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IMDbPro

Kabhi Alvida Naa Kehna

  • 2006
  • Not Rated
  • 3 h 13 min
AVALIAÇÃO DA IMDb
6,1/10
24 mil
SUA AVALIAÇÃO
Amitabh Bachchan, Preity G Zinta, Abhishek Bachchan, Shah Rukh Khan, and Rani Mukerji in Kabhi Alvida Naa Kehna (2006)
Assistir a Kabhi Alvida Naa Kehna (2006) Trailer
Reproduzir trailer3:28
1 vídeo
33 fotos
DramaRomance

Adicionar um enredo no seu idiomaDev, a former football player is married to Rhea, a successful fashion editor. Maya is a kindergarten teacher who is married to Rishi, an outgoing event planner. These couples' lives interse... Ler tudoDev, a former football player is married to Rhea, a successful fashion editor. Maya is a kindergarten teacher who is married to Rishi, an outgoing event planner. These couples' lives intersect and they each question their own marriage.Dev, a former football player is married to Rhea, a successful fashion editor. Maya is a kindergarten teacher who is married to Rishi, an outgoing event planner. These couples' lives intersect and they each question their own marriage.

  • Direção
    • Karan Johar
  • Roteiristas
    • Karan Johar
    • Shibani Bathija
    • Niranjan Iyengar
  • Artistas
    • Shah Rukh Khan
    • Rani Mukerji
    • Amitabh Bachchan
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,1/10
    24 mil
    SUA AVALIAÇÃO
    • Direção
      • Karan Johar
    • Roteiristas
      • Karan Johar
      • Shibani Bathija
      • Niranjan Iyengar
    • Artistas
      • Shah Rukh Khan
      • Rani Mukerji
      • Amitabh Bachchan
    • 323Avaliações de usuários
    • 23Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 15 vitórias e 40 indicações no total

    Vídeos1

    Kabhi Alvida Naa Kehna (2006) Trailer
    Trailer 3:28
    Kabhi Alvida Naa Kehna (2006) Trailer

    Fotos33

    Ver pôster
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    + 27
    Ver pôster

    Elenco principal93

    Editar
    Shah Rukh Khan
    Shah Rukh Khan
    • Dev Saran
    Rani Mukerji
    Rani Mukerji
    • Maya Talwar
    Amitabh Bachchan
    Amitabh Bachchan
    • Samarjit Talwar
    Abhishek Bachchan
    Abhishek Bachchan
    • Rishi Talwar
    Preity G Zinta
    Preity G Zinta
    • Riya Saran
    • (as Preity Zinta)
    Kirron Kher
    Kirron Kher
    • Kamaljit 'Kamal' Saran
    Arjun Rampal
    Arjun Rampal
    • Jay
    John Abraham
    John Abraham
    • DJ at club
    Logan Anderson
    • Receptionist
    • (as Beth Erin Anderson)
    Lisa Anzelmo
    • American Reporter
    Jarett Armstrong
    Jarett Armstrong
    • Train Station Patron 1
    Patrick Armstrong
    • Train Station Patron 2
    Diane Baisley
    • Nurse
    Steven Baker
    • Wedding Guest
    Tomm Bauer
    • Co-Worker
    Himad Beg
    • Wedding Guest
    Whit Blanchard
    Whit Blanchard
    • Chris - Waiter
    Kristen Bough
    • Little girl on slide
    • Direção
      • Karan Johar
    • Roteiristas
      • Karan Johar
      • Shibani Bathija
      • Niranjan Iyengar
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários323

    6,123.7K
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    10

    Avaliações em destaque

    8demidun

    have an open mind

    i gave it an 8 because granted the music wasn't as great as one would as liked but the movie is different and i saw it the day it opened and i am still thinking about it. the movie is bold and different from the typical karan johar movies, it's gets really funny and gets serious. you have to keep an open mind, and if you don't take the contents of the movie to mean that you can cheat on your husband, you'll enjoy it. traditionalist keep an open mind and people you complained about karan's first three movies as being the same and that's true. here is a movie that has never being done in bollywood and it's sad that people are trying to compare to the Hollywood movie closer. there are huge differences between the two movies, closer was about two dishonest couples who took life as a game and lost each other in the process. KANK is about finding out that sometimes when you commit in haste you can hurt others as well as yourself in your quest to make things right. the portrayal of shahrukh as a husband jealous of his wife's success is right on the money about the pressures couples face when the female takes control. can't wait for it to come out on DVD.
    6xpics

    Neither a superlative piece of cinema nor the abysmal film tagged by its hypercritical detractors.

    • Magnificent sets


    • Intricate art design


    • Designer costumes


    • Eye-pleasing visuals


    • Loads of celebrations


    • A Punjabi track with bikini babes


    • Feel-good factor


    • Trademark Shahrukh Khan


    • Complimentary Kajol fluttering sari for a 5 second song appearance


    • Predicted houseful openings


    Kabhi Alvida Naa Kehna has all the regular contents of a Karan Johar extravaganza. Plus a story this time!

    In 1981, Yash Chopra made Silsila on extra-marital affairs that was considered ahead of its times. The culmination of its theme, however, was as per the Indian sensibilities of those times. 25 years later, Karan Johar makes a film on extra-marital affairs (am not drawing any parallels between the two films whatsoever) and the culmination of the plot makes it the so called 'different' or a 'bold' film.

    A bold film is not about sex, skin or sleaze. It's about matured mindsets and moving ahead with times. Karan also moves ahead with KANK. In terms of its plot outlines, while Kuch Kuch Hota Hai was an overrated triangular love story and Kabhi Khushi Kabhie Ghum was just another conventional family drama, Kabhi Alvida Naa Kehna has a comparatively sensible and substantial story to back the candy floss on the screen.

    The story, as everybody and their second cousin by now know, is about an extra marital affair.

    The visual appeal in a Karan Johar film is, like always, intricate and immaculate. Be it Anil Mehta's eye-pleasing camera-work, Sharmista Roy's appealing art design, Manish Malhotra's fashion fiesta or Farah Khan's cosmic choreography, everyone is just perfect in their department.

    But as I earlier said, apart from the visual dazzlery, the movie clicks because it has something to say in which it succeeds. Karan always had heart in his films; here he puts in a lot of soul too. Shibani Bhatija who earlier wrote the overrated Fanaa this year, co-writes a more cohesive, convincing and a satisfying screenplay for KANK with Karan Johar. The comic scenes are very well written while the emotional ones are deftly acted and executed. Dialogues vary from the tongue-in-cheek lines in the lighthearted scenes to the regular ones in the emotional outbursts. Niranjan Iyenger's witty one-liners compliment the funny scenes without a glitch.

    Also the screenplay balances the bittersweet act and maintains the equilibrium. While a Karan Johar film is broadly envisaged as a compulsive tearjerker, KANK has sufficient light-hearted frivolous relief in the first half. The scene where Rani Mukherjee tries to impersonate a BDSM girl is outrageously hilarious. If you go to compare KANK with Karan's earlier works, the tone of the film is more like a Kal Ho Naa Ho (which was written by Karan) as compared to his over-dramatic first two directions. In fact what sets the film apart from the daily soaps on the idiot box (each one of which is based on an extra-marital affair) is that the performances never get overtly melodramatic even in the emotional outbursts.

    The pace is slow and the movie does get stretched in the second half. The conclusion could have been impermeable to the audiences' mentality but the screenplay has enough conviction to make it digestible. And while Karan took excuses of the bhartiya sanskriti and parampara in his first two films, here thankfully he stays free from the culture crap and sanskaar endorsements. On the contrary, KANK strides against the clichés in culture to make its own way. And the best part is that it doesn't do this blatantly.

    Of course while going off-route, there are some elements where he arguably takes the fast-forward path. Like Amitabh Bachchan's characterization of a philandering sexagenarian might not gel well with the Indian sensibilities. But since his character adds a comic angle to the film and isn't the central focus either, one doesn't take it quite seriously. Still, the idea of imagining Amitabh Bachchan and his character sleeping with a new whore every night, without a trace of repentance and with the full knowledge of his son, isn't easily digestible.

    What's notable in this film is that rather than just being the usual Chopra-Johar escapist cinema, it has a lot of realism too. For instance Shahrukh in KANK is not just the regular lover-boy. Though he continues his legacy of wooing the female species and taking away a woman from his initial partner in the film (he has been doing this since ever), he still isn't that man who makes things happen for others. The Dev Saran of KANK has a lot of vulnerability in him that makes him much human rather than the regular perfectionist SRK (of films like Main Hoon Na, Mohobbatien or Kal Ho Naa Ho) who plays the peacemaker and makes things happen for others. Imperfection makes Dev Saran real rather than starry.

    In an age of breaking marriages and failing relationships, the movie's portrayal of the incompatibility in marital bonding is something that a contemporary audience can relate to. In a film that demands a lot of emotional play, the performances are as natural as it can get. Preity Zinta has the spunk to carry off the career woman character, Abhishek has a melting intensity, Rani only gets better like an old wine and Shahrukh, despite indulging in his trademark antiques, is acceptable for his character's vulnerability.

    I am not a hardcore Karan Johar fan, neither am I cynical about his flamboyant films. I watched KANK with an open mind and without preconceived notions. So on the credit of its content, KANK ended up being neither a superlative piece of cinema nor the abysmal film tagged by its hypercritical detractors. It's just the perfect balance of entertainment.

    Maturity, sensibility and entertainment increased in direct proportion from Karan Johar's K2H2 to K3G to KHNH. KANK continues the trend.
    8llusious

    an adorable relationship that was beautifully shot ..

    I really don't understand how people can have so much hate against this movie. No offence, but i think some people over analyse movies way too much and try so hard to find meaning and concepts in the movie which aren't there because they weren't intended. Some people don't seem to 'understand' how Dev falls in love with Maya (vice-versa) or how they could salvage such love for that prolonged period of time after they separate from their spouses, and I think that's one of the stupidest thinks to not 'understand' if you are an avid Bollywood movie fan. There have been countless examples of such prolonged and unexplainable love in Bollywood movies in the past and it seems quite unfair to judge this movie badly for that aspect alone. I don't know if it seems highly improbable to the audiences around the world of how they continually keep on meeting each other, but it's another common example found in Bollywood films. Some scenes (I agree) could have been perceived better but the music (and accompanying scenes) I feel was beautifully sweet. The point is, Kabhi Alvida Na Kehna was quite a beautifully shot story of adorable love, and portrays challenges with marriage and love (although it has been done before and sometimes better) and with fair acting on some and excellent for others (I was highly impressed with Abishek's performance ^^). Appreciate it for what it was and (im saying the stupidly obvious but..) if you've found such unforgivable flaws then try and think how you'd fix them.
    8Nisha07

    Great movie

    Certainly a very different Hindi movie, not the usual happy family type drama! I am sure this movie shocked quite a few people, but I think it was quite an original plot. Rani looks amazing as always, and though Preity looks quite old, she manages to pull off the glamorous fashion magazine executive look with her usual giggles and bubbly personality. Everyone acted very well and were well chosen for the roles. Nice songs and a very realistic movie,especially keeping in mind the Indian culture. The movie is quite funny in the first half, but does drag a bit in the second half. Overall, it makes sense and could be appreciated if one watches it with an open mind. Would certainly recommend it.
    Cuttingcha

    And the Turkey goes to.......

    ....Karan Johar for KANK!

    I was waiting with so much excitement for this movie only to have my hopes dashed in the biggest way possible. I have loved some of Karan Johar's earlier films and thoroughly enjoyed them. However, I think this time around, he has completely got it wrong! (Which is OK because we are all humans and we make mistakes). This being a Rs500 million one.

    This movie dragged on endlessly. The only salvation to all this... Amitabh Bachchan and Abishek Bachchan, who stole the show with their on-screen chemistry.

    Is this movie worth a watch? No...not unless you have absolutely nothing better to do. Even then, I'd recommend chewing or biting your arm off as a better option.

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Karan Johar asked Shah Rukh Khan, because he was busy elsewhere, to direct the controversial hotel scene himself. Khan then asked Amitabh Bachchan to direct the scene by phone because he was uncomfortable to do it.
    • Erros de gravação
      When Dev converts the penalty shot, the long shot reveals a player going on his knees, pulling his shirt over his face, with his bare chest visible. In the next shot, a close-up shot repeats the exact same thing - only this time the actor is wearing a vest beneath his shirt.
    • Citações

      Maya Talwar: You are an unhappy man and will always be...

      Dev Saran: And you are beautiful woman and will always be.

    • Conexões
      Featured in 52nd Fair One Filmfare Awards (2007)
    • Trilhas sonoras
      Kabhi Alvida Naa Kehna
      Written by Javed Akhtar

      Composed by Ehsaan Noorani, Loy Mendonsa and Shankar Mahadevan

      Performed by Sonu Nigam and Alka Yagnik

      Courtesy of Sony Music Entertainment India Pvt. Ltd.

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    Perguntas frequentes18

    • How long is Kabhi Alvida Naa Kehna?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 11 de agosto de 2006 (Índia)
    • País de origem
      • Índia
    • Central de atendimento oficial
      • Official site (India)
    • Idiomas
      • Hindi
      • Inglês
    • Também conhecido como
      • Never Say Goodbye
    • Locações de filme
      • 30th Street Station - 3001 Market Street, Filadélfia, Pennsylvania, EUA
    • Empresas de produção
      • Dharma Productions
      • Dillywood
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • ₹ 700.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 3.275.444
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 1.351.786
      • 13 de ago. de 2006
    • Faturamento bruto mundial
      • US$ 25.229.168
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 3 h 13 min(193 min)
    • Cor
      • Color
    • Proporção
      • 2.35 : 1

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