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IMDbPro

Razões para a Guerra

Título original: Why We Fight
  • 2005
  • PG-13
  • 1 h 38 min
AVALIAÇÃO DA IMDb
8,0/10
10 mil
SUA AVALIAÇÃO
Razões para a Guerra (2005)
Home Video Trailer from Sony Pictures Home Entertainment
Reproduzir trailer1:53
1 vídeo
31 fotos
Documentário de históriaDocumentário militarDocumentário políticoDocumentárioGuerraHistória

No mesmo estilo de Sob a Névoa da Guerra... Produzido em meio à segunda guerra do Iraque, trata-se de uma agressiva análise das forças que alimentam a máquina militar norte-americana por mai... Ler tudoNo mesmo estilo de Sob a Névoa da Guerra... Produzido em meio à segunda guerra do Iraque, trata-se de uma agressiva análise das forças que alimentam a máquina militar norte-americana por mais de meio século e suas consequências globais.No mesmo estilo de Sob a Névoa da Guerra... Produzido em meio à segunda guerra do Iraque, trata-se de uma agressiva análise das forças que alimentam a máquina militar norte-americana por mais de meio século e suas consequências globais.

  • Direção
    • Eugene Jarecki
  • Roteirista
    • Eugene Jarecki
  • Artistas
    • Gore Vidal
    • John McCain
    • Ken Adelman
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,0/10
    10 mil
    SUA AVALIAÇÃO
    • Direção
      • Eugene Jarecki
    • Roteirista
      • Eugene Jarecki
    • Artistas
      • Gore Vidal
      • John McCain
      • Ken Adelman
    • 107Avaliações de usuários
    • 137Avaliações da crítica
    • 68Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 4 vitórias e 3 indicações no total

    Vídeos1

    Why We Fight
    Trailer 1:53
    Why We Fight

    Fotos31

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    Elenco principal48

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    Gore Vidal
    Gore Vidal
    • Self
    John McCain
    John McCain
    • Self
    Ken Adelman
    Ken Adelman
    • Self
    John Ashcroft
    John Ashcroft
    • Self
    • (cenas de arquivo)
    Osama bin Laden
    Osama bin Laden
    • Self
    • (cenas de arquivo)
    George Bush
    George Bush
    • Self
    • (cenas de arquivo)
    George W. Bush
    George W. Bush
    • Self
    • (cenas de arquivo)
    Robert Byrd
    Robert Byrd
    • Self
    • (cenas de arquivo)
    Frank Capra
    Frank Capra
    • Self
    • (cenas de arquivo)
    Dick Cheney
    Dick Cheney
    • Self
    • (cenas de arquivo)
    Joseph Cirincione
    Joseph Cirincione
    • Self
    Bill Clinton
    Bill Clinton
    • Self
    • (cenas de arquivo)
    Anh Duong
    • Self
    Gwynne Dyer
    • Self
    Dwight D. Eisenhower
    Dwight D. Eisenhower
    • Self
    • (cenas de arquivo)
    John S.D. Eisenhower
    • Self
    Susan Eisenhower
    • Self
    Donna Ellington
    • Self
    • Direção
      • Eugene Jarecki
    • Roteirista
      • Eugene Jarecki
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários107

    8,010.4K
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    Avaliações em destaque

    9ulfdahlen

    Very interesting and revealing, but not complete

    As a European I've wondered about America's preoccupation with war and military. Most Europeans oppose military solutions, even when there's a good case for it, probably because of our history of many, many bloody wars.

    This movie explains the historic, financial and political reasons for America's enormous military spending (but I'm still left wondering why the people of USA want it).

    Eisenhower's farewell speech was very insightful. I had no idea he had seen the dangers already 40 years ago. Using this speech as the base, the filmmaker looks at how the military-industrial establishment has grown to enormous proportions. The military is a part of American society in a way completely different from most European countries.

    I would like to see a sequel to this movie, dealing more with American society, perhaps contrasting it with some other big countries (England, France, Germany).
    10gsmed

    Go See This Film!

    As a viewer of this movie at the premier last year in Park City, I was deeply impacted about the truth and objective reporting that this movie tries to portray about our country and the logical (and historical) progression that lead us to war. When Jarecki was asked in PC why he did not release the film during the election, he steadfastly stated that the film was not about Bush bashing, but was about trying to show the American public how democracy works, (both pro and con). I do not usually get worked up about a film or politics, but after viewing this film a year ago, I have talked about it continuously and it's lessons to all who are willing to listen. I steadfastly believe that this film should be shown in the classroom to educate, and perhaps forewarn our youth about being vigilant of our sometimes overreaching capitalistic tendencies. This is coming from an individual who has enjoyed the bounties of capitalism, but got a wakeup call. GO SEE THIS FILM!
    9ApocalypseLater

    thought provoking

    The negative reviews of this film seem to center around "those arrogant, hypocritical Europeans." If any of these reviewers had done their research, they would know that Jarecki is a New Yorker. Just because the film takes a firm stance against America's militarism does not mean that Mr. Jarecki is European.

    Why We Fight is a superb complement to Errol Morris' Oscar-winning Fog of War. Morris took indirect shots at George Bush II by showing a Lyndon Johnson speech referring to Vietnam as "a war against tyranny and aggression." In that speech, Johnson also reiterated, "We won't leave until the job is finished." Sound familiar?

    Jarecki picks up where Morris left off, more directly highlighting the similarities between Vietnam and the present conflict in Iraq. There are most certainly differences, but the parallels cannot and MUST NOT be ignored if the American people are to have any hope of learning from our government's past and present missteps. Most significantly, Jarecki shows how each conflict was escalated through a lie (Gulf of Tonkin/WMD) and nonsensical pro-freedom rhetoric from the government and the media.

    Unlike Michael Moore's poorly constructed Farenheit 9/11, Jarecki does not limit the scope of the film to simplistic Bush team bashing. That's not to say this is absent from the film; Jarecki is obviously anti-Bush and left-leaning. However, he successfully illustrates how all of our elected representatives, Republicans and Democrats, are influenced by the Industrial-Military Complex.

    You cannot fight a war against an abstraction (i.e. War on Terror, War on Communism, War on Drugs, War on Crime, et al). People are the true targets of wars. Declaring war without officially declaring it and abusing words like freedom and liberty are just ways of dehumanizing the conflict, and if we dehumanize war, we will never stop fighting.

    This is a film that everyone in America should see, and if it is truly so enraging to the right-wingers, I would challenge them to make a comparable documentary defending the Iraq War. I would gladly watch it to see their side of the coin.

    "We will bankrupt ourselves in the vain search for absolute security." - Dwight D. Eisenhower

    "If tyranny and oppression come to this land, it will be in the guise of fighting a foreign enemy." - James Madison

    "The Department of Defense is a behemoth...With an annual budget larger than the gross domestic product of Russia, it is an empire." - The 9/11 Commission Report
    10david-2011

    A framework of understanding: Why We Fight compared to Fahrenheit 9/11

    I was disappointed with Michael Moore's Fahrenheit 9/11. As someone with deep concerns about American foreign policy specifically and the direction of American culture and discourse generally, I thought that movie generated more heat than light. It did not spark conversation; it extinguished it. Yeah, I think Bush and his cronies are doing indelible harm to America, but I felt like I was being asked to swallow large gulps of rhetorical kool-aid and endorse a somewhat histrionic script in order to appreciate what Moore was saying. It turned off a lot of other people too -- people who might have been able to come away with some new perspective on current political dynamics, but for a tone befitting Fox news (in reverse) were unable to see past the Bush-bashing.

    Why We Fight is everything that F9/11 is not. Where F911 told, WWF explains. Where F911 ridicules, WWF allows items of fact speak for themselves. Why We Fight makes the assumption that its audience is educated and capable of examining multiple facets of an issue without resorting to unnecessarily polar characterizations of people or ideas. Just to be clear: WWF's take on these issues is unmistakable, but if F911 is a declaration, WWF is fundamentally a question.

    Why We Fight asks its audience to consider Eisenhower's presidential farewell address, and amount of it he devoted to warning against the rise of the "military-industrial complex," coining a new phrase.

