Heidi

I went to this movie on a whim, in a fit of nostalgia. I remembered reading the book 'Heidi' as a little kid. And I had fond memories of the old black and white movie, with Shirley Temple. This newest version, with the inimitable Max von Sydow, is earnest, and basically well-meaning. It is true to the book as well. I remembered from all those years ago the passage in the book where the grandfather serves his newly arrived granddaughter roasted goat cheese. Sure enough, in this movie, as soon as she shows up at his mountain place, he roasts up a batch of cheese for her.

The satisfaction of seeing a few little details like that aside, this is really kind of a lackluster production. Maybe I overestimated the appeal of a revisit back to my childhood? Maybe it is such a children's story that it could have, for me as an adult, no appeal any longer. Whatever the reason, this production felt more like a 'visual aid' to the book, as shown in a third-grade classroom, than a proper movie. Its production values and dramatic sweep felt more like a TV movie, and one from the 1980s or 1970s, at that.

Nothing is missing. The scenery, the costumes, and the actors are all fine. But dang--- nothing about it drew me in, and I was bored out of my mind. I had to slip out after 45 minutes of it. Maybe kids will like it?

To keep this short & succinct: An awesome retelling of Spyri's novel, with minor deviations from the original story.

This (Paul Marcus' 2005) version of 'Heidi' starts with a gripping psychological intensity which it maintains throughout the duration of the film. To some degree this intensity is conveyed by the excellent shot composition evident during the entirety of the production, which masterfully captures both the geographic & emotional context of the narrative. The main credit however must go to Emma Bolger, whom I can only describe as a true prodigy of her craft.

One would expect fine performances from such practised professionals as Rigg, Chaplin & von Sydow, but it is only when the final credits roll that it becomes apparent how stunning Bolger's performance really is. This is a film where one does not need to suspend disbelief in order to be enveloped & caught up by the narrative, instead it is a truly superb synthesis of cast & crew working harmoniously to produce something truly valuable.

Do yourself a favour & see for yourself.

I wasn't looking forward to going to this film with my two young daughters. The reviews hadn't all been good.

It starts slow and stays at a similar pace throughout but it is beautifully done. If you were watching it on DVD at home, it may not hold your attention but in the cinema its pure charm is irresistible. Good acting throughout and some amusing set pieces.

My seven-year-old rates it her favourite ever film or TV program and as it has dislodged 'The Incredibles' and 'Arthur' respectively, that is praise indeed. My four-year-old also enjoyed it tremendously.

I'm very glad I saw it and would recommend it to any family. Heidi doesn't get to fight off any aliens or learn ninja skills from her grandfather but stories as good as this have a place for every generation.

As soon as I seen this picture, I remembered an animated older version of Joanna Spryii's story of the Swiss orphan girl Heidi. Even though the 1937 Shirley Temple Version still stands out for a stellar performance, this version is very decent and adaptable when it comes to touching drama. The choice for Heidi's grandpa could of not been better portrayed by Sweedish screen legend Max Von Sydow. He brings a lot of respect to the character in difference with the portrayal Jason Robards Jr. did in the 1995 Disney version. Though Robards did fairly good, at times I laughed when others considered him a monstrous old bum. Von Sydow is too meek for that type of comment. His aura and decades of experience may have saved this film. Good thing he portrayed Christ back in 1965 in The Greatest Story Ever Told.

Naturally, there have to be changes when a book is made into a film. But traditionally most of the alterations are cuts made either by taking out minor characters or shortening a long scene or a series of scenes. But in this film they actually added a few things that make no sense at all. Whoever had the idea of making the grandfather come into the village to sell his cheese obviously does not know anything about him. This man does not wish any contact with the people who despise and malign him. And where would he get all that cheese from 2 measly goats?

Another problem is Miss Rottenmeier. Of all the Heidi films I have seen, only the Shirley Temple version presented her as really bad. In most of the others as well as in the book she was just very strict and did not even try to understand the child. However, in this movie she seems quite nasty and full of hate.

One of the reviewers commented on Heidi's hair, and I have to agree. No child of that day would have been allowed to have her hair hanging around so untidily.

While the Alpine locations are beautiful, the fancy neighborhood in Frankfurt is definitely a poor choice. From the windows of the elegant Sesemann house one looks at several dilapidated buildings with plaster coming off the walls in huge slabs.

All in all, in spite of these shortcomings, I'm giving the movie 7 stars, mostly for the writer Johanna Spyri and to the mountain scenery.