AVALIAÇÃO DA IMDb
6,6/10
79 mil
SUA AVALIAÇÃO
Um trio de cantores de soul cruza as paradas no início dos anos 1960, enfrentando suas próprias lutas pessoais ao longo do caminho.Um trio de cantores de soul cruza as paradas no início dos anos 1960, enfrentando suas próprias lutas pessoais ao longo do caminho.Um trio de cantores de soul cruza as paradas no início dos anos 1960, enfrentando suas próprias lutas pessoais ao longo do caminho.
- Direção
- Roteiristas
- Artistas
- Ganhou 2 Oscars
- 67 vitórias e 93 indicações no total
Beyoncé
- Deena Jones
- (as Beyoncé Knowles)
Keith D. Robinson
- C.C. White
- (as Keith Robinson)
Mariah Iman Wilson
- Magic
- (as Mariah Wilson)
Ralph Louis Harris
- M.C.
- (as Ralph Harris)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I was excited about seeing Dreamgirls, especially after seeing the Oscar nods it got. But I still wasn't too sure about Jennifer Hudson's win, after all, before I saw this film, I saw Babel, and the Hispanic actress who was nominated I felt totally deserved the award. But how can you judge before seeing what Jennifer Hudson's raved about performance was all about. Now I have to start off with that actually this was a good film, but you know what? It was average, nothing thrilling or original came out of it. It's your typical rise and fall story that had nothing special or had no spark. Jennifer's performance was good for a first time, but I still wasn't too thrown over it. The story is just so abused and too used by so many writers.
Curtis is looking for a backup group for his famous singer, James Early. He finds the Dreamettes, three beautiful and strong black women, he also becomes involved with one of them. Slowly they rise to the top, but Effie, the girl is involved with is not exactly "thin" or that "appealing" to a younger crowd, so with her girlfriends in the group, her brother, and her new boyfriend, Curtis, they vote her out of the group and the Dreamettes become huge, but the joke is on Curtis when Effie gets a second chance.
The performances were the key that got raved about most in the film, now I have to say that they were good, but honestly, it was nothing beyond good. I don't have anything against Jennifer Hudson, but I am very upset with all the publicity she is getting now for one film and an Oscar that I believe doesn't belong to her, but I know there are some that wouldn't agree with me. Eddie didn't thrill me either, I've actually seen him in better, but I have to admit the only performance I was actually, and surprisingly, impressed with was Beyonce Knowles, she has come a long way. So, I'm not sure if I would recommend this film, if you wanna watch it, go ahead, but don't expect too much.
6/10
Curtis is looking for a backup group for his famous singer, James Early. He finds the Dreamettes, three beautiful and strong black women, he also becomes involved with one of them. Slowly they rise to the top, but Effie, the girl is involved with is not exactly "thin" or that "appealing" to a younger crowd, so with her girlfriends in the group, her brother, and her new boyfriend, Curtis, they vote her out of the group and the Dreamettes become huge, but the joke is on Curtis when Effie gets a second chance.
The performances were the key that got raved about most in the film, now I have to say that they were good, but honestly, it was nothing beyond good. I don't have anything against Jennifer Hudson, but I am very upset with all the publicity she is getting now for one film and an Oscar that I believe doesn't belong to her, but I know there are some that wouldn't agree with me. Eddie didn't thrill me either, I've actually seen him in better, but I have to admit the only performance I was actually, and surprisingly, impressed with was Beyonce Knowles, she has come a long way. So, I'm not sure if I would recommend this film, if you wanna watch it, go ahead, but don't expect too much.
6/10
A film, very well set, a beautiful biography of American singers, the film is a wonderful musical, recommended for people who enjoy music.
Screened overnite in Australia for critics and industry.
Ten minutes into director Bill Condon's adaptation of the hit musical, I whispered to my friend "There's no way the film can go at this pace for two hours!" Because up to that point, we had been utterly dazzled by breathtaking staging, impassioned performances and a display of film-making craftsmanship in all its forms (direction, editing, design) that had the packed audience stunned.
Well, two hours later, I'd been proved wrong. Condon has created a vivid, emotional spectacle that will dominate the 06/07 Oscar nominations. Dreamgirls is one of the five best movie musicals ever made.
There is really nothing new about the storyline - smalltown singers make it big and ride the roller-coaster of fame. But thats what works so well for the film - the great cinematic clichés are embraced and played to the hilt by a creative team, both behind and in front of the camera, that knows what makes a great Hollywood musical.
There's not one weak link in the cast. Condon's camera is in love with Beyonce Knowles and she handles the journey from the innocence of the groups early years to the staggering success and fortune of the group at its peak with surprising range. While most singer/actress attempts are failures (Madonna, Whitney, Britney, k.d. lang), Beyonce proves to have genuine talent.
Jamie Foxx centres and grounds the film in a less-flashy role but one that is crucial to the films credibility.
But there are two standouts. Eddie Murphy as fading star Early has never done better work. And Jennifer Hudson delivers an absolute tour-de-force performance in a role that sees her dominate every scene she is in. Her belting solo number was applauded by the audience (a rare enough occurrence during an industry screening but a moment that was repeated a few times thru the film). Hudson is a lock for the supporting actress Oscar, even this far from the ceremony.
Dreamgirls is a better movie in every way than recent award winning musicals Chicago and Moulin Rouge (both of which I am a huge fan). It is a film that tells a classic rags-to-riches story utilising great cinematic technique and bravado. 2006 has offered up some great movie-going experiences for me (Thank You For Smoking, Children Of Men, V For Vendetta, Little Miss Sunshine); for the sheer cinematic thrill it provides, however, Dreamgirls proves to be the best two hours I've spent in a cinema this year.
Ten minutes into director Bill Condon's adaptation of the hit musical, I whispered to my friend "There's no way the film can go at this pace for two hours!" Because up to that point, we had been utterly dazzled by breathtaking staging, impassioned performances and a display of film-making craftsmanship in all its forms (direction, editing, design) that had the packed audience stunned.
Well, two hours later, I'd been proved wrong. Condon has created a vivid, emotional spectacle that will dominate the 06/07 Oscar nominations. Dreamgirls is one of the five best movie musicals ever made.
There is really nothing new about the storyline - smalltown singers make it big and ride the roller-coaster of fame. But thats what works so well for the film - the great cinematic clichés are embraced and played to the hilt by a creative team, both behind and in front of the camera, that knows what makes a great Hollywood musical.
There's not one weak link in the cast. Condon's camera is in love with Beyonce Knowles and she handles the journey from the innocence of the groups early years to the staggering success and fortune of the group at its peak with surprising range. While most singer/actress attempts are failures (Madonna, Whitney, Britney, k.d. lang), Beyonce proves to have genuine talent.
Jamie Foxx centres and grounds the film in a less-flashy role but one that is crucial to the films credibility.
But there are two standouts. Eddie Murphy as fading star Early has never done better work. And Jennifer Hudson delivers an absolute tour-de-force performance in a role that sees her dominate every scene she is in. Her belting solo number was applauded by the audience (a rare enough occurrence during an industry screening but a moment that was repeated a few times thru the film). Hudson is a lock for the supporting actress Oscar, even this far from the ceremony.
Dreamgirls is a better movie in every way than recent award winning musicals Chicago and Moulin Rouge (both of which I am a huge fan). It is a film that tells a classic rags-to-riches story utilising great cinematic technique and bravado. 2006 has offered up some great movie-going experiences for me (Thank You For Smoking, Children Of Men, V For Vendetta, Little Miss Sunshine); for the sheer cinematic thrill it provides, however, Dreamgirls proves to be the best two hours I've spent in a cinema this year.
The legendary Broadway musical hit the screen, resurrecting the thrill of the original. That, in itself, is a miracle. I suspect that the miracle worker is Bill Condon. The story is told as if it revealed something we've never seen before and his winning innocence triumphs. The casting of Eddie Murphy was a stroke of genius. He unfolds a new inedited face and I predict a new career. The predictability of the tale becomes rewarding rather than annoying and I was surprised and moved all the way through. Jammie Foxx's unsympathetic turn manages to deliver a punch of humanity. Byonce Knowles, Danny Glover and the rest of the cast are a perfect foil for Jennifer Hudson's Cinderella Story. Bravo Mr Condon!
After all the nominations and wins, my wife and I finally saw this -- I love this era of soul music, so i was really excited about the music. For the most part the music was good...some overblown American Idol theatrics and shrieking instead of singing, but overall good. I was also excited to see the acting...and in the end I wasn't that impressed. Jennifer Hudson seems to be everyones favorite this year, but I didn't think she had to do to much acting...it was good to see a newcomer, so confident in a role -- but in regards to actual nominations, this is probably the last you'll see of her. Eddie Murphy was good in his very small role, I wish that he was given more dialog or more story...if he wins the Oscar, I guess it's the Academy giving him an award for the bulk of his work. But, Hudson clearly shouldn't win...I hope the Academy looks to the Babel nominees, who had to act, not make music videos with emotion! Costumes and make-up were great, Beyonce's role shadowed her real life...in the sense, beautiful woman, good in various forms, singing, dancing, acting...a great product. Not actual a standout in any of them. In the end OK movie, overrated....definitely.
Eddie Murphy Through the Years
Eddie Murphy Through the Years
From Reggie Hammond in 48 Hrs. to Chris Carver in Candy Cane Lane, take a look back at the iconic career of Eddie Murphy.
