Masjävlar

Comedy at all. Tagged this movie as a comedy is as ridiculous as branding a horror genre movie and tagged it also as a comedy. Sophia Helin looked like the younger sister of the late great actress Maria Schell, and she has proved herself a very talented one just like Ms. Schell. I just love to watch both.

This movie is a very traditional Scandinavian movie, but I was a bit putting off by those female characters in it; too many and so many, blabbering all the time, even they acted so naturally. The plot and the scenario are also too common almost in many similar movies from different countries. If you are a male viewer like me, you might need some patience to sit it through to the end, or you might not be able to resist not to use 'Fast Forward" to skip those blah, blah and blah scenes.

Maria Blom's debut is not bad, but the this movie is so much alike other Swedish movies in this genre. It seems to be a trend in Sweden now to illustrate the countryside and the cultural difference between the city and the country. In "Masjävlar" Mia represents the city, visiting rural Rättvik after 15 years in Stockholm. Still, this is not a bad movie. It is labeled as a comedy, but the tragic side of it develops gradually. The acting is great, all the three sisters are fabulously portrayed, especially Kajsa Ernst as Eivor. If you haven't seen "Grabben i graven bredvid" or "Såsom i himmelen" this movie will be quite enjoyable, if you have seen them, the situation will seem old.

This is an incredible film. I can't remember the last time I saw a Swedish movie this layered. It's funny, it's tragic, it's compelling, and most of all it's a slice of Swedish small town life. It crushes the clichés, and dwells deeper. It makes you feel connected, not only to the main characters, but to all the characters.

Big city girl tracing back to her roots, her small hometown, to celebrate her father's 70th birthday, crossing paths with people she hasn't met in several years. Although the story itself isn't unique, it offers a fresh approach. The center of the story is the relationship between three sisters (on different stages in life), who aren't very close. Or at least don't realize how close they are.

One key reason that makes it so easy to connect to the people in this film is the immaculate cast. First, I'm more than pleased about the fact that there are absolutely no so-called 'A-list' Swedish actors in this film. Usually there is a handful of actors that has the ability to find their way into almost every major production in Sweden. This time the production company managed to keep it real by casting actors who actually seem to love their profession. Sofia Helin is probably the first Swedish actress since Eva Röse to prove that you don't need words to convey an emotion.

The writing is also very appealing. The dialogue is more than believable, and compared with other Swedish films from the past year or two, it's ahead by miles. Maria Blom controls everything from the beginning, and if you didn't know, you would never guess that this is her first time writing AND directing a feature length film. I can't wait for her next one.

Once you start watching this, you really want to see it through.

The movie takes place in a little Swedish town where everybody knows each other. Here Mia visits her parent for the birthday of her father, a which occasionally always have some kind of tragedy, the question is just what will it be this year, and you will be surprised... It is an extremely well composed movie, with a story which has a perfect balance of humor and seriousness, which is rarely seen. You get happy, you get hurt, and basically everything in between. Finally you can't help falling in love with Mia(if you are a boy I guess(the main actress)) She is an extremely well chosen actress, as a lot of the other actors/actresses.

Enjoy

Just saw this movie today at the Seattle International Film Festival, and enjoyed it thoroughly.

Great writing and direction, excellent and believable interaction among the cast, and great comic timing as well.

This movie touches on themes that are universal-family and separation. As a result, I can see European, Asian, and American audiences all finding points of similarity between this film and their own lives.

If all that wasn't enough, this has the potential to be the best underground date movie of the year...somebody distribute this in the USA, please!

Finally: thank you Maria Flom! It really is a great film.