AVALIAÇÃO DA IMDb
5,7/10
3,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaTwo women embark on a road trip after they are brought together by circumstance. Rebecca (Portman) flees her hotel after a fight with her mother-in-law (Maura) and hails a taxi driven by Han... Ler tudoTwo women embark on a road trip after they are brought together by circumstance. Rebecca (Portman) flees her hotel after a fight with her mother-in-law (Maura) and hails a taxi driven by Hanna (Lazlo).Two women embark on a road trip after they are brought together by circumstance. Rebecca (Portman) flees her hotel after a fight with her mother-in-law (Maura) and hails a taxi driven by Hanna (Lazlo).
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 6 indicações no total
Hana Laslo
- Hanna Ben Moshe
- (as Hanna Laslo)
Shredy Jabarin
- Walid
- (as Shredy Gabarin)
Kobi Lieber
- Radio Narrator
- (narração)
Tinkerbell
- Bit part
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The confused American Rebecca (Natalie Portman) has left USA to live in Jordan. After breaking her engagement with her Israeli boyfriend, she asks the Israeli taxi driver Hanna (Hana Lazlo) to take her anywhere but the place where she is. Hanna tells her that she needs to go Jordan's Free Zone, a place surrounded by Syria, Iraq and South Arabia, to receive US$ 30,000.00 that the Palestinian partner of her husband called "The American" owes to him. When they arrive in the location, they do not find the "The American" but a Palestinian woman called Leila (Hiam Abbass). Hanna forces Leila to take her to meet "The American" in his Oasis, but when they arrive there, she is informed that his son has burnt the place, stolen the money and crossed the border.
"Free Zone" is a movie with great acting leaded by the adorable Natalie Portman, Hana Lazlo and Hiam Abbass. The road trip through the locations in Jordan and the soundtrack are other attractions. However, the screenplay is simply awful. Following the "Dogma 95" style, with a free handy cam, no lighting, many improvisation etc., the director and writer Amos Gitai makes a confused and inconclusive story with one of the worst opening scene I have ever seen, with Natalie Portman crying without explanation and a boring song for almost ten minutes. My vote is six.
Title (Brazil): "Free Zone"
"Free Zone" is a movie with great acting leaded by the adorable Natalie Portman, Hana Lazlo and Hiam Abbass. The road trip through the locations in Jordan and the soundtrack are other attractions. However, the screenplay is simply awful. Following the "Dogma 95" style, with a free handy cam, no lighting, many improvisation etc., the director and writer Amos Gitai makes a confused and inconclusive story with one of the worst opening scene I have ever seen, with Natalie Portman crying without explanation and a boring song for almost ten minutes. My vote is six.
Title (Brazil): "Free Zone"
I enjoyed this movie, and Im not just saying that because Im Jewish. But things that really really ticked me off was his editing technique, especially the overlapping just made me nauseous. I need to watch this movie again because I didn't understand a lot of the things. I didn't like the ending, it kind of just put me off. Overall it was a fine movie. But can someone please explain why she ran away in the last scene, like out of no where too. The credits were messed too, with the 2 women yelling at each other, it was just pointless. If this movie had better explanation of what in the world is going on, I would had enjoyed it more. I have to compliment the acting though, it was well done. Also, some of the scenes were just way to extended. This movie is worth watching. Great morality and has deep meaning, but it still could have been done a lot better, especially when your showing tragedy in the middle east.
This is more of a response to the latest post by "Mrnaturalsez". I guess we are expected to take your word on a movie instead of the Cannes Film Festival and the Toronto Film Festival, which incidentally gave this move high praise. The film was an interesting, raw look at Jerusalem and Jordan as one would see it as a traveller. Plot has nothing to do with appreciating this movie, so I think you missed the mark. The story was used as a reason to explore the middle eastern culture. It was also interesting seeing Natalie Portman speak in her native Hebrew language. The film drew upon Portman's real life, as she was born in Isreal and had a Jewish father and American mother. Some films are watched for action, others for art, but I guess one will believe what one wants. There's my 2 cents.
This is one of those really bad films. Actually there isn't too much to say. Boring script, shallow stereotypical characters and long unending scenes. "ART FILM" at its worst. Some of the camera shots were nicely made though, I have to agree. And Channa Laszlo does a good work as leading actress.
OK, now let's forget about that. Another boring film from Gitai. Nothing new. What interests me as a film-goer from Israel is the question: How come Gitai is the most successful Israeli film maker in international audiences.
