Mestres do Terror

When I saw "Cigarette Burns" it felt as though I was watching a great horror feature film.

This was definitely the best "Masters of Horror" episode. Just when I thought John Carpenter had "lost his eye" for the genre. This one is a classic.

I was totally creep-ed out by this one. The story was very involving and Udo Kier was fantastic as usual.

Thanks to Showtime for keeping this series going. I hope that it continues on with new episodes later this year. They've done a great job in getting the best horror directors and writers for the series.

I really recommend this series for all horror fans who are tired of the new ghost films era, this is old school baby!!!! blood , violence , interesting plots and an excellent camera work in the two episodes i have seen. I was really glad that we can enjoy new works from this old masters... for all of you who enjoyed re-animator, Friday the 13, Texas chainsaw (the old one), Halloween, etc etc... But remember, this is old school , so if your kind of horror is the ring and stuff like that, try ghost whisperer or medium. I cant wait to see the works of Carpenter, Argento and Miike , their are my favorite ones. Mckee too, cause May is one of my favorite films.

Okay, so I'm a Lovecraft freak, so what? There's lots of us out there....lurking. Okay, I'll add the Clive Barker episode, too (Haekler's Tale). Well, I personally thought that one was really Lovecraftian, too. Okay, first, Dreams in the Witch House. Not too bad. Pretty typical Stuart Gordon (particularly with changing most of the story). The main character, Ezra Godden seems to be able to hold his own in the acting arena, so I imagine die-hard Combs fans won't die outright. It worked. Since that was such a short story, it all fit into the alloted episode time, without leaving out too much. Overall, it was a pretty good adaption, so all you Lovecraft fans won't be disappointed.

Now, Onto Haekler's Tale. The HPL influence is really strong in some modern writer's material. This is no exception to the rule. The setting was done really well, and the mood, nice and evil.

It's to bad this series was canceled. It was very good for a horror series and there was plenty of good episodes.

It's too bad so many people prefer "Loser TV" (aka reality shows). Get a life, losers! TV is to entertain people, not point and laugh at the misfortune of others. I don't know about the rest of you out there, but I for one and very sick of seeing the EXACT SAME THING with different names clogging up channel after channel.

And, yes, this is relevant. Good shows get canceled, because everyone seems to want 5 different versions of American Idol.

Persistence paid off-- I was eagerly looking forward to this series. I have been a fan of horror as a genre for most of my adult life. The genre is so diverse-- ranging from low-brow slasher films to the deeply disturbing and the sublime. This one episode will shake you for a long time. It does have a few shocks which will scare you-- even in the comfort and safety of your own living room. But it also is deeply intense and disturbing in a sinister and cerebral way. Carpenter is a great director who, even when lending his talents to more colloquial fare (such as "Vampires"), still is able to deliver a satisfying film. This chapter in the series is phenomenal. It would not surprise me if this is the reason the series is remembered decades from now. A great horror short film and finally redeems the series and makes its premise true: Carpenter is a master of horror.

Watch this episode. In my area it is available "on demand."

Saw Homecoming two weeks ago in Torino (Italy). Mastepiece of political horror, sharp satire, antiwar manifesto and critic to the cynical political engineering of the actual White House. It was the European premiere and Joe Dante got a ten minutes standing ovation. The movie is linked to previous pieces like The Second Civil War and Small Soldiers, and the glance at actual US politics is not optimistic. Still, he has space for witty humor. Shot in Vancouver in only ten days, with a micro budget, excellent actors and Rob Picardo (the best) it is one example of how vision, intelligence and wit can provide more than a mega budget for an empty blockbuster. With committed liberal and brilliant filmmakers like Joe Dante there is still hope.