O Clube da Feliz Idade

A wonderful film for everyone but how satisfying to see one made for, with and by the over 50 set. Boynton Beach Club adeptly deals with the major life themes of love and loss, the awkwardness of starting over and the resilience of the human spirit at any age. The stellar ensemble cast brought honesty, humor and empathetic discomfort to the real world dilemma's that come with internet dating and single's groups or that anxious first date feeling that is the same whether you are 16 or 60. Sudden widowhood not only forced the spouse to see themselves in new roles but confronted their children with looking at them as people, perhaps for the first time, rather than the role of mom or dad that they had been locked into for decades. Some very refreshing role reversal too. This is an all too rare opportunity to see a fine group of thespian's in roles that are worthy of them and of the audience. I hope this is the first of many to come. If a movie can make the boomer's a little less apprehensive about the impending golden years this is the one. If a movie can make the next generation look at boomer's and seniors more like vibrant people than relics this is the one. You will laugh and sigh and maybe cry when you see this movie. But more importantly you will vote with the only thing Hollywood understands these days, your dollars. Let them know we want more movies like this, we will pay to see them and we have more time and money to spend at the movies than the 20 year old's they seem to exclusively cater to. I will see this movie again and this time I'm taking the kids!

Most of the reviewers here have rightfully stated that this is perhaps the ONLY movie made in the last 30 years about senior citizens in which they are not lampooned. That's true, to its credit. None of them so far though has called out the singular achievement of the film, and that is its very realistic and romantic treatment of Sally Kellerman and Len Cariou's night of passion. American audiences are extremely prejudiced against showing sexuality among its older population, as if it didn't exist. It does, and it does in this movie. Oh,and by the way: Sally Kellerman, at 68 years old, does nudity in the film, thus making her the most senior American actress ever to have done so. Brava, Sally!

This is a movie the allows an older person to still believe there is a future. Romance can come to the over 40 set and be wonderful. Len Cariou is great and believable as is the ensemble cast. Great movie. The story is the human strain and the cast lets you into the human feeling of the senior community of Florida. However, the story is universal.

I recommend this to anyone over the age that they think it's "all over" when you age. This is a forever young movie. I laughed and cried.

My only regret is that it is in limited distribution. It should be shown in the large multiplexes and get a wider audience.

"Old age is not a disease—it is strength and survivorship, triumph over all kinds of vicissitudes and disappointments, trials and illnesses." Maggie Kuhn

Our perception of seniors in the media has recently been formed by Jerry Seinfeld's parents in a Florida retirement community. They and their aging friends are unrelentingly argumentative, early-bird dining Jewish retirees who look and act old. Susan Seidelman's Boynton Beach Club, however, will have none of that old stereotyping.

As if they were older siblings of the emerging boomer solipsists, these seniors are generally vital, best exemplified by Dyan Cannon's lithesome body but suspiciously tight face, Sally Kellerman's lean and sensual mien, and Brenda Vaccaro's vulnerable enthusiasm. All have reason to be down, for they have lost their spouses but are gaining friends to share their grief with and possibly their lives. Enter the objects of their search for companionship, among others, Joe Bologna's Harry and Len Cariou's Jack, the former a self-proclaimed ladies' man, the latter a shy recent widow lacking skills to cope with mature women.

Unlike the seniors in Mrs. Palfrey at the Claremont, Manna from Heaven, In her Shoes, and Golden Girls, the principals in Boynton Beach only occasionally resort to jokes about their age or ailments and prescription drugs, the ties that bind elderly everywhere but here are minimized by one reference to Viagra and one to old men who are not even ogling women when they drool. Here the seniors are actively living and loving, something the rest of the world does as well.

This dramedy is as satisfying as an afternoon drink on the veranda with a favorite granddaughter, at which happy occasion there is cause to celebrate being alive and connected between generations with nary a nod to senility.

I saw this movie, shown to a packed house and introduced by the director, Susan Seidleman, at the Philadelphia Film Festival. The audience, including me, loved it. It's funny and touching. It's so rare that a movie portrays the lives and especially loves of the older generations with anything approaching this level of authenticity and charm. Wonderful performances by people you love and don't see enough of. The movie used music to excellent effect as well. A bit of trivia -- the director's mother, who lives in the real Boynton Beach development for "active seniors," suggested the story and actually wrote the first draft of the screenplay as well as produced the movie.