Você sabia?
- CuriosidadesThe film, and the original Broadway musical, are based heavily on The Supremes (later known as "Diana Ross & The Supremes"). Curtis Taylor, Jr. represents Motown Founder Berry Gordy. Both men worked in the automotive industry before focusing on music, and integrated aspects of the automotive business into the music making process. Both were romantically involved with the lead singer of their label's most successful female group. Effie's departure from the group closely matches Florence Ballard, whose voice was much more powerful than Ross's.
- Erros de gravaçãoWhen Deena and the girls perform the disco version of 'One Night Only', the stage backdrop is made up of computerized moving head lights, which didn't exist at the time.
- Citações
Curtis Taylor Jr.: Who was the first artist to sing "Hound Dog"?
C.C. White: Elvis Presley.
Curtis Taylor Jr.: Big Mama Thorton. She had the number-one single on the R&B charts, but the white stations wouldn't play it, because to them it was just another race record.
- Cenas durante ou pós-créditosThe film begins immediately after the distribution studio logos, with no opening titles/credits of any kind.
- Versões alternativasIn 2017, Paramount released a "Director's Extended Edition" of "Dreamgirls." This version runs ten minutes longer than the theatrical version and contains changes which include the following:
- The opening talent show scene has extended performances of "I'm Looking' for Something'" and "Goin' Downtown," including a longer scene on the stairs outside the Detroit Theater, where Curtis offers Marty a cigarette and a sales pitch after Charlene and Joanne walk out on him, and Curtis catches a first glimpse of Deena
- Sung dialogue leading up to "Steppin' to the Bad Side" ("You've got me to think for you now...") proceeds the scene in which Curtis tells Wayne and CC of his plan to sell off the car dealership, similar to the lead-up to the song in the original Broadway show. This scene takes the place of the shorter, spoken word alternate version used in the theatrical version
- All shots of Wayne enacting Curtis' payload plans at radio stations are replaced with scenes of the Mafia members Curtis makes a deal with distributing the records and the money
- The Jimmy & the Dreamettes performance section go "Steppin to the Bad Side" is extended
- "Love You I Do" is extended by adding an instrumental break under the scene in which Michelle gets a job at Rainbow Records, and then showing Effie sing the song's second verse on camera
- "Heavy" is extended by adding a break and a chorus, and placing more emphasis on Effie keeping an eye on Deena's image taking over the TV studio monitors
- There is an extra shot of Curtis and Deena's mansion as Deena heads to the service car outside
- An extra scene shows Curtis, C.C., Wayne and other Rainbow executives at a board meeting, at which Curtis decides to finance his "Cleopatra" film pet project with a 10th anniversary special (This scene includes two F-bombs by Jamie Foxx; the Director's Extended Edition is unrated as a result)
- "Patience" is extended by adding extra choruses to the section in which Jimmy and Lorrell record the song, accompanied by a choir
- "Perfect World" is extended by including a full verse and chorus
- "I Meant You No Harm" and "Lorrell Loves Jimmy" are both extended by a few bars
- Jimmy's silent glare at Deena basking in her fame at the Rainbow 10th anniversary TV special is replaced by sung dialogue ("Because I was here long before you...") similar to the "Firing of Jimmy" scene in the original Broadway show
- "I Miss You, Old Friend" is extended by a few bars
- "Effie, Sing My Song" - sung dialogue in which C.C. and Effie reconcile - is added in place of the spoken word alternate version used in the theatrical version
- "One Night Only" is performed in full (only half is used in the theatrical version). At the conclusion of the song, Curtis' Mafia associates come to Effie's performance in Max Washington's bar, which is how they get word (and a tape) to alert Curtis
- Curtis has an extra line of dialogue when being interviewed on the Dreams' farewell performance red carpet, in which he announces that his new artist, Tania Williams, will be releasing her debut album in a month
- ConexõesEdited into Dreamgirls: T4 Movie Special (2007)
- Trilhas sonorasI'm Looking for Something
Written by Henry Krieger and Tom Eyen
Performed by Maxi Anderson, Charlene Carmen, and Keisha Heely
Produced by The Underdogs (Harvey Mason Jr. and Damon Thomas)
Published by Dreamgirls Music (ASCAP) admin. by Universal-Geffen Music and Dreamettes Music (BMI) admin. by Universal-Geffen Music
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
Bilheteria
- Orçamento
- US$ 70.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 103.365.956
- Fim de semana de estreia nos EUA e Canadá
- US$ 378.950
- 17 de dez. de 2006
- Faturamento bruto mundial
- US$ 155.456.861
- Tempo de duração
- 2 h 10 min(130 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente