in chains and turns her into a slave, washing his pots and tending a small garden for food. Hope has no idea how she got here, or why or where her six year old daughter is.
Directors Adam Mason and Simon Boyes deliver the goods here. The film was made over a period of 18 months with Adam's own wife taking on the lead role in a bloody impressive acting turn that would shame the hell out of some big earning actors out there. The whole film has an air of reality which makes it all the more disturbing. The Man is soft spoken, polite and that makes him all the more dangerous. He could easily live next door to you.
The fact that this movie is shot on Digital Video isn't even noticeable. I know that puts off some people ( why i don't know but you'd best get used to it cause it's the future) but the story will grab you and you'll be lost for 89 minutes. And the endings a peach.
If one of your top movie of the last year or so is WOLF CREEK then BROKEN will be for you. And watch out for Adam's new feature THE DEVIL'S CHAIR.
Você sabia?
- CuriosidadesNadja Brand won the 2007 Fright Meter Award for Best Actress for her performance.
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Detalhes
Bilheteria
- Orçamento
- £ 500.000 (estimativa)
- Tempo de duração
- 1 h 50 min(110 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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