Adicionar um enredo no seu idiomaGenre veteran Mick Garris has amassed some of the greatest horror film writers and directors to bring to you the anthology series.Genre veteran Mick Garris has amassed some of the greatest horror film writers and directors to bring to you the anthology series.Genre veteran Mick Garris has amassed some of the greatest horror film writers and directors to bring to you the anthology series.
- Ganhou 1 Primetime Emmy
- 8 vitórias e 7 indicações no total
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Okay, so I'm a Lovecraft freak, so what? There's lots of us out there....lurking. Okay, I'll add the Clive Barker episode, too (Haekler's Tale). Well, I personally thought that one was really Lovecraftian, too. Okay, first, Dreams in the Witch House. Not too bad. Pretty typical Stuart Gordon (particularly with changing most of the story). The main character, Ezra Godden seems to be able to hold his own in the acting arena, so I imagine die-hard Combs fans won't die outright. It worked. Since that was such a short story, it all fit into the alloted episode time, without leaving out too much. Overall, it was a pretty good adaption, so all you Lovecraft fans won't be disappointed.
Now, Onto Haekler's Tale. The HPL influence is really strong in some modern writer's material. This is no exception to the rule. The setting was done really well, and the mood, nice and evil.
It's to bad this series was canceled. It was very good for a horror series and there was plenty of good episodes.
It's too bad so many people prefer "Loser TV" (aka reality shows). Get a life, losers! TV is to entertain people, not point and laugh at the misfortune of others. I don't know about the rest of you out there, but I for one and very sick of seeing the EXACT SAME THING with different names clogging up channel after channel.
And, yes, this is relevant. Good shows get canceled, because everyone seems to want 5 different versions of American Idol.
Now, Onto Haekler's Tale. The HPL influence is really strong in some modern writer's material. This is no exception to the rule. The setting was done really well, and the mood, nice and evil.
It's to bad this series was canceled. It was very good for a horror series and there was plenty of good episodes.
It's too bad so many people prefer "Loser TV" (aka reality shows). Get a life, losers! TV is to entertain people, not point and laugh at the misfortune of others. I don't know about the rest of you out there, but I for one and very sick of seeing the EXACT SAME THING with different names clogging up channel after channel.
And, yes, this is relevant. Good shows get canceled, because everyone seems to want 5 different versions of American Idol.
Persistence paid off-- I was eagerly looking forward to this series. I have been a fan of horror as a genre for most of my adult life. The genre is so diverse-- ranging from low-brow slasher films to the deeply disturbing and the sublime. This one episode will shake you for a long time. It does have a few shocks which will scare you-- even in the comfort and safety of your own living room. But it also is deeply intense and disturbing in a sinister and cerebral way. Carpenter is a great director who, even when lending his talents to more colloquial fare (such as "Vampires"), still is able to deliver a satisfying film. This chapter in the series is phenomenal. It would not surprise me if this is the reason the series is remembered decades from now. A great horror short film and finally redeems the series and makes its premise true: Carpenter is a master of horror.
Watch this episode. In my area it is available "on demand."
Watch this episode. In my area it is available "on demand."
A friend of mine bought vol 1 of season one and I thought: Hmm, maybe this is something like modern Tales From The Crypt or maybe a modern version of Tales From The Darkside so I decided to see one episode, which was Cigarette Burns. Before I borrowed it, my friend said it contained scenes of extreme gore so I thought it would be another ordinary splatter, but I was so wrong. It turned out to be the scariest thing I have ever seen... The violent and gory scenes weren't scary, but the small clips from the movie: "La Fin Absolude de Monde" scared me to death. I can honestly tell you that Cigarette Burns is John Carpenters finest work.
I find that "Masters of horror" is a good continuation of the style of independent short horror stories that was the trademark of "Tales of the crypt" (among others). They share many similarities, one of which is the very irregular overall quality, with some remarkable episodes that are scary fun to watch many times, and others that are simply embarrassing to watch as episodes of a show that is supposed to bring you the best of horror by many film-makers who earned a reputation in this genre; but still, most have some redeeming quality, be it the irresistible campiness, a good story (though badly developed), or decent acting. There were few episodes which I personally found boring (having said this, I would advise anyone to stay away from "Chocolate").
Some episodes feel a little too long, while others ("Deer woman", remarkably) would have benefited from a good quarter of an hour more of running time. Most have at least some gore, many have varying degrees of dark humor, and there's a good amount of sexy contents, too. What stands out most and links this show to the aforementioned "Tales from the crypt" is that most episodes have this underlying feeling of poetic justice and that the "bad guys" get what they deserve, which is quite refreshing.
Some episodes feel a little too long, while others ("Deer woman", remarkably) would have benefited from a good quarter of an hour more of running time. Most have at least some gore, many have varying degrees of dark humor, and there's a good amount of sexy contents, too. What stands out most and links this show to the aforementioned "Tales from the crypt" is that most episodes have this underlying feeling of poetic justice and that the "bad guys" get what they deserve, which is quite refreshing.
I just recently watched three episodes (I still haven't seen "jenifer" unfortunately) but I thought I would share my thoughts about the series like everyone else posted here. Big fan of most of these directors so i was really anticipating this show (can't wait for Dante's and especially Carpenter's).
