Head Trauma

I've seen a lot of low-budget horror films and most are mediocre at best. This is the exception. First of all, it has an unusual story line, not your average vampire or monster, or mad slasher either. And though not high-tech, the effects are skillfully executed. I found it to be both scary and intriguing. Some moments were genuinely frightening.

George (Vince Mola) is suffering from a head injury and it has affected his brain. He is having scary visions. He shows up at his dead grandmother's old house which he inherited but which has been condemned by the city. George wants to fix it up and live there. The house is dilapidated and spooky enough, but George's visions are getting worse and strange things are happening at night. We don't know if he's becoming mentally ill, if he's haunted by the ghost of his dead grandmother or if he's recovering memories from his past. George doesn't know either and goes about trying to find answers in his rather disorganized, mentally compromised way.

Mola is just right for the part of the confused George. The atmosphere is perfect and I was impressed with the considerable skill with which the story unfolds. This film is definitely worth viewing on a rainy evening.

I'm always on the prowl for a great undiscovered indie. So many are made, so few live up to their promise. Open Water and the Blair Witch Project, while marketable and financially successful, did not feel like professional efforts. They were not engrossing, the writing was simplistic at best, and most people I've spoken with were left unsatisfied.

Head Trauma is an example of smooth masterful direction, coupled with logical and clever writing that turns what could've been just another rushed indie effort, into something much more satisfying. I was very pleasantly surprised. On the downside, the lead actor, while satisfactory, clearly isn't a professional. At the same time, he might be just be effective enough to keep the film afloat.

The film moves at a slow deliberate pace, and managed to keep me engrossed the entire running time. Some of the scare moments are very effective, and the ending, is far more logical than any of the resent Hollywood entries to the horror genre.

Highly recommended.

George Walker is moving into his grandmother's old house. While fixing it up he suffers a head trauma which causes him to have weird dreams and visions. These weird visions are actually a link to his past. In the wrong hands this story could come out just plain silly but director Lance Weiler does a good job with his low budget. I liked the look and feel of the movie and there were some pretty scary moments. The acting was even decent especially from Mary Monahan who plays Mary, a love interest of George's who doesn't quite have the same feeling for him. The interactions between George and her are actually realistically written and well acted. There are even some well done special effects that these low budget movies usually stay away from. I'd be curious to see what new projects this director is working on. Over all this is good stuff!

Head Trauma is about a man who suffers a head trauma while cleaning out his grandmother's condemned house, which results in bizarre nightmares that begin to bleed over into the waking world.

Very well-written, well-directed, and ties things up perfectly at the end. It has some thematic elements similar to the recent invasion of Japanese horror movies (in particular, a mysterious girl with black hair whose back is always to the protagonist/camera), but whereas those have all been disappointing and seem to have just latched onto a scary image without making any effort to justify it, in Head Trauma every strange and scary image actually fits into the story, and it all makes sense in the end.

After a twenty year absence, drifter George Walker (Vince Mola) returns home to settle his grandmother's estate. As if awakening from a long dream, he finds his childhood home condemned and littered with the remnants of squatters.

Rue Morgue named this the best indie feature of 2006, and it received generally positive reviews. "This effective, atmospheric chiller seeps into your fear center like damp rot," says Colin Covert of the Minneapolis Star Tribune. Oddly, the critics are contrasted by viewers, who largely called the film "boring".

Despite being a short film, I can understand why some see it as boring. This is the classic "slow burn", and it is admittedly very light on the horror. Aside from a few visions, the most traumatic thing that happens is a man returning to his home town and realizing how much everyone annoys him.

While not a bad film, it probably falls more into the drama category than the horror category, so I would not recommend it for anyone who wants the blood and guts.