Adicionar um enredo no seu idiomaAfter 20 years away, George returns to handle his grandmother's estate. A head injury at his condemned childhood home sparks nightmares and visions, leading him to believe something wants hi... Ler tudoAfter 20 years away, George returns to handle his grandmother's estate. A head injury at his condemned childhood home sparks nightmares and visions, leading him to believe something wants him dead.After 20 years away, George returns to handle his grandmother's estate. A head injury at his condemned childhood home sparks nightmares and visions, leading him to believe something wants him dead.
- Direção
- Roteiristas
- Artistas
Josh Cramer
- City Official On Phone
- (narração)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Here's another pretty unique horror film, that you don't see much about. Here is the synopsis; After a 20 year absence, drifter, George Walker, returns home to settle his grandmother's estate. As if awakening from a long dream, he finds his childhood home condemned and littered with the remnants of squatters. In the midst of trying to save his past, George falls and strikes his head, triggering an onslaught of vivid nightmares and waking visions. As the horror intrudes on George's reality, his conviction grows that someone or something is trying to kill him.
The movie moves at a slow pace but builds up the tension very nicely, and begins to get disturbing as hell. George's nightmares and visions are indeed horrific, and until the end, it appears the story has moved into the supernatural. There is a couple of pretty good scares which add to the fun, and the movie reminded me in a strange way of "Schramn", not the story but the way the movie moves along. The good thing, is after it is all over, everything makes sense and explained in full, so you don't go away from the movie shaking your head. With a super low budget, the filmmakers used their money well, and created a memorable exercise in psychological horror. The movie came highly recommended to me, and now I recommend it too.
The movie moves at a slow pace but builds up the tension very nicely, and begins to get disturbing as hell. George's nightmares and visions are indeed horrific, and until the end, it appears the story has moved into the supernatural. There is a couple of pretty good scares which add to the fun, and the movie reminded me in a strange way of "Schramn", not the story but the way the movie moves along. The good thing, is after it is all over, everything makes sense and explained in full, so you don't go away from the movie shaking your head. With a super low budget, the filmmakers used their money well, and created a memorable exercise in psychological horror. The movie came highly recommended to me, and now I recommend it too.
8celr
I've seen a lot of low-budget horror films and most are mediocre at best. This is the exception. First of all, it has an unusual story line, not your average vampire or monster, or mad slasher either. And though not high-tech, the effects are skillfully executed. I found it to be both scary and intriguing. Some moments were genuinely frightening.
George (Vince Mola) is suffering from a head injury and it has affected his brain. He is having scary visions. He shows up at his dead grandmother's old house which he inherited but which has been condemned by the city. George wants to fix it up and live there. The house is dilapidated and spooky enough, but George's visions are getting worse and strange things are happening at night. We don't know if he's becoming mentally ill, if he's haunted by the ghost of his dead grandmother or if he's recovering memories from his past. George doesn't know either and goes about trying to find answers in his rather disorganized, mentally compromised way.
Mola is just right for the part of the confused George. The atmosphere is perfect and I was impressed with the considerable skill with which the story unfolds. This film is definitely worth viewing on a rainy evening.
George (Vince Mola) is suffering from a head injury and it has affected his brain. He is having scary visions. He shows up at his dead grandmother's old house which he inherited but which has been condemned by the city. George wants to fix it up and live there. The house is dilapidated and spooky enough, but George's visions are getting worse and strange things are happening at night. We don't know if he's becoming mentally ill, if he's haunted by the ghost of his dead grandmother or if he's recovering memories from his past. George doesn't know either and goes about trying to find answers in his rather disorganized, mentally compromised way.
Mola is just right for the part of the confused George. The atmosphere is perfect and I was impressed with the considerable skill with which the story unfolds. This film is definitely worth viewing on a rainy evening.
Really enjoyed this film. I know it's a low budget horror film but it's one of the best I've seen in a while. Good acting, music, editing, photography and directing. There are a few scenes that the acting wasn't as strong as the rest of the film but they are short and the rest of the film makes up for it. The story is engaging for the 84 minutes. I found some of the scenes very creepy and well crafted. The ending was a surprise and I didn't see it coming but it was a nice twist. I wonder when we are going to see the director , directing bigger budget films? Hopefully soon. Gets me excited to make another film.
Head Trauma is about a man who suffers a head trauma while cleaning out his grandmother's condemned house, which results in bizarre nightmares that begin to bleed over into the waking world.
Very well-written, well-directed, and ties things up perfectly at the end. It has some thematic elements similar to the recent invasion of Japanese horror movies (in particular, a mysterious girl with black hair whose back is always to the protagonist/camera), but whereas those have all been disappointing and seem to have just latched onto a scary image without making any effort to justify it, in Head Trauma every strange and scary image actually fits into the story, and it all makes sense in the end.
Very well-written, well-directed, and ties things up perfectly at the end. It has some thematic elements similar to the recent invasion of Japanese horror movies (in particular, a mysterious girl with black hair whose back is always to the protagonist/camera), but whereas those have all been disappointing and seem to have just latched onto a scary image without making any effort to justify it, in Head Trauma every strange and scary image actually fits into the story, and it all makes sense in the end.
Nicely done indie from out of left field. I wasn't sure what I was watching at first, was it supposed to be horror? Drama? Thriller? It begins a bit on the slow side, but quickly starts to set a nice pace and pulls you into the story. Quite different looking visually by independent film standards, it is presented as a dismal existence for the main character "George", who is played wonderfully by actor Vince Mola. I found his acting refreshing and quite believable, as he is not your typical leading man, but rather a portrait of a 30 something slacker set against a horrifying reality. Jamil Mangan and Mary Monahan are equally convincing in their supporting roles and help the story unfold in a believable fashion. Director Lance Weiler seems to have a knack for only showing the viewer as much as needed at any given moment, then turning on all cylinders and pushing forth the horror. Very much in the same realm as "Stir of Echos", "Head Trauma" is a well crafted ghost story that delivers the scares on an ever changing plate of circumstances.
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- CuriosidadesSteve Garvey former bassist of the Buzzcocks plays bartender Steve.
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Detalhes
Bilheteria
- Orçamento
- US$ 126.000 (estimativa)
- Tempo de duração
- 1 h 24 min(84 min)
- Cor
- Proporção
- 1.78 : 1
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