"Incident On and Off a Mountain Road" was an interesting take on the whole victim\victimizer story that turns the clichéd format on its' head by delving into some pretty heavy stuff concerning violence and its' traumatic affects on its' victims. Liked the subtle moments suggesting early into the episode that Ethan Embry's character is a racist tyrant psychopath. Well made. I give it an A.
"Dreams in The Witch House" is so both unsettling and amusing (that rat kills me). I always love how Lovecraft can make you question what we see as reality as opposed to the real unexplainable horror that exists everyday on this planet and how if things like this really happened, no one would believe you no matter the evidence. I guess the truth can be too horrible which lies at the center of this story. I don't think I have anything but high praise for this one. Another first rate adaptation by Stuart Gordon with some great performances. A+.
"Dance of the Dead", from what I read here, is the most divided among the fans but I think it's pure Hooper: Sick, Outrageous, and off the map. What always strikes me about Hooper's work is that for better or worse he always seems to be careening out of control which can be satisfying to horror fans (for his fearlessness to just go for it) or for a lot of people, grating. I did think that motion cam thing was a bit overused but other than that I was really impressed with this one. Although Englund has been good in other Hooper offerings, I would say this is the best of their collaborations overall. Some really funny and horrible things in here as well as an amusing commentary on our preoccupation with sex, drugs and "enteratinment" (we all kept watching didn't we?). Those dances on stage reminded me of Bumfights or boxing or any other form of twisted spectacle people can't get enough of. My kind of horror. B+.
"Jenifer" is reportedly based on a graphic novel by bruce jones and bernie wrightson. It tells the story of a Cop's obsession for a demonic woman with one messed up face. The actress is hot and there is a fair amount of T& A in this episode as well as one pretty twisted castration sequence. Like "Jenifer's" face this one's pretty messed up. B
"Chocolate" is so far the least satisfying in my opinion, chronicling a lonely, recently divorced man (Henry Thomas, who's pretty good in this), suddenly sharing the same experiences of a woman he's never met. Intriguing premise, some amusing bits but ultimately unsatisfying. The concept never seems to fully generate into anything mindblowing or eerie. It all just kind of seems bland. C
I like what I've seen here. I guess it helps if you're a fan of horror and these filmmakers. I myself have never been that blown away by the types of Horror pictures that just feature stuff jumping out at you. I'm much more interested in seeing original works that go a little deeper into the really sick and horrible facts of life.
"Incident On and Off a Mountain Road" was an interesting take on the whole victim\victimizer story that turns the clichéd format on its' head by delving into some pretty heavy stuff concerning violence and its' traumatic affects on its' victims. Liked the subtle moments suggesting early into the episode that Ethan Embry's character is a racist tyrant psychopath. Well made. I give it an A.
"Dreams in The Witch House" is so both unsettling and amusing (that rat kills me). I always love how Lovecraft can make you question what we see as reality as opposed to the real unexplainable horror that exists everyday on this planet and how if things like this really happened, no one would believe you no matter the evidence. I guess the truth can be too horrible which lies at the center of this story. I don't think I have anything but high praise for this one. Another first rate adaptation by Stuart Gordon with some great performances. A+.
"Dance of the Dead", from what I read here, is the most divided among the fans but I think it's pure Hooper: Sick, Outrageous, and off the map. What always strikes me about Hooper's work is that for better or worse he always seems to be careening out of control which can be satisfying to horror fans (for his fearlessness to just go for it) or for a lot of people, grating. I did think that motion cam thing was a bit overused but other than that I was really impressed with this one. Although Englund has been good in other Hooper offerings, I would say this is the best of their collaborations overall. Some really funny and horrible things in here as well as an amusing commentary on our preoccupation with sex, drugs and "enteratinment" (we all kept watching didn't we?). Those dances on stage reminded me of Bumfights or boxing or any other form of twisted spectacle people can't get enough of. My kind of horror. B+.
"Jenifer" is reportedly based on a graphic novel by bruce jones and bernie wrightson. It tells the story of a Cop's obsession for a demonic woman with one messed up face. The actress is hot and there is a fair amount of T& A in this episode as well as one pretty twisted castration sequence. Like "Jenifer's" face this one's pretty messed up. B
"Chocolate" is so far the least satisfying in my opinion, chronicling a lonely, recently divorced man (Henry Thomas, who's pretty good in this), suddenly sharing the same experiences of a woman he's never met. Intriguing premise, some amusing bits but ultimately unsatisfying. The concept never seems to fully generate into anything mindblowing or eerie. It all just kind of seems bland. C
I like what I've seen here. I guess it helps if you're a fan of horror and these filmmakers. I myself have never been that blown away by the types of Horror pictures that just feature stuff jumping out at you. I'm much more interested in seeing original works that go a little deeper into the really sick and horrible facts of life.
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- CuriosidadesAccording to creator Mick Garris, the directors involved were given free rein as to what stories they told; however they wanted to tell them. But when Showtime came on board, they laid out a handful of rules. One was that there could be no full-frontal male nudity. Another was that there could be no violence committed on a child by another child (but violence by adults on children or children on adults was acceptable).
- ConexõesFeatured in Vampire Reviews: Masters of Horror (2017)
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