AVALIAÇÃO DA IMDb
5,8/10
33 mil
SUA AVALIAÇÃO
Depois de deixar seu emprego, Olivia está insegura sobre seu futuro e seus relacionamentos com seus amigos bem sucedidos e ricos.Depois de deixar seu emprego, Olivia está insegura sobre seu futuro e seus relacionamentos com seus amigos bem sucedidos e ricos.Depois de deixar seu emprego, Olivia está insegura sobre seu futuro e seus relacionamentos com seus amigos bem sucedidos e ricos.
- Direção
- Roteirista
- Artistas
- Prêmios
- 2 vitórias e 2 indicações no total
Avaliações em destaque
I would watch it weekly without fail. The characters are 3D, their lives interesting, the dialog graceful and funny...so why was I so disappointed by and frustrated with this movie? Because there just needed to be more. The short running time compacts all the problems and situations down to bare essentials, and there is too much going on for this film to skim across the surface the way it does. I guess the point is to show us a snapshot of these people at a very specific point in their lives, and then move on. The more-than-able cast certainly helps--particularly Frances McDormand, who can do more with just her eyes and mouth than most actors can with a page of script (just watch the way she looks at everything around her--especially other people). And while I am a huge fan of 70s-style non-endings, I admit that this movie's abrupt stop (after a very convenient and pat wrap-up) left me with an "Eh" kind of feeling. While it is certainly watchable and interesting AS FAR AS IT GOES, this movie is no "Walking and Talking." Have you seen that movie? "W and T" is absolutely brilliant, another small portrait of long-time female friends, but because it narrows its scope to two characters in a particular situation (one's wedding), it achieves all the depth and poignancy and hilarity that "Friends with Money" lacks. If "F w/ M" were a TV series, if it fully explored the characters' lives and situations in some depth and detail, I'd be its #1 fan. Maybe the DVD will include deleted scenes (say about 40 or 50) and the movie will finally feel complete.
Not only is this not a groundbreaking film, it's not a particularly pleasant, or enjoyable one either. It centers around a group of early 40s-somethings who hate their lives, their spouses and their place in the world. The casting of Aniston is strange, as she is easily 10 years younger then her circle of friends.
While you'd think that the film is trying to state "happiness has nothing to do with how much money you have", the opposite appears to be true as the more elevated couples do have less problems. And, if fact, all of Aniston's problems are seemingly solved when she manages to snag a wealthy (albeit slacker) guy herself. While the three married couples do have children, they don't add anything to the story, as they seem more like convenient accessories than meaningful relations. While that may be a creative choice, the fact that it runs across all three couples identically makes me inclined to believe it's just sloppy, two-dimensional screen writing. None of the story lines are brought full circle and the entire exercise feels like a long death march towards irrelevance. Several interesting notions are addressed, but none closely examined or fully developed. While there are poignant moments and some nice creative decisions (i.e. allowing the actors to look their age), this genre has been mined before to better results (i.e. "Grand Canyon").
While you'd think that the film is trying to state "happiness has nothing to do with how much money you have", the opposite appears to be true as the more elevated couples do have less problems. And, if fact, all of Aniston's problems are seemingly solved when she manages to snag a wealthy (albeit slacker) guy herself. While the three married couples do have children, they don't add anything to the story, as they seem more like convenient accessories than meaningful relations. While that may be a creative choice, the fact that it runs across all three couples identically makes me inclined to believe it's just sloppy, two-dimensional screen writing. None of the story lines are brought full circle and the entire exercise feels like a long death march towards irrelevance. Several interesting notions are addressed, but none closely examined or fully developed. While there are poignant moments and some nice creative decisions (i.e. allowing the actors to look their age), this genre has been mined before to better results (i.e. "Grand Canyon").
The women were awesome however the script seemed a bit incomplete and the story ended abruptly. Frances MacDormand is amazing. A feel good movie with a sweet undertone.
Friends With Money is a quirky and shallow interpretation of friends, relationships and the ever present views on wealth. Although at times it seems to skim over certain issues that are produced, the overall movie left me with a confused contentment. It didn't answer all the questions and left it decidedly up to the audience to figure out and is possibly a good mirroring of life itself- sometimes things aren't just resolved and we are left to our imaginations to decide how we want it to end. Although many people did not recommend the movie, I found it was a beautiful epitome of a more modern indie film that the main actors rise spectacularly to. Jennifer Aniston (whom I must admit is not one of my most favorite actresses at the moment following her box-office bombs) plays a smaller role but does so in an unimposing way, and allows the other great cast to have their fair share of the movie as well. Altogether, I found it confusing at times and yet agreeable in the end. Not for the pickiest of film critics, this movie is to be enjoyed whilst in a more airy state of mind. Enjoy and try to look at the movie as more of an art- not just any old movie.
"Friends with Money" is Americana the sit-com way: it is about older, (much) more monied, West Coast clones of TV's loathsome "Friends." Although it appears a slow-mo imitation of Woody Allen at his talkiest, the film does well. The reason: a quartet of actresses having a ball.
Nicole Holofcener's script and direction are merely OK: a medium-funny, not very insightful soap about three couples and a single woman (Jennifer Anniston), who is younger than her six friends, jobless, aimless, sloppy and rather annoying. Of the three husbands, only Simon McBurney is outstanding, but he really is, the English actor turning in a wonderful performance as a super-nice metrosexual.
Anniston does her best, which here works better than in any of her other roles. But "Friends with Money" is worth seeing because of - in order - Frances McDormand's huge star turn, with her unsuppressed rage turning into petty, ordinary rudeness; Catherine Keener, sleepwalking through affluence; and Joan Cusack, as a nice mega-rich woman without guilt or troubling thoughts.
The pace is glacial and steady; after a while, the film settles into a pleasant, moderately quirky flow, until a sudden and inconclusive end. Through it all, performances are to be enjoyed, and in McDormand's case, treasured. Never again will you be able go without washing your hair and not think of Frances McDormand.
Nicole Holofcener's script and direction are merely OK: a medium-funny, not very insightful soap about three couples and a single woman (Jennifer Anniston), who is younger than her six friends, jobless, aimless, sloppy and rather annoying. Of the three husbands, only Simon McBurney is outstanding, but he really is, the English actor turning in a wonderful performance as a super-nice metrosexual.
Anniston does her best, which here works better than in any of her other roles. But "Friends with Money" is worth seeing because of - in order - Frances McDormand's huge star turn, with her unsuppressed rage turning into petty, ordinary rudeness; Catherine Keener, sleepwalking through affluence; and Joan Cusack, as a nice mega-rich woman without guilt or troubling thoughts.
The pace is glacial and steady; after a while, the film settles into a pleasant, moderately quirky flow, until a sudden and inconclusive end. Through it all, performances are to be enjoyed, and in McDormand's case, treasured. Never again will you be able go without washing your hair and not think of Frances McDormand.
Você sabia?
- CuriosidadesThe Farmer's Market sequence was shot guerrilla style, with permits, but without extras. Most of the people are real shoppers, and many of them didn't notice that Frances McDormand and Jennifer Aniston were among them. However, members of the paparazzi still managed to slip in, trying to get shots of Aniston.
- Erros de gravaçãoWhen Olivia follows Mike into a restaurant, clearly visible behind her is a Grip/Gaffer Flag on a stