O Contrato

Ray Keene is a former policeman who is struggling to build his relationship with his young son. His plan to bond over a camping trip in the woods goes sour though when they come across a hit-man (Cordell) in the middle of escaping Government custody. Keene holds Cordell at gunpoint but without a mobile phone signal they begin to trek towards civilisation. However with Cordell's men hot on their heels, Ray becomes increasingly desperate as he tries to get to the protection of the authorities.

I saw this film on an overnight bus crossing Argentina. I mention this not as name dropping but to admit that the sound was very low as must passengers were sleeping and relying on headphones or the Spanish subtitles. Without headphones or a working Spanish, I prepared to strain my ears and also use the subtitles the best I could. I needn't have worried because I could have followed this if the sound was on mute and the DVD was playing all the scenes on random shuffle. The plot is simple perhaps but it did offer a sort of moral ambiguity that was interesting to me at first. With two strong actors in the leads I expected the verbal fireworks to be more interesting than the action. In a way I was correct but this is not to say that the script was good – just that the action was poor. The moral complexity of good and bad is skirted on but is ultimately dumped in a ending that is nothing more than insultingly lazy writing.

Fortunately anyone getting to the end will not be surprised by this as it is pretty much what the previous hour or so had been like. The narrative is totally unconvincing and offers little to make up for it. The tension that could have covered the plot holes is absent and the action is mostly just dumb. Writers Katz and Darrouzet deserve much of the credit for this because really nobody is given much to work with. Director Beresford does the basics with little conviction but I did feel sorry for the cast. Freeman and Cusack both deserved much better than this nonsense. Freeman I assume was attracted by the chance to play a baddie and it is a shame then the script doesn't really let him do this with any effort. Cusack does what is asked of him but nothing more. The support cast are average at best in keeping with their cardboard characters.

Overall then a roundly poor film that offers nothing of interest and wastes the talents of the two actors in the lead. If I hadn't been a captive audience I would have struggled to make it past the 30 minute mark.

The widower teacher and baseball and basketball coach Ray Keene (John Cusack) lost his wife that died of cancer two years ago. When his teenage son Chris Keene (Jamie Anderson) is caught by the police smoking pot, Ray invites him to hike and camp in the woods to increase their bonds. Meanwhile, the mercenary assassin Frank Cordell (Morgan Freeman) is arrested by FBI after a car accident in the middle of a contract to kill an important target. While Frank is traveling on the road escorted by three FBI agents, his men try to rescue him, but his car falls into a river and is carried by the drift. Ray helps the wounded agent and the cuffed Frank to leave the river, and feels responsible to deliver Frank to justice. The former policeman and stubborn Ray does not listen to Frank's proposal to leave him alone and travel through the woods with Chris, trying to find a safe place. But the men of the Frank and an undercover agent in the team are chasing the group with different lethal intentions.

"The Contract" is a shallow and flawed thriller that has the intention of being dramatic and serious, but actually is laughable. The silly plot is full of coincidences and stupid actions taken by most of the characters. For example, in the beginning, the FBI agent leaves the car to help the truck driver on the road; the attitude of the crew of the helicopter is simply ridiculous when they land, specially the pilot; the way a suburban coach defeats trained mercenaries is shameful; and the coincidences when the bad guys shoot and miss the target are awful; the hiker Sandra loses her boyfriend and never grieves; and the corny romance of Sandra and Ray, and the incredible sentimental attitude of Frank Cordell in the end make this film a great deception. The motives why the reclusive billionaire apparently could not criticize the stem cell research program in a democratic and free country are never clarified, only tagged as "an obstacle to the progress". Is this a reason to kill and important man? My vote is five.

Title (Brazil): "O Contrato" ("The Contract")

I am a huge fan of both Morgan Freeman and John Cussack, so when I saw this rental at Hollywood Video, I didn't hesitate, it seemed like a very good idea of the two of them being together in the film. However, I was disappointed when I brought it home and looked up the rating on IMDb to see an average rating. But knowing I had to get my money's worth, I watched it this evening, now I didn't think it was a bad movie, but it was pretty average for what I was expecting from these extremely talented actors. The plot had extreme potential, but some things were not explained well enough, like the characters just had no depth. The script just needed some more work.

After Ray's son gets into trouble, he wants to do a little bonding with him, so he takes him camping. But things get a little interesting when he and his son try to save two people from the river who have washed ashore, one of them is a police officer who is fatally wounded and the other man, Cander, is a hit man who is wanted by the F.B.I. and is also being followed by his fellow assassins. Ray and his son take Cander and try to take him to the police, but it's hard when the assassins are after all of them and won't stop until they get what they want.

A hit-man with a heart of gold, not that original, not that believable, not to mention how some of the plot seemed a bit mediocre and confusing at times. Now, Morgan and John did a good job with what they had, they made the film watchable. They really did have good chemistry so I do hope they do a film together soon, just before they do that, they read the script first. So The Contract is a film I would say is watchable, just like I said, it's a bit average for what you would expect, but just judge for yourself.

6/10

Sure it is not a great movie but it is much better than the reviews on here would have you believe. It was an enjoyable hour and a half of entertainment.

Every once in a while, they release another movie about a government agent going on the run from his supposed friends (Sydney Pollack's "Three Days of the Condor" brought the genre to its apex 32 years ago, owing in part to widespread distrust of the government at the time). "The Contract" is one such movie, with Morgan Freeman on the run and John Cusack trying to help him. If you turn on the movie not expecting any kind of masterpiece (or not expecting much at all), you won't be a bit disappointed. I could predict much if not most of what was going to happen.

What I found most fascinating about this movie is that it was filmed in Bulgaria. I never would have guessed that that country looks so much like the Pacific Northwest (the setting seriously did look like Washington and Oregon).

But mostly, this is the sort of movie that you rent if there's nothing else to watch. Though in the thick of things, I will say that "Did you learn how to fly in Disneyland?!!!!!" was a pretty entertaining line. Also starring Jonathan Hyde and Bill Smitrovich.