There are other much more talented Israeli directors such as Avi Nesher, Dover Koshashvili, Gil Dar or Keren Yadaaia. So why Gitai? Well it is a known fact that the French and European audiences love him because of his left wing ideas. He flatters the European views on Israel and he sells himself in Europe as an Israeli dissident and exile unacknowledged or even censored by Israeli establishment for his so called radical views.
As an Israeli left winger, let me tell you. Nobody cares enough about Gitai to even bother to censor him. The truth of the matter is that if you know the Israeli reality only a bit, it becomes immediately apparent how phony and untruthful his films are. His view of Israel, the way you see it in "Free Zone" is like that of the tourist he is, coming to Israel from Paris to make a new film and watching the whole of Israeli reality condescendingly from his know-all glasses.
This is the reason why all his films fail in Israel both critically as well as in the box office. Not because of his "radical" political views. Israeli audiences can cope with criticism, but not with Gitai's packs of cliché's. It is a shame audiences in the world who don't know the situation in Israel well enough, get their impression from such phony works.
4/10
OK, now let's forget about that. Another boring film from Gitai. Nothing new. What interests me as a film-goer from Israel is the question: How come Gitai is the most successful Israeli film maker in international audiences.
There are other much more talented Israeli directors such as Avi Nesher, Dover Koshashvili, Gil Dar or Keren Yadaaia. So why Gitai? Well it is a known fact that the French and European audiences love him because of his left wing ideas. He flatters the European views on Israel and he sells himself in Europe as an Israeli dissident and exile unacknowledged or even censored by Israeli establishment for his so called radical views.
As an Israeli left winger, let me tell you. Nobody cares enough about Gitai to even bother to censor him. The truth of the matter is that if you know the Israeli reality only a bit, it becomes immediately apparent how phony and untruthful his films are. His view of Israel, the way you see it in "Free Zone" is like that of the tourist he is, coming to Israel from Paris to make a new film and watching the whole of Israeli reality condescendingly from his know-all glasses.
This is the reason why all his films fail in Israel both critically as well as in the box office. Not because of his "radical" political views. Israeli audiences can cope with criticism, but not with Gitai's packs of cliché's. It is a shame audiences in the world who don't know the situation in Israel well enough, get their impression from such phony works.
4/10
The current situation in the Gaza Strip makes a movie like Amos Gitai's "Free Zone" all the more important. The movie depicts a US tourist (Natalie Portman) accompanying an Israeli woman (Hanna Laszlo) to Jordan to collect a sum of money. Complications arise.
The movie apparently received negative reviews. I suspect that was because of the long, slow scenes. I will admit that these got tiresome at times. Even so, this is probably one of the few instances that we'll get to see a portrayal of a meeting between a Yank, an Israeli, and a Palestinian. Portman's character serves as the window into the conflict. Think of her as a camera, showing us all but processing nothing; she even admits that she doesn't feel like she belongs anywhere.
I understand that this was the second entry in a trilogy that Gitai made. I'll have to see the first and third entries. Anyway, it's not a masterpiece - it does tend to drag - but the ongoing situation in Gaza makes it all the more relevant.
Also starring is Hiam Abbass, who more recently played Marcia on "Succession".
The movie apparently received negative reviews. I suspect that was because of the long, slow scenes. I will admit that these got tiresome at times. Even so, this is probably one of the few instances that we'll get to see a portrayal of a meeting between a Yank, an Israeli, and a Palestinian. Portman's character serves as the window into the conflict. Think of her as a camera, showing us all but processing nothing; she even admits that she doesn't feel like she belongs anywhere.
I understand that this was the second entry in a trilogy that Gitai made. I'll have to see the first and third entries. Anyway, it's not a masterpiece - it does tend to drag - but the ongoing situation in Gaza makes it all the more relevant.
Also starring is Hiam Abbass, who more recently played Marcia on "Succession".
Você sabia?
- CuriosidadesFirst Israeli movie shot in Jordan.
- Erros de gravaçãoWhen the vehicle is just approaching the border crossing near the end of the film (1:23:00 on the DVD) we can see the silhouette of someone wearing a baseball cap moving about in the back of the vehicle.
- ConexõesFeatured in BeReverse: Hana Laslao (2014)
- Trilhas sonorasHad Gadia
(traditional)
Principais escolhas
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- How long is Free Zone?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- € 2.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 32.381
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.618
- 9 de abr. de 2006
- Faturamento bruto mundial
- US$ 427.083
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