Volver

Great movie Pedro!!!

Volver is by far one of the best movies of Almodovar. The way he narrates the story with the camera is just perfect: gently and with character. You will see how feelings and emotions are driven smoothly by a great group of actresses (Penélope does a GREAT job along with Carmen Maura) which perfectly understand what the director wants to deliver and how to do it.

It is another of those twisted bitter stories of life that Almodovar knows well and enjoys developing and producing them. Don't miss it.

One side note: I read that Penélope had to place some cushion to make her rear bigger according to the character!!

I saw this film yesterday and it got me thinking well after I had left the cinema. It made me cry and it made me laugh. It is a choral film where women (as usual with Almodóvar) have the upper hand. I'm not a big fan of Penélope but I must admit she's really up to scratch this time. She has clearly fed on Sofia Loren to come up with the very credible character of Raimunda: tight skirts, high heels and generous cleavage. Carmen Maura and Lola Dueñas are simply magnificent. Also Chus Lampreave as Tía Paula (even in a too-short appearance inspired in Almodóvar's mother) is superb. Almodóvar himself has admitted that this is one of his most personal films, set in his home region of La Mancha and full of memories of his own childhood. Great music too. The moment of the tango ("Volver" by C. Gardel) turned into flamenco really makes you break in goose pimples. However, it is not Penélope's voice, but flamenco-star Estrella Morente's. If you like Almodóvar, you will certainly like this film.

Volver is a movie centering on women, for the woman.

Volver (pronounced Bol-ber in Spanish) means "Return". The theme "return" revolves around the film. Three generations of women: The granny (Carmen Maura) returning from the dead, the mother Raimunda (Penelope Cruz) returning from her discordant life, and daughter (Yohana Cobo) recovering from abuse from her step father.

Penelope Cruz is colorful and affecting playing Raimunda, probably her best role to date. This role will assure others of her capability to act, napping several Best Actresses nominations to date. She may have lost the Oscars to the Queen, but she won't be just known as the ex-girlfriend of Tom Cruise.

This is a culturally rich movie which brings us to the back alleys of Spain, looking at lives from the rich to the poor. The cinematography is vibrant as well, as the screen is littered with the rich tomatoes, floral dresses and a top-angle view of Penelope Cruz assets. All done on purpose and beautifully definitely.

There are many 'woman' issues – from motherhood, single hood, sister hood, self worth and independence. Male actors are almost non-existence, playing only bit parts and there is no hint of any impending love stories. Perhaps this is also why I didn't identify much with this movie. For the males, do not worry as Volver isn't any soapy melodrama. With its twists and fun, it is still an enjoyable comedy about second chances.

Volver – The women scores, and so does Penelope http://themovieclub.blogspot.com

An extremely kind, compassionate and tender film noir, from Spain's most internationally acclaimed filmmaker, might lack some of the suspense his other movies are famous for, but still it keeps the spectator thrilled and anxious until the very last moments. Anyone who likes Almodovar movies should see this one, and you can bring your family along, for a change (kids and grandmas alike).

Indeed, the movie lacks some of the usual Almodovar suspense, and whatever mysteries it contains, are generally solved by the viewer some 20 minutes before they are explicitly and verbally elaborated on screen. It looks like Almodovar lost some of his interest in the telltale part of his movies, paying more attention to acting and emotions. Well, acting is fully worth the shift.

Penelope Cruz is predictably brilliant and gorgeous, but performance by other ladies (from the elderly Chuz Lampreave to teenage Cobo) is also worth applause.

Raimunda (Penélope Cruz), her daughter Paula (Yohana Cobo) and her sister Sole (Lola Dueñas) travel from Madrid to the windy and superstitious village of Alcanfor de las Infantas to visit the grave of their mother and aunt Irene (Carmen Maura), who died years ago in a fire with her husband. Then they visit Irene's sister Paula (Chus Lampreave), an old senile aunt that raised Raimunda after the death of her parents that insists to tell them that Irene is alive and living with her; later, they go to the house of her neighbor and friend Agustina (Blanca Portillo), who gives a support to Paula. They return to Madrid, and after a hard day of work, Raimunda meets her daughter completely disturbed in the bus stop waiting for her. When they arrive home, Paula tells that she killed her unemployed father Paco (Antonio de la Torre), who was completely drunk and tried to rape her. While Raimunda is hiding his body, Sole calls her to tell that their beloved aunt Paula had died. On the next morning, Sole travels alone to the funeral, and when she returns to Madrid, she finds her mother hided in the truck of her car. She brings Irene to her apartment, where secrets from the past are disclosed.

"Volver" is another great movie of this awesome director Pedro Almodóvar, who explores the emotions of the characters in a mysterious and traumatic situation. It is visible that Almodóvar changed his original aggressive style to a more commercial and less anarchic one, keeping his trademark with the usual bright colors, but without the usual references to the Catholic church or homosexual and bizarre characters, maybe because he is more experienced now. Nevertheless, it is impressive how Penélope Cruz is a stunning actress when she works in her home country, and Almodóvar achieves a magnificent performance not only from her, but from this wonderful cast. My vote is eight.

Title (Brazil): "Volver"