O Homem Sombra

Before I start I would like to say that I already know Seagal isn't known for his acting but for his fight scenes. Exit Wounds was a fun thriller where Seagal actually put effort in his acting. Into the Sun wasn't that bad of a film either which had a decent plot. This film just had nothing.

What can I say, Steven Seagal keeps throwing films at us. They are completely rushed. Segal plays Jack where his daughter gets kidnapped and all he does is watch and with no emotion as his daughter is taken away from her. Throughout the movie Jack never does show anytime of emotion. I know that Seagal plays a tough guy throughout his movies but this was so over the top.

The directing and the editing also credits for this mess as plot holes developed quickly. Such examples included that Seagal would trust people to quickly than all the sudden he would become best friends.

If you are a Seagal fan than this movie wouldn't bother you. It doesn't compare to Exit Wounds but I can say, this film was better than his previous three (Submerged, Today You Die, and Black Dawn). That really isn't saying much. I will admit I enjoy watching Seagal films even though I usually disappointed.

Overall this film gets a 2 for directing, 2 for editing, 2 for acting, 2 for plot, and 6 for the stunts.

The photography appeared to be foreign made and of poor quality. In many scenes Segal appeared passive and bored and just along for the ride. Overall it lacked the crispness of most of his prior films.

It appears that the shirt that Segal is wearing upon arrival at the taxi driver's apartment is not the one he was wearing in the taxi while on the way there.

The plot was difficult to follow and I found myself relying on the action scenes to maintain interest. There is an excellent body count if that is your bag, although some innocent people needlessly died at Segal's hands. He is usually for the underdog, but in this film he does not appear to care who he terminates.

It's fairly obvious to see, to non fans, that Steven Seagal over the last few years has seen a decline in film quality, since Exit Wounds, which itself briefly reversed a falling trend in the big guys, post Under Siege works. By the time Wound's came out Seagal hadn't actually done all that many films, 11 in all, including Executive Decision which was merely a cameo for Steven. Since wound's though he's so far done another 13, shot and in the can awaiting release. Including another 3 awaiting release, and several potentials yet to be shot. So in the last 5 years his career has shot up in terms of output. Unfortunately the sheer amount of films, has seen a decline in quality. Furthermore Seagal has put on a lot of weight and is no longer looking the part, in the way he used to. Similarly trends have emerged such as voice dubbing, stand ins, stunt doubles and a real lack of enthusiasm, which is remarkable considering Seagal's wooden demeanour has been in question from critics since his glory days, but in some recent films he's nearly asleep. Seagal films these days, ridiculously, are rated on his participation in fight scenes, his own dialogue, etc, which in a critical standpoint is really no way to rate a movie. However in that respect this film is good in one respect: Seagal kicks ass! He does all his own fights, aside from an opening fight probably needlessly added in post production using his double, as naturally Seagal shoots these things and moves on to other things.

Shadow Man though marks an upturn in quality for Seagal. In most respects it's his typical DTV dreck, but this film at least has Seagal half interested and also has a good pace. At least Seagal is IN the movie. Some of his previous DTV films have seen him actually only appear in about 75% of the film (in Mercenary Seagal doesn't even properly appear until 12 minutes in.). What we have in Shadow Man is Seagal in most scenes, albeit with the use of a stand in for a lot of reverse shots and far off shots. But this is favourable to him disappearing for huge gaps, and since he's the main draw some films where Seagal disappears from proceedings, suffer immensely (MFJ, Black Dawn). Seagal also does his own fights, and what's more he has a lot of action in this film. Shadow Man does feature some vintage Seagal moments, including a great fight against a group of Russian gangsters. Also this has a classically violent climax worthy of the Seagal of old. Seagal too is ably supported by a good cast, something missing in some of his previous films. Alex Ferns, Imelda Staunton (surprisingly) and the lovely Eva Pope, all appear to give fine support.

The plot is quite simple but as usual in some of these movies the storytelling is poor, with Seagal travelling from scene to scene with little indication as to why. There is no cohesion in the narrative but at the same time Seagal is essentially going from action scene to action scene and as such the pace is brisk. Shadow Man at least isn't a trial to sit through like his last few films were, which suffered terribly from dull patches. There's enough carnage, bone breaking and car chases to keep things moving briskly. Essentially this film gets by on the nostalgic value with some classic Seagal moments that seem vintage. Some moments bring a sudden breezy memory from his glory days, while you still of course acknowledge that these are not nearly as well made as say Nico or Under Siege. It's all competently done though from the crew, and Barry Taylor in particular produces a decent musical score that although mimicking John Powell's Bourne scores, is simple and effective. At the same time director Michael Keucsh is okay. It seems that there could be a brighter next year or so for Seagal fans as he's got another 2 films with more or less the same crew, working with Keusch both times. However the real turning point is likely to be Prince Of Pistol's which seems to at least have Seagal's undivided interest and enthusiasm. Anyway Shadow Man is by no means a very good film, but it is still pretty good fun. **1/2

Steven Seagal made some good movies earlier back in his career such as UNDER SIEGE (1992) ABOVE THE LAW (1988) & MARKED FOR DEATH (1990) but that was a very long time ago.

Since his last Theatrical Flop, The Rapper's in Alcatraz nonsense that was HALF PAST DEAD (2002) - Seagal's career as been in the Straight- to-DVD doldrums and has starred in 19 Movies in 8 years to date, but it's a case of quantity rather than quality I'm afraid.

SHADOW MAN has Seagal playing an Intelligence Operative whose Daughter gets kidnapped and spends the rest of the movie trying to get her back, that's pretty much it, but SHADOW MAN has a needlessly confusing and overly complicated screenplay - There's far too many different sets of baddies (Cops,Americans,Romanian Mafia) and too many pointless scenes by half which add nothing to the story, it does become quite a chore to sit through.

The Film is poorly directed by Michael Keusch - who went on to direct another couple of Seagal starred stinkers in FLIGHT OF FURY & ATTACK FORCE.It's very disjointed,The Screenplay is woeful - Seagal co-wrote and co-produced it himself so has to take a lot of the blame here.

There's plenty of action, none of it very interesting and most of it poorly edited.

The Acting is pretty awful, but I've come to expect that in a Seagal Flick - What Oscar Nominated British Actress Imelda Staunton in doing appearing in such mindless trash I really don't know.

Filmed in Romania on the cheap - Not the worst Film I've ever seen,but Seagal DTV releases have become interchangeable, none are better or worse than the one before, but ALL are pretty dire - there hasn't been a really decent one since UNDER SIEGE 2, 15 years and 30 odd Films ago.

I used to be a sucker for his Flicks, buying every release, but this is the last one I paid my hard earned money to buy - Make of that what you will.

I was surprised to notice the Film is only 95 Minutes long, because it felt far far longer.

I mights add upfront, that i am no Steven Seagal fan.

The movie is similar to all Steven Seagal movies. So if you don't mind that you never see "stevens" head/face in any stunt ( which includes anything with more action that jogging or crouching) nor worse effects then a 1950 movie "high speed" chase, then you might enjoy this movie.

if you hate to see slowly moving vehicles through a shaking camera (which somehow is supposed to make it look more action/speed loaded...) i suggest not to waste your time with it. If you hate flat dialogs (there a re a few "good" ones, but Steven manages to spoil them by reading them with no emotions nor ambition) then again, this movie should probably not to waste your time.

summery: Steven, if you are a good guy, which i hope, then you wont take this personal: please stop trying to be an actor. you are wasting peoples lifetime.