Caterpillar Wish

The Caterpillar Wish is a 2006 movie that got my attention on YouTube because it's an Australian movie - I've seen a lot of Australian movies and I've enjoyed them all. This was another one of them. The story is interesting and holds your attention right from the start. It was filmed in the city of Robe, located on the Limestone Coast of the state of South Australia. As the film progresses, the relationships between the people who participate in it are slowly revealed, at a similar pace to the city in which it takes place. The unfolding of the film subtly leaves room for possible developments in the story and only one actually comes to fruition. The film could have explored the place and surroundings a little more, considering that the region seems to be quite interesting. It was not very clear to me the choice of the title of the film - I was misled by it. In my opinion a title such as "In search of the father" would have been more appropriate, since that is the basic thread of the story.

I have looked everywhere for Miss Ashley Cheadle!!!! Sandra are you using Ashley Cheadle in your next film? We are so excited if so cant explain how much we love this amazing girl, look like she is from another age of beauty, Egypt, Audrey Hepburn, Dem Moore, Catharine zeta Jones, to Winona Ryder Elizabeth Taylor and Cindy Crawford mix alike ,,,,,,,,,,,,,,,,,we love her and looking to find out where we can see more of this young Aussie Actress Star she is with Encompass agent is that true? cant find her on show case help us out so looking at the films she was offered or toyed out in if you don't know you will soon look out Ashley Cheadle

Despite the clichéd, somewhat melodramatic plotting, the characterisation, performances, photography and sets of Caterpillar Wish make this an absorbing and entertaining film about the complexities of life and relationships in a small coastal town. The characters are inflicted with some degree of inarticulateness about their feelings and an inability to acknowledge the big issues in their lives and, although this device can be a bit obvious, the film skillfully builds its dramatic tension from this base. Victoria Thaine is wonderful as Emily, the only person willing to seek a solution to her emotional dilemmas, whatever the cost, and Susie Porter turns in another great performance as her mum, scarred by her past. The photography is beautiful, making the most of the rugged coastal setting and successfully captures the ambiance of small town Australia. I guess this film just struck an emotional chord with me when it could have easily slid into overthetop melodrama or saccharine pap. You could argue that the ending is a bit neat and cheerful, but I'm not adverse to a happy ending from time to time.

This is one of the best movies I have seen all year. I loved the raw and un-contrived characters seeking to resolve (consciously or unconsciously) issues of 'identity'. The actors played their parts to perfection with that winning blend of introspection and underplay. The location of Robe in South Australia was a good choice visually and provided variety in weather conditions which added to the film's mysterious quality. There is a certain feeling of mystery to the film, helped not least by the soulful soundtrack and location, but also by the expert use of pause during the film. This film is another example of the talent Australia can boast for film-makers and actors alike.

Thoughtful cinematography, potent acting and a wintry, rugged location are not enough to push The Caterpillar Wish forward from the ranks of the trans-Tasman "teen girl's search for identity" films (Somersault, Peaches, In My Father's Den). Starring the talented Victoria Thaine as Emily, a 17 year old who longs for a father, The Caterpillar Wish is woven around an ensemble of characters harbouring secrets in the South Australian coastal town of Robe. Adultery, suicide, family estrangement, teen pregnancy; each character inches forward while struggling against the past.

Written and directed by first-timer Sandra Sciberras, the film demonstrates her skill at extracting powerful performances and offers promise of future success. Unfortunately, it fails to add anything fresh to the genre. Notable were Susie Porter, Emily's mother Susan, a topless barmaid who casually bares her body but exposes her soul to no one; Robert Mammone as Stephen a damaged fisherman; and Wendy Hughes playing Elizabeth, Stephen's frozen sister whose crumpled face reflects her internal anguish. All the characters undergo metamorphosis and, in a closing montage, each emerges to stretch their new and fragile wings in the summer sun.

I left the cinema pondering the film's tag-line, "This winter, one wish will change everything". Sadly, I think the only thing that viewers will wish is that the story had sufficient substance to stay with them longer than the drive home.