    "This conjunction of an immense military establishment and a large arms industry is new in the American experience. The total influence -- economic, political, even spiritual -- is felt in every city, every State house, every office of the Federal government. We recognize the imperative need for this development. Yet we must not fail to comprehend its grave implications. Our toil, resources and livelihood are all involved; so is the very structure of our society." (1961)

    Viewers of Why We Fight are consistently returned to this warning as they are reminded of the last fifty years of American military conflicts.

    We are introduced to an ex-NYPD cop, Vietnam vet and father of a 9/11 victim who wants revenge on the bastards who killed his son. We meet an Air Force Lt. Colonel who resigned her post in intelligence at the Pentagon when political urgencies began to warp and distort her work of 20 years. The pilots who dropped the first bombs on Baghdad in 2003 talk about their mission. We hear commentary from think-tankers Bill Kristol and Richard Perle, and candid reservations about American military power from Senator John McCain. All have something valuable to say about the conflict in which the United States is engaged.

    Fundamentally Why We Fight asks questions of involvement and influence: who are the players, what are their interests, and what are the stakes? It's not about one man, a group of men, or a political party. There are no conspiracy theories; merely a serious question. How much military might is necessary? Given the amount of money spent on defense, the number of jobs the industry provides, the numbers of congressmen in office due to contracts being brought home to their constituents, should we be concerned how the business of war drives the politics for war? Are the needs of a defense corporation different than those of humans? Who is in control, and how much power should they have?

    On the surface, the movie is about how we got into Iraq. Deeper, it is asking what the future holds: American military supremacy? For how long? How long did the English or the French or the Soviets hold on to their hegemonies? Just how did we get from Iranians, Jordanians and Frenchmen proclaiming "we are all Americans" in the days following 9/11, to being seen around the globe as the single biggest threat to peace in the world? Can we ever get back?

    Richard Perle makes a statement I found chilling largely because I find it hard to disagree. He says something to the effect of, "people think that you can just elect a new man to office, and everything will change. It's already a different world. We have already changed." The degree of truth of that statement is worthy of debate, and that's why I wholeheartedly recommend this movie.
    10gracie28

    A compelling overview of American militarism

    The best film on the subject we've seen. Comprehensive, sweeping, factual; it covers many points of view but it is always the facts that rivet us and help us understand. "Why We Fight" clearly explains the reasons, starting with World War II right up to Iraq. The film features many luminaries, including the two US pilots who launched the first bomb strike on Baghdad, Senator John McCain, retired CIA experts, pentagon experts and ordinary citizens. The cinematography is first rate. The archival footage is rare and choice. The clips from Dwight D. Eisenhower are relevant and compelling. Highly recommended. Make sure you see this movie either in theaters or on DVD when it becomes available. It may still be playing on HBO. Worth going out of your way for this documentary.

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    • Citações

      Joseph Cirincione: In some ways, the military-industrial complex may become so pervasive that it is now invisible. This is about, you know, ideas and influence and what's safe for your career. Being seen in opposition to strong defense policies is a liability. Not just for a politician who wants to run for president, but for an expert who wants to make a name in town, or a journalist who wants to get his or her story on the front page of the paper. In this way, restricting the level of discussion to this rush for war.

    • Conexões
      Featured in The Daily Show: Eugene Jarecki (2006)
    • Trilhas sonoras
      Not Dark Yet
      (uncredited)

      Written and performed by Bob Dylan

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    • How long is Why We Fight?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • janeiro de 2005 (Estados Unidos da América)
    • Países de origem
      • Reino Unido
      • França
      • Dinamarca
      • Canadá
      • Estados Unidos da América
    • Central de atendimento oficial
      • Sony Classics (United States)
    • Idiomas
      • Inglês
      • Árabe
    • Também conhecido como
      • Why We Fight
    • Empresas de produção
      • ARTE
      • BBC Storyville
      • British Broadcasting Corporation (BBC)
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 1.439.972
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 53.571
      • 22 de jan. de 2006
    • Faturamento bruto mundial
      • US$ 1.439.972
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 38 min(98 min)
    • Cor
      • Black and White
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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