No ano de 2019, uma praga transformou quase todos os humanos em vampiros. Diante de um suprimento de sangue cada vez menor, a raça dominante, dividida, planeja sua sobrevivência. Enquanto is... Ler tudoNo ano de 2019, uma praga transformou quase todos os humanos em vampiros. Diante de um suprimento de sangue cada vez menor, a raça dominante, dividida, planeja sua sobrevivência. Enquanto isso, um pesquisador trabalha com um bando de vampiros clandestinos para achar uma maneira d... Ler tudoNo ano de 2019, uma praga transformou quase todos os humanos em vampiros. Diante de um suprimento de sangue cada vez menor, a raça dominante, dividida, planeja sua sobrevivência. Enquanto isso, um pesquisador trabalha com um bando de vampiros clandestinos para achar uma maneira de salvar a humanidade.
- Direção
- Roteiristas
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- Prêmios
- 3 vitórias e 6 indicações no total
- Direção
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- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Daybreakers has a captivating promising start, the is year 2019, a plague has transformed almost every human into vampires.
Directors Michael Spierig and Peter Spierig give the viewer an awe-inspiring vision of the future, the cityscape is amazing. It's also packed with excellent make up effects and nicely executed CGI. The film reflects some great parallels of today's social structure and struggles.
Sam Neill is the perfect vampire leader and Ethan Hawke is good as the trouble vampire who feels pity on the remaining humans.
However, sadly the film takes a turn for the worse when the usually excellent veteran actor Willem Dafoe turns up. From then on the film stumbles until the end credits as it stomps on the great idea's and visuals that came before, with bad dialogue and corny premises. Once the action moves from the city to countryside it's as if the producers turned a switch to- 'mediocre', with echoes of John Carpenters Vampires (1998).
An engaging strong intellectual start, regrettably becomes a futile unoriginal drip by the end.
Special effects: Moderate, not much was needed for the movie. The death of the vampires were a little more violent than usual, however the entertainment behind it balanced it out.
Plot: "Find a cure or we all die" has been used frequently before, and there wasn't much of a twist.
Setting: The setting was a dark futuristic setting, Imagine Las Vegas at night...with all white neon. Perfect setting for this movie. Worth seeing? Yes. Not worth sprinting to the theaters, however it is worth seeing. I'd give it a 7/10.
This movie is such a relief from the romantic necrophilia of the Twilight series. It's good to see scary vampires again.
The film finely balances sci-fi, horror, and action and I also really appreciated the utter desperation present in the film. So many action movies go so over-the-top in their action heroes that you never feel like their in any danger of being defeated, but here all odds are against our protagonists and, as events unfold, their situation grows gloomier and gloomier.
The entire cast--which includes Ethan Hawke, Sam Neill, William Dafoe, and Claudia Karvan—is on top of their game here and play the material straight, which is very refreshing. Especially Sam Neill, whom I've always been a fan of since I saw Jurassic Park as a kid, is great here and he really manages to steal the show in his scenes.
Also refreshing is the amount of bloodletting and thematic material present here. Make no mistake, Daybreakers is a "hard 'R'" and full of violence and grotesque sites like starving vampires turning into monstrosities that are hard to look at. The film also had ideas and much to say about a struggling society in the face of low supply to meet high demand.
I wasn't a huge fan of Undead, but the Spierig Brothers have truly crafted something special here. I do wish the film was a bit longer as I wanted to know more about the society the story took place in, but that's a testament to the film itself. If you're seeking a more adult vampire film with enough substance to excuse its style, I recommend Daybreakers.
Related Recommendations: Equilibrium, Gattaca, They Live, Aeon Flux , Blade, Blade II, The Matrix
But there is a problem. The vampires' insatiable appetite for blood has driven the residual human population to the point of extinction and left the blood supply almost exhausted. Enter Edward Dalton (Ethan Hawke), a scientist working for a massive pharmaceutical conglomerate headed by the evil Charles Bromley (Sam Neill). His job is to find a blood substitute to ward off mass starvation. Dalton secretly sympathizes with the remaining humans and hopes that his work will result in their persecution being halted. After connecting with some human survivors, he realizes that there may be an even more radical solution to the problem. However, not every solution is profitable..
From beginning to end this film is big, gory fun. There are some interesting and agreeable plot twists and the film's more metaphorical aspects (which are not exactly subtle to begin with) are upfront but not preachy. The special effects and action scenes are top-notch also, particularly a gruesome set-piece near the film's climax. The Spierig brothers also manage to insert some big scary jolts at regular intervals. All the cast are solid but special mention should go to Sam Neill who does not chew scenery as the main villain of the piece but definitely nibbles here and there. Willem Dafoe is good too, as always. "Daybreakers" also passes a key horror movie test: when you leave the theater, the outside world does not look quite as reassuring as it normally does. Well worth seeing.
This film has a unique premise, and for the first hour or so, I thoroughly enjoyed exploring the world that Michael and Peter Spierig created. The opening scene shows one of the downsides of vampirism, as a girl takes her life rather than be stuck in a child's body for eternity. There were other fun touches thrown in too, like blood coming in wine bottles and being poured over ice. The film's storyline touches on themes of corporate greed taking precedent over the good of the public, and there is an underlying oil subtext that is less than subtle.
The second half turns into a clichéd mess. The ending in particular is really cheesy as a result. Truthfully, I would have been happy if the whole band of humans idea had been scrapped entirely. Surely they could've come up with something a little better. I mean, this is a pretty creative film. Other segments of the picture seem rushed, like the subplot involving Bromley's daughter. Speaking of Bromley, Sam Neill is one of my favorite actors, so it was great seeing him in a genre film again. His presence is the highlight of Daybreakers. I've never much cared for Hawke, and his performance here did nothing to change my mind. Willem Dafoe also pops up, and while I usually do like him, his character here is annoying.
As is, chalk it up as a movie that could've been more. Oh well, at least it's way better than the last work from the Spierigs, Undead. That was one of the rare films that I stopped watching halfway through. Quick note: I saw a father and two young teens leave shortly after an early scene involving a gory testing of the blood substitute. Guess they thought this would be another Twilight.
Você sabia?
- CuriosidadesAccording to interviews, Sam Neill explained what made him decide to make the film was the scene in the screenplay in which the businessmen vampires buy morning coffee spiked with human blood.
- Erros de gravaçãoWhen we first "see" Edward Dalton, it's as an empty collar and tie in his car's rear-view mirror - as a vampire, he casts no reflection. A bit later, his right ear feels strange, so he pulls down his sun visor to check it out in the mirror there, and he's able to see himself. However, if you look closely there is a video camera in the sun visor that then projects the video in the spot where a mirror would be.
- Citações
Edward Dalton: Is this place safe?
Elvis: Living in a world where vampires are the dominant species is about as safe as bare backing a 5 dollar whore.
- Cenas durante ou pós-créditosIn line with the subject of the movie, the lettering of the end credits is in red, instead of the customary white.
- Versões alternativasThe UK release was cut, the distributor made three cuts to remove shots focusing on very strong violence, in order to obtain a 15 classification. An uncut 18 classification was available. The home entertainment versions of the film (Digital, DVD and Blu Ray) were subsequently released uncut with an 18 certificate as the "Unseen Version"
- ConexõesFeatured in At the Movies: Summer Special 2009/10 (2009)
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Detalhes
- Data de lançamento
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- Central de atendimento oficial
- Idioma
- Também conhecido como
- La hermandad
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 20.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 30.101.577
- Fim de semana de estreia nos EUA e Canadá
- US$ 15.146.692
- 10 de jan. de 2010
- Faturamento bruto mundial
- US$ 51.417.188
- Tempo de duração1 hora 38 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1