AVALIAÇÃO DA IMDb
6,6/10
27 mil
SUA AVALIAÇÃO
A verdadeira história de um professor de dança que acreditava no talento de um grupo de crianças perturbadas.A verdadeira história de um professor de dança que acreditava no talento de um grupo de crianças perturbadas.A verdadeira história de um professor de dança que acreditava no talento de um grupo de crianças perturbadas.
- Prêmios
- 1 vitória e 6 indicações no total
Avaliações em destaque
This is a feel-good movie. You will enjoy it, laugh, maybe even cry, despite being able to predict what is going to happen. Banderas does a nice, understated job and the actors portraying the urban kids are outstanding. I didn't like some of the camera angles and chafed at the dance shots often being too close up to really see what the moves were, but the choices in filming undeniably added to both the realism and the energy of the scenes.
Altho based on a true story, one has to wonder how much was added for dramatic effect. Some of the relationships/developments seem just too trite and stereotyped -- and yet the portrayals are enjoyable enough that ultimately you don't care. After the number of times audience members laughed or exclaimed over scenes or lines in the movie, I was surprised that they didn't clap at the end -- it's that kind of movie. It reminded me of both Strictly Ballroom and Stand and Deliver. You won't be sorry you've seen it.
Altho based on a true story, one has to wonder how much was added for dramatic effect. Some of the relationships/developments seem just too trite and stereotyped -- and yet the portrayals are enjoyable enough that ultimately you don't care. After the number of times audience members laughed or exclaimed over scenes or lines in the movie, I was surprised that they didn't clap at the end -- it's that kind of movie. It reminded me of both Strictly Ballroom and Stand and Deliver. You won't be sorry you've seen it.
This movie is "inspired by" the story of Pierre Dulaine, who started a ballroom dance school program in New York. But "inspired by" seems to equal "use a real person's name," because this movie feels utterly false in every detail, from its "cute meet" with a thuggish (but good-hearted) student through its two cardboard bad guys to a final ridiculous finale that pushed absurdly unrealistic to new heights. It felt so unlikely, and I remembered that Mad Hot Ballroom, about that same dance program, had featured younger kids, so I googled around and found an excellent review on some website called Townhall by Megan Basham that pretty much said everything I felt, and also pointed out that in fact the program was created not by one person but by two and did in fact start in two schools with younger kids of various backgrounds.
But what is probably a very interesting story is tossed out in favor of a very shallow Hollywoodization.
This is not to say the movie isn't watchable. The cast is engaging and there are some nice dance numbers in it, and of course Hollywood clichés can have a certain manipulative power. But the problem is, every new ridiculous event in the movie pushed me further from enjoyment and towards irritation.
When people complain about Hollywood movies, this is exactly what they're complaining about.
But what is probably a very interesting story is tossed out in favor of a very shallow Hollywoodization.
This is not to say the movie isn't watchable. The cast is engaging and there are some nice dance numbers in it, and of course Hollywood clichés can have a certain manipulative power. But the problem is, every new ridiculous event in the movie pushed me further from enjoyment and towards irritation.
When people complain about Hollywood movies, this is exactly what they're complaining about.
Attended a premiere of the film yesterday without knowing anything about it, and I was pleasantly surprised.
Along the lines of similar films regarding inner city schools and the use of fine arts to motivate students, this film chooses dance as its educational medium. It provides a realistic examination of true life in the New York public school system, and of New York City in general...no "Sex and the City" or "Friends" glamor here. I applaud this film for its casting of Antonio Banderas as the teacher who really cares for his student's lives in a world of despair. He does a great job conveying the inner struggle of a person who yearns to offer their help despite limited resources and support. Meanwhile, the students that make up his class are relative unknowns, but all are fantastic dancers with acting skills to match.
Even if you are not a fan of either Hip Hop/Rap or Ballroom/Jazz/Ballroom styles of music and dance, this film will have your foot tapping and imagination wandering..."maybe after some lessons, I could dance like that". Both worlds are depicted with accuracy and realism, allowing followers of either genre to spy on the other.
For parents looking for the suitability of this film for their children, I would say the minimum age should be 13-ish. Other than the odd curse word or gun play, there is not much else to worry about. The benefits and moral lessons taught by this movie far outweigh the negative aspects.
If you've ever secretly wanted to join a dance class, this film will (hopefully) push you past your fears and have you dancing in no time.
Along the lines of similar films regarding inner city schools and the use of fine arts to motivate students, this film chooses dance as its educational medium. It provides a realistic examination of true life in the New York public school system, and of New York City in general...no "Sex and the City" or "Friends" glamor here. I applaud this film for its casting of Antonio Banderas as the teacher who really cares for his student's lives in a world of despair. He does a great job conveying the inner struggle of a person who yearns to offer their help despite limited resources and support. Meanwhile, the students that make up his class are relative unknowns, but all are fantastic dancers with acting skills to match.
Even if you are not a fan of either Hip Hop/Rap or Ballroom/Jazz/Ballroom styles of music and dance, this film will have your foot tapping and imagination wandering..."maybe after some lessons, I could dance like that". Both worlds are depicted with accuracy and realism, allowing followers of either genre to spy on the other.
For parents looking for the suitability of this film for their children, I would say the minimum age should be 13-ish. Other than the odd curse word or gun play, there is not much else to worry about. The benefits and moral lessons taught by this movie far outweigh the negative aspects.
If you've ever secretly wanted to join a dance class, this film will (hopefully) push you past your fears and have you dancing in no time.
There are so many good films being released and so many formulaic films like these are released that it seems like we can do without a film like TAKE THE LEAD.But guess what,this ain't your average coming-of-age inspiring story.This is rather more fun and effective drama powered by fantastic dance sequences,with the aid of Benderas who leads the kids.
The entire film depends on Benderas' energy and wit.He fills the film with energy and wit and excites everyone in the film.I really enjoyed the superbly choreographed dance sequences as it brings about different cultures together and shows how much fun it could be.It's really enthralling.
A finely made entertaining film with a different treatment to an old formula.Surprise is on their side.
The entire film depends on Benderas' energy and wit.He fills the film with energy and wit and excites everyone in the film.I really enjoyed the superbly choreographed dance sequences as it brings about different cultures together and shows how much fun it could be.It's really enthralling.
A finely made entertaining film with a different treatment to an old formula.Surprise is on their side.
I, for one, thought this was an excellent movie! True, it does have a familiar plot, but that does not at all distract from the true intention of the film. If I had to categorize it, I would say it's a seamless mix between Dangerous Minds and Save the Last Dance. However, unlike those, this is a TRUE story. This is not some script that came from someone's head, it really happened. I would highly recommend this film to anyone who loves a great story. This movie is very inspirational and has phenomenal music to boot. I was dancing in my seat. So forget what you think you know, and just give this film a chance. I think you'll be pleasantly surprised.
Você sabia?
- CuriosidadesThe youthful members of cast worked with the real Pierre Dulaine to get their dance moves correct for the movie.
- Erros de gravaçãoWhen Morgan comes to the school to dance with Pierre for the students, she descends the steps to the room fully costumed, including her shoes. Ballroom dance shoes have soft suede soles that are are easily damaged by wet or dirty floors, so most dancers, especially serious ones like Morgan, will not put risk their shoes by putting them on at a non-competition venue until they are ready to step onto the dancing surface.
- Citações
Pierre Dulaine: To do something, anything, is hard. It's much easier to blame your father, your mother, the environment, the government, the lack of money, but even if you find a place to assign the blame,it doesn't make the problems go away.
- ConexõesFeatured in HBO First Look: Take the Lead (2006)
- Trilhas sonorasI Got Rhythm (Take the Lead Remix)
Written by George Gershwin and Ira Gershwin
Performed by Lena Horne
Additional vocals performed by Q-Tip
Remixed by Swizz Beatz and Aaron Zigman
Courtesy of RCA Victor Group by arrangement with Sony BMG Music Entertainment
Q-Tip appears courtesy of Motown Records a division of UMG Recordings, Inc.
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- How long is Take the Lead?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Take the Lead
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 34.742.066
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.775.000
- 9 de abr. de 2006
- Faturamento bruto mundial
- US$ 66.500.090
- Tempo de duração
- 1 h 58 min(118 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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