Leningrad

After reading the IMDb users comments I was thinking for a long time should I watch this film or not. I started watching as a WWII buff knowing that at least Russian drama school can not be bad and I am pretty much aware of the perfect costumes as bringing to life WWII cities and battles in the Russian movies. I was not wrong. As a matter a fact, there is much more behind this movie than just a common WWII movie. Stunning emotional destiny of few individuals depicts the whole Leningrad WWII passion. I do not like the usual Hollywood softeners used in the film as we are talking about the city whose siege took 1.5 million lives in three years. If you were ever watching the documentaries on the Leningrad Siege you would probably know what I mean. Here, some of the mass scenes look like theater stage. I believe that this should be done more authentic as we are talking about terrible suffering that Russian people lived for the world liberation of Nazis. I know this is not historical movie, but more careful development of the individual suffering and closer approach to survival of main heroes would give better result. Still, dynamic plot is pretty convincing, it involves you on emotional bases not on action base, so I can understand negative reactions of some Hollywood buffs here. All in all, I did like this movie, would recommended it.

If you want to watch it because of the epic war theater - the siege of Leningrad - don't. As a war movie this one is a complete JOKE - from the bad special effects to a director with zero grasp of reality: in one scene 20 Germans are running towards 20 dug in Russians. The Russians counter attack by getting out and running towards the Germans. They shoot once and then they charge, the Germans do the same like a civil war battle and then we have a hand to hand fight of those 40 people?!?!? And that represents the battle at the Leningrad front. You want see more, that's it, that's all, move along to the acting.

Acting - 2nd rate. You will see the 2 stars, Gabriel Byrne and Mira Sorvino tired and going trough the mechanics of acting. Good performance from the kids and Olga Sutulova.

Ohh, but Wait you say! This is a great drama, an epic in human suffering and endurance, thats why i will watch it! Yeah, but this movie does no justice to the Siege of Leningrad where 1.5 million people lost their lives. It barely scratches the surface of the 872 days of bravery, self sacrifice and complete horror that was the siege.

The real problem with the movie is that after watching it i feel angry at an epic story being told to me by amateurs, for that is how it feels at the end. (except the kids and the militia girl)

With a larger budget 'Leningrad' would have been great.

All ingredients are there. Above all, one of the most horrible scenes in history of mankind: the Nazi-siege + deliberate starvation of Leningrad, nowadays St. Petersburg. Russia's second city, renowned for its magnificent architecture. This siege from 1941-'44 caused a few million casualties, and an unending amount of human suffering.

'Leningrad' deserves praise for its research: the wartime Soviet-society from Stalin's days is well reflected. The film also is adequately in touch with the harshness of the North Russian winter. And the almost unparallelled tragedy of this siege comes out beyond doubt.

After this we arrive at 'Leningrad's weak points: its acting is barely adequate, and its shooting no more than mediocre. A severe tragedy like this surely deserves a lot more dignity and respect than shown here.

I have not yet seen the film, but as a World War 2 historian just the previews hit pretty hard ... the scene dramatizing the historical photos of people pulling sleighs with little bodies on them, for example ... and I shall try to find a copy around Oslo to watch, to complete this.

The reviewer who expressed doubt the Russians would mount an unsupported infantry attack across open ground is wrong. In the first years of the war, many Russian lives were wasted in such desperate attacks, often forced at gunpoint by NKVD political commissars.

Defense Minister Voroshilov - one of only two of five prewar Red Army marshals to survive the NKVD purges of the Red Army ordered by Stalin - had been sent to Leningrad to personally defend it, and he personally led one of these desperate counterattacks.

I will be interested to see if there are any sequences of K(limenti)V(oroshilov) tanks rolling out of the Kirov tank works and directly into battle? On my CoatneyHistory webpage, I have a free little boardgame titled Leningrad 1941: the Embattled City, about the early Wehrmacht onslaught (until the Germans shifted panzer and infantry forces to the attack on Moscow), with a dedication to its people.

The theme of my webpages is "The more we learn about the Second World War, the better our chances it will be the LAST world war." We NEVER want another one, and this film looks like it inescapably shows how the innocent - especially children - suffer most.

By the way, the pretty Russian actress who played Natalia in Sergey Bondarshuk's epic 1966 War and Peace film, Lyudmila Saveleva, was born in Leningrad on 24 January 1942, during the worst of the siege and starvation.

Lou Coatney

April 2019:

I have now seen the film, checked out on interlibrary loan here in Norway, and it is exactly as grim as I had expected, showcasing the innocent ... especially children ... starving.

I suspect the improvised armored car rolling out of the Kirov tank factory (which had been evacuated in time, I understand) may have been out of a museum.

The suggestion of intimacy between the female characters recalls the lesbian portrayal of the Russian female sniper (and Eleanor Roosevelt's interest in her) in that film. Female homosexuality seems to be more tolerated in Russia, unlike male homosexuality.

I am reading that Hitler decided not to take the casualties a block-by-block (Stalingrad later) battle would have required, and instead just wanted to starve Leningrad to death. One of those who died ... of malnutrition and disease ... was Vladimir Putin's 3 year old brother Viktor, whom he never knew. Both his parents nearly died in the war - his father on a commando mission from which he was permanently wounded and his mother found by his father already in the morgue, expected to die and somehow brought back to life.

The Nazi invasion of the Soviet Union was a racist war of enslavement and extermination, and its 27 million deaths toll, should be considered and made part of the Nazi Holocaust's total.

After such a holocaust, the Russian people fear another (from the West) just like Jewish people.

Russian filmmaker Aleksandr Buravsky seems to have been chasing Hollywood aesthetics his entire career. His 1995 film SACRED CARGO was filled with B-list American stars and seemed to hide its Russian roots, but with LENINGRAD (aka Attack on Leningard) he's finally got the budget and the balance right. Boasting a huge budget, it looks as good as any American World War 2 drama and stars Mira Sorvino, Gabriel Byrne and Armin Mueller-Stahl. But significantly this is not a film designed strictly to appeal to the international market, LENINGRAD is first and foremost a Russian film. Although at first it seems the Hollywood performers are just window dressing, that does seem to be the case with Byrne and Mueller-Stahl, Sorvino actually plays a key role and shares leading lady duties with native actress Olga Sutulova. Sorvino is a bit miscast as an English journalist (bad accent) stranded in the starving city of Leningard, but delivers a good performance and it's possibly the most credible of the myriad Hollywood Effect movies produced in Russia to date. An interesting story, strong production values and engaging performances make this very satisfying viewing. But those seeking typically macho fare should look elsewhere.