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Real Steel is directed by Shawn Levy and collectively adapted to the screen by John Gatins, Dan Gilroy and Jeremy Leven from a Richard Matheson short story called Steel. It stars Hugh Jackman, Dakota Goyo, Evangeline Lilly, Anthony Mackie, Kevin Durand, Hope Davis and James Rebhorn. Music is scored by Danny Elfman and cinematography by Mauro Fiore.

Set in the near future, robot boxing is a big crowd pulling sport. After a struggling robot operator is introduced to an 11-year-old son he has never known, they stumble upon a discarded robot at a junk yard....

We can all moan about the mimicry of an idea and the clichés that dominate Real Steel, but you really got to hand it to the makers for what they have achieved. They have crafted a family film that's very much perfect in this day and age. The story is one that any adult Sylvester Stallone fan can acknowledge and appreciate, the human heartbeat pleasingly steady, while the premise of big colourful robots beating the crap out of each other delights youngsters and us adults who are still young at heart. Film pretty much does what any other film of this type does, lays on the syrup in the last quarter where second chances and family strife come thundering through the plotting. Undeniably it's hugely derivative, events are joystick operated to get an emotional response from a family audience, while product placement reins and the script often sags under the weight of unoriginality. But it does uplift the spirit and getting to the end is easy since it's so much berserker fun. Yes it's the robot Atom, the people's champion, yes it's David vS Goliath and yes! It's Balboa vS Creed. Nothing wrong with that really.

The cast don't really have to offer up much beyond being adequate within the context of the material, though a muscular Jackman finds good paternal chemistry with young Goyo. In fact Goyo is pleasingly not annoying, always a bonus is that. Inevitably the robots are the stars, they're a triumph of design and visual effects and a sight for sore eyes, while Levy has a good handle on staging the fight sequences - even when cribbing from Balboa. The near future look is terrific as well, with Fiore's colour photography very appealing. Coining in over $290 million at the worldwide box office (over £180 million in profit), Real Steel found the family audience it was looking for, proving once again that there is a market for simple and effective popcorn carnage. It's not high art or intelligently scripted, but was anyone seriously thinking that was going to be the case here? If you want brains with this premise then seek out Twilight Zone episode "Steel", starring the excellent Lee Marvin, otherwise just sit back and enjoy the ride and let the botty bots and human interest raise the pulse and gladden the heart respectively. 7/10

Home format release is a sparkling print, extras are annoyingly short but the blooper reel is fun, we get a stunt deconstruction, and we learn about the influence a certain Mr. Spielberg had on the production.

Most of the time, if a film director hits the big time, it's usually that one of his films, early on in his career, has made a huge smash and given him status and power. This is the case for people like Spielberg, Lucas, Coppola, Shyamalan, Cameron, etc... However, if there's one director that has been steadily moving up the ranks of the Hollywood over the past ten years or so, starting out small and tackling on bigger, more ambitious and more prestigious projects as he goes on, it's definitely Canadian filmmaker Shawn Levy.

The man started out directing episodes of Nickelodeon and Disney Channel shows such as Animorphs or The Famous Jett Jackson in the late nineties, moved on to directing kids from those types of shows in their big screen efforts, such as Big Fat Liar and Cheaper By The Dozen and used the success of these films to bag ever more prestigious comedies, from The Pink Panther remake to Night At The Museum to Date Night. And while critics have mocked him and dismissed him, calling him an untalented hack, he has now graduated to a big, science-fiction blockbuster produced by Steven Spielberg himself, Real Steel.

Like a couple of other recent sci-fi releases, I Am Legend and The Box, Real Steel is based on a story by celebrated genre writer Richard Matheson. Well it is actually loosely based, or as the credits put it "partly based" on it. Indeed, Real Steel basically only retains the fact that robot boxers have replaced human boxers in the future from Matheson's story, which is probably a good thing as its twist ending is now so widely known.

Real Steel takes place in the very near future, barely ten years from now. Not much is different other than the fact that robot boxing is one of the most popular sports in the world and the phones, computers & co are much more advanced. Charlie Kenton, played by Hugh Jackman, is a former boxer turned small-time "robot trainer". Constantly in debt, he tours the US in his truck, looking for fairs where he can have his robot fight for cash. Things get complicated for him when the son he never cared about enters his life, finds an old robot in a scrap-heap and decides to have him fight.

Earlier this year, media outlets all over made a big fuss about the fact that Steven Spielberg had produced Super 8, which in their mind made Super 8 as much a Spielberg film as a JJ Abrams film. For some reason no such fuss has been made about the three other films Spielberg personally produced this year, be it Transformers 3, Cowboys & Aliens or Real Steel. Interestingly though, Real Steel is just as Spielbergian as Super 8, if not more. At the world premiere of the film in Paris, Hugh Jackman told us how the film was about a son and his father, and how the young Dakota Goyo is the heart of this film. I initially scoffed at this but when the film ended a couple of hours later I knew he was speaking the truth. The science-fiction robot ass-kicking element of the film is just a sheen under which the real subject shines through: the relationship between a father and his son.

Real Steel is actually a sports movie. The fact that it is about boxing robots is essentially irrelevant and simply serves to give it an identity and a cool factor. It could have been about human boxing, football, baseball, car racing, whatever, and the story wouldn't have changed, which is in my mind one of the film's big strengths. The story of Real Steel isn't particularly original, but it is instead a classic story, that speaks to our primal emotions as human beings. It is a David vs Goliath story that had the packed theater cheering, clapping and reacting like I've seldom seen a movie audience react.

The film is beautiful to look at, the fights are cool and the acting is of high caliber. Danny Elfman's music is effective but not particularly original and will remind you partly of his "emotion theme" for The Kingdom and partly of every sports movie music ever made. The rest of the music is mostly comprised of Eminem songs, apparently the most popular singer in the future. Contrarily to what another reviewer here said, I found the ending to be realistic and hugely satisfying.

The big difference between Super 8 and Real Steel is that while Super 8 is perhaps more enjoyable "in the moment" due to it being more high concept and having more stuff going on all the time, like everything JJ Abrams does it seems to lack in something and is somewhat forgettable. Real Steel, despite featuring many cold, metal robots, as a warm, beating heart at its core and for that I say: well done, Shawn Levy, well done.

I wasn't expecting much when I saw this movie - and I'm not really a fan of movies where kid's are the lead - but, I was pleasantly surprised with this one.

Even though this was a "formula / underdog" type of movie, it had me cheering for Atom, Hugh Jackman was great and so were the cast of characters.

The CGI was excellent, I really connected to the characters, and it was just a fun, guilty-pleasure (c'mon, boxing robots - who DOESN'T want that !) type of movie.

Not quite "A Space Odyssey:2000" but then again, it's not supposed to be.

FUN. ENTERTAINING. GREAT ACTION.

Recommended !

I had low expectations and I am sure many people did so too, however I did rather quite enjoy the movie for various factors in which I will List: Every scene had purpose - No pointless scenes which have no impact on the audience. The Ending - Original and Motivating, showed it had a moral to the story (If you watched the movie, you would know)

HOWEVER, unfortunately the kid put me off immensely. I appreciate his confidence in acting but his screaming and his cheesy lines were just off putting. I also noticed that his technological understanding was ridiculously high, which is rather unrealistic...And that is an understatement.

That being said, I can sense a 'Real Steel 2' and would hope it turns out as good as this first one. Sequels are very hard to perfect especially for this movie, but I digress.

This movie is worth watching and if you plan on watching it, be sure to prepare your tissues.

My response to Real Steel is almost parallel to Hugh Jackman's reaction to the robot fighter Atom in the film. Upon initial advertising and trailers, I wasn't impressed by the film one bit. It looked like another film that glorified the "coolness" of robots, and then tried to tack on a contrived story of a father and son relationship. Never did I believe I'd see it and actually award it a positive score. Just like in the film where Jackman doesn't believe Atom has what it takes to be a successful fighter, and then is greeted with a rude awakening.

The film takes place in the near future, 2020 according to director Shawn Levy, where human boxers have been replaced by large metal monstrosities that do the dirty work while the humans occupy the controls and the commands for them. Charlie Kenton (Jackman), a former boxer, now spends his days using the robots to fight, but finds himself in a rough patch of failures.

After being informed his ex-girlfriend has died, whom he had a child with, Charlie must now take care of the kid for three months until his aunt and uncle return from their second honeymoon. The kid is eleven year old Max, played efficiently by Dakota Goyo. The two meet awkwardly, but experienced moviegoers like myself know that these two will soon become a cheerful father and son duo.

During a junkyard visit where Charlie and Max are searching for new parts for their robot, they stumble upon Atom, a small, yet relentlessly strong bot who is abandoned but still able to fight. They repair him, and then discover that with voice recognition and shadow effect, where the robot mimes the moves of a human) that he is a bot with a strong amount of potential for success. The rest of the film depicts the father and son's efforts to take Atom all the way to the championship.

The digital effects work very well together, and are much more eye appealing than the similar ones used in the Transformers series. For one thing, the fight scenes are coherent, entertaining, and extremely well scored by Danny Elfman, who this time gives us some delightfully different music.

The robots are captured using a variety of digital techniques. Some are animatronic, some are used through motion capture animation, where actors get fitted for special suits and imitate the motions of the character, and some just plain ol' CGI. All of these three techniques are blended very well together, and make for a very entertaining visual spectacle. Even the motion capture isn't as sketchy and glitchy as it normally is. In Ang Lee's Hulk back in 2003 it was clearly jerky and underdeveloped, in Mars Needs Moms, this same year, it was unnecessary and obtrusive, but here, it seems the effects team has gotten their act together.

I think the only fault here is the screenplay. but what makes it a bit better is the fact that the cast approaches it with optimism and the mentality that they will "make it work." Jackman certainly does, pulling off a sleazy, ignorant father who grows to appreciate his son and his job a bit more, and Dakota Goyo, like I said before, hits almost every note just right. The problem is the screenplay hammers us with several movie clichés we've seen many times before. The rags to riches story has shown itself many times, not to mention one's rise from humble beginnings to a successful career. At least Real Steel recognizes the movies it's paying homage to, like the whole end scene that slightly mirrors Rocky.

Director Shawn Levy has successfully made success out of two underdogs; the film itself and Atom. His previous flicks like Just Married and Night at the Museum were lightweight innocent features that failed to include anything on the same level as Real Steel. By the end, the film had given me a feelings I like to possess when I come out of a film I thought was going to be lackluster; reassured and surprised.

Starring: Hugh Jackman and Dakota Goyo. Directed by: Shawn Levy.