Main Aisa Hi Hoon

This film is out-and-out a tearjerker. The story revolves around a Ajay Devgan, a mentally challenged man, and his daughter, who has reached the age where she has begun to surpass her dad mentally. Ajay plays innocence personified. He treats everyone as his own, and does not know how to lie. Esha Deol, his long lost love, was never destined to live happily. The happiness she receives from Ajay she finds to be too much to handle after living a dark and lonely life. Sushmita Sen, a top lawyer and a very strong, independent woman, has distanced herself from her son by dedicating all her time to her profession that deals with an ugly face of society. A divorcée, she fights a new battle everyday, in court and in life. Ajay, through his unconditional love, brings out the loving child and innocence in Sushmita. The story is very nice, and characters are well developed, particularly that of Sushmita. Ajay's performance was absolutely fantastic. Sushmita was also good.

MAIN AISA HI HOON promos showed up and i was so excited to watch it

Ajay in a mentally challenged role after DILWALE(1994) was a delight in the promos and i waited for the film to come In fact Ajay had 5-6 releases in 2005 and many of them in the first few months of 2005 in January there were INSAN and BLACKMAIL both craps and in February the much delayed ZAMEER and then the good TANGO CHARLIE and finally this movie

But i waited to watch this but sadly

The film is a remake of I AM SAM but the film falters in script level and also there are several loopholes

Another problem is Ajay made to sing and dance is too far fetched and also the characters surrounding him are too clichéd The romance between Ajay and Esha is okay but the reason she leaves him is too difficult to understand also the reason why Anupam wants her back is okay but how does he come to know Ajay is mentally ill before meeting him?

The courtroom drama is well handled but the jerky camera work spoils the show yet the courtroom drama does have some good moments but the film drags and gets painfully slow and ends suddenly

Direction by Harry Baweja is decent in parts only Music is okay

Amongst actors Ajay did a mentally challenged role in DILWALE(1994) strangely by the same director and was good there Here too he does well but could be far more better in several portions Esha is okay Sushmita Sen steals the show with a natural performance, sadly nowdays she is doing trite Anupam Kher is adequate Vikram Gokhale is okay

A Hindi remake of "I Am Sam". Ajay Devgan showed alent in a genre much different from his typical action/thriller/horror. He is endearing, and I liked his performance. He has some good chemistry with Sushmita, and is overall, a great performer. Sushmita Sen is disappointing. She looks very glamorous, but fails to provide any proper acting entertainment. The little girl got on my nerves, though she is kinda cute.

Music is average, though I like a few songs. Interestingly, many songs are in English, which surprised me, I was not expecting it. I don't like it though, I'm sure many people would have preferred them in Hindi.

Its a candyfloss comedy/drama, and sickly sweet. Be prepared.

The kind of Father, to a drug addicted mother is enough for a court to rule decision in Fathers favour.

The support father has from masses. The love daughter gets from friends never needs a real family. All this also add to rule decision in Fathers favour.

Despite such storyline, the twist at end is unnecessary and ambigous. Thus settling with mentioned stars.

Music is good. A flick well altered for viewing audience.

Main Aisa Hi Hoon continues a number of recent and not-so recent disturbing trends for Bollywood films. But in the end, it is saved somewhat by decent performances.

Most disturbing is the trend for producing uncredited remakes of American films. This is a remake of the far superior I Am Sam (2001). The copyright law in India must be such that it's impossible or at least not worthwhile to sue for these infringements, but artistic integrity and ethics would suggest giving credit where it is due.

As bad as the ethical problems is the fact that not many of these uncredited remakes are as good as the films they're stealing from. In Bollywoodizing them and sanitizing them so that they're more acceptable to Indian culture, the producers, writers and directors suggest that they often do not understand what made the films work in the first place.

There are a number of such changes in converting I Am Sam to Bollywood that are made to reflect conventional Indian morality and social myths. Here, the main character's one night stand was changed into a very muddled, longer-term relationship; the main character having difficulty coping in normal society was changed into a unbelievable, flawless social support system; questionable philosophical stances built into the system were mostly changed into a vindictive would-be father in law; and an unexpected, budding romance was drained of nearly all development and justification, not to mention that it's capped with a ridiculous bit of plotting at the end.

Other stereotypical stylistic changes were made, too, in order to make this a very non-challenging Bollywood film. Songs were added, of course, and although most of the lyrics are a relatively unusual and thus admirable attempt to say something relevant to the dramatic material, the songs and often the style in which they're performed are almost always sorely out of place. Also, melodrama is cranked up to the point of irritation, often accompanied by ridiculous musical or sound effects cues--Bollywood filmmakers seem to believe that their audiences are so stupid that they will not pick up on anything unless they beat them over the head with it. The concern for adding songs, melodrama and making the film not so controversial for Indian audiences resulted in often forgetting the need to tell a story that makes sense for these characters as they are presented. Storytelling should be the first concern in film-making. Concentrate on that and forget about making a combination soap opera/variety show with pointless "fancy" camera work (such as shots of the main character's house sideways and upside down).

Maybe surprisingly then, the acting in Main Aisa Hi Hoon is actually pretty good. Ajay Devgan is not nearly as convincing in the role as Sean Penn was, but especially as the film progresses, he turns in a moving, heartfelt performance. Sushmita Sen, Esha Deol and Anupam Kher are also impressive, especially in light of the fact that Bollywood actors are usually encouraged to overact rather than turn in a nuanced, understated performance. I also enjoyed the music, even though the breaks in the story to sing a song didn't fit very well.

Still, it's difficult to recommend Main Aisa Hi Hoon. Anyone interested in this story should just watch I Am Sam instead. And please, Bollywood, break some formulas, take some chances, and stop ripping off other films.