Adicionar um enredo no seu idiomaAfter 20 years away, George returns to handle his grandmother's estate. A head injury at his condemned childhood home sparks nightmares and visions, leading him to believe something wants hi... Ler tudoAfter 20 years away, George returns to handle his grandmother's estate. A head injury at his condemned childhood home sparks nightmares and visions, leading him to believe something wants him dead.After 20 years away, George returns to handle his grandmother's estate. A head injury at his condemned childhood home sparks nightmares and visions, leading him to believe something wants him dead.
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Josh Cramer
- City Official On Phone
- (narração)
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- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
George is a troubled homeless man, returning home after 20 years. And to an empty house trashed by squatters and host to terrifying visions of violence. On a seemingly Sisyphean quest to clean up the house and earn it a reprieve from municipal demolition, George is more effective at uncluttering an old mystery.
Head Trauma is a great indie with plenty of moodiness. The alcoholic loner, George Walker could have been rendered with repellent creepiness; yet Vince Mola is superb at playing him as a sympathetic victim of horrific circumstance. The rest of the performances range with varying success.
Unfortunately - as is true of so many low-budget movies - sound design replaces any music, and it's mixed to push the visual scares. At the same time, one strains to hear the dialogue, which could have been recorded through a box of Kleenex.
The bleak cinematography is well-shot, though the visions are over-tweaked with After Effects. But no matter how much effort was put into the visual editing, we are still missing considerable back-story. And that's a serious omission given the ending.
All in all, it's worth a watch.
Head Trauma is a great indie with plenty of moodiness. The alcoholic loner, George Walker could have been rendered with repellent creepiness; yet Vince Mola is superb at playing him as a sympathetic victim of horrific circumstance. The rest of the performances range with varying success.
Unfortunately - as is true of so many low-budget movies - sound design replaces any music, and it's mixed to push the visual scares. At the same time, one strains to hear the dialogue, which could have been recorded through a box of Kleenex.
The bleak cinematography is well-shot, though the visions are over-tweaked with After Effects. But no matter how much effort was put into the visual editing, we are still missing considerable back-story. And that's a serious omission given the ending.
All in all, it's worth a watch.
Really enjoyed this film. I know it's a low budget horror film but it's one of the best I've seen in a while. Good acting, music, editing, photography and directing. There are a few scenes that the acting wasn't as strong as the rest of the film but they are short and the rest of the film makes up for it. The story is engaging for the 84 minutes. I found some of the scenes very creepy and well crafted. The ending was a surprise and I didn't see it coming but it was a nice twist. I wonder when we are going to see the director , directing bigger budget films? Hopefully soon. Gets me excited to make another film.
8celr
I've seen a lot of low-budget horror films and most are mediocre at best. This is the exception. First of all, it has an unusual story line, not your average vampire or monster, or mad slasher either. And though not high-tech, the effects are skillfully executed. I found it to be both scary and intriguing. Some moments were genuinely frightening.
George (Vince Mola) is suffering from a head injury and it has affected his brain. He is having scary visions. He shows up at his dead grandmother's old house which he inherited but which has been condemned by the city. George wants to fix it up and live there. The house is dilapidated and spooky enough, but George's visions are getting worse and strange things are happening at night. We don't know if he's becoming mentally ill, if he's haunted by the ghost of his dead grandmother or if he's recovering memories from his past. George doesn't know either and goes about trying to find answers in his rather disorganized, mentally compromised way.
Mola is just right for the part of the confused George. The atmosphere is perfect and I was impressed with the considerable skill with which the story unfolds. This film is definitely worth viewing on a rainy evening.
George (Vince Mola) is suffering from a head injury and it has affected his brain. He is having scary visions. He shows up at his dead grandmother's old house which he inherited but which has been condemned by the city. George wants to fix it up and live there. The house is dilapidated and spooky enough, but George's visions are getting worse and strange things are happening at night. We don't know if he's becoming mentally ill, if he's haunted by the ghost of his dead grandmother or if he's recovering memories from his past. George doesn't know either and goes about trying to find answers in his rather disorganized, mentally compromised way.
Mola is just right for the part of the confused George. The atmosphere is perfect and I was impressed with the considerable skill with which the story unfolds. This film is definitely worth viewing on a rainy evening.
Director Lance Weiler and his co-writer, Brian Majeska, obviously love ghost stories. And it shows in their movie HEAD TRAUMA, because you can spot all the scenes from other popular creepy ghost stories like THE CHANGELING, THE GRUDGE, THE RING and even...GHOST STORY. But the difference between TRAUMA and any other shoestring-budgeted effort that would simply rip off those other films, is that Weiler has a strong visual sense, and a clear vision of how to tell the story in a way that makes perfect sense. He also fortunately has a pretty darn good cast to get the audience involved.
Homeless drifter George Walker (Vince Mola) finally returns to his late grandmother's house, once he learns that it has been condemned and will soon succumb to the wrecking ball. A not-too-friendly meeting takes place between George and Julian (Jamil A.C. Mangan), resulting in a bad fall for George in which he sustains the titular injury. Julian is then volunteered to help with cleaning the house by his grandmother, Ms. Thompson, (Meryl Lynn Brown), the former next-door neighbor to George's grandmother.
But what is already a difficult task is about to get a lot harder, as George, who is now staying in the house, begins to experience some pretty vivid nightmares. Haunted by visions of a sinister hooded figure, the hanging body of a dead girl and a fiery car crash, George is beginning to question his own sanity. Has something terrible happened in the house since his grandmother's death? Is someone trying to send him a message from beyond the grave? Is it the work of an antagonistic neighbor who wants to see the house destroyed? Or is George really losing his mind? HEAD TRAUMA draws you in and challenges you to answer these questions as George tries to, leading up to an ending that may either satisfy your curiosity, or present more questions to be answered, depending on your point of view.
In any case, it's a very strong effort from Weiler, and one I would definitely recommend for lovers of good, ghostly mysteries with a twist.
Homeless drifter George Walker (Vince Mola) finally returns to his late grandmother's house, once he learns that it has been condemned and will soon succumb to the wrecking ball. A not-too-friendly meeting takes place between George and Julian (Jamil A.C. Mangan), resulting in a bad fall for George in which he sustains the titular injury. Julian is then volunteered to help with cleaning the house by his grandmother, Ms. Thompson, (Meryl Lynn Brown), the former next-door neighbor to George's grandmother.
But what is already a difficult task is about to get a lot harder, as George, who is now staying in the house, begins to experience some pretty vivid nightmares. Haunted by visions of a sinister hooded figure, the hanging body of a dead girl and a fiery car crash, George is beginning to question his own sanity. Has something terrible happened in the house since his grandmother's death? Is someone trying to send him a message from beyond the grave? Is it the work of an antagonistic neighbor who wants to see the house destroyed? Or is George really losing his mind? HEAD TRAUMA draws you in and challenges you to answer these questions as George tries to, leading up to an ending that may either satisfy your curiosity, or present more questions to be answered, depending on your point of view.
In any case, it's a very strong effort from Weiler, and one I would definitely recommend for lovers of good, ghostly mysteries with a twist.
Nicely done indie from out of left field. I wasn't sure what I was watching at first, was it supposed to be horror? Drama? Thriller? It begins a bit on the slow side, but quickly starts to set a nice pace and pulls you into the story. Quite different looking visually by independent film standards, it is presented as a dismal existence for the main character "George", who is played wonderfully by actor Vince Mola. I found his acting refreshing and quite believable, as he is not your typical leading man, but rather a portrait of a 30 something slacker set against a horrifying reality. Jamil Mangan and Mary Monahan are equally convincing in their supporting roles and help the story unfold in a believable fashion. Director Lance Weiler seems to have a knack for only showing the viewer as much as needed at any given moment, then turning on all cylinders and pushing forth the horror. Very much in the same realm as "Stir of Echos", "Head Trauma" is a well crafted ghost story that delivers the scares on an ever changing plate of circumstances.
Você sabia?
- CuriosidadesSteve Garvey former bassist of the Buzzcocks plays bartender Steve.
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Detalhes
Bilheteria
- Orçamento
- US$ 126.000 (estimativa)
- Tempo de duração1 hora 24 minutos
- Cor
- Proporção
- 1.78 : 1
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By what name was Head Trauma (2006) officially released in Canada in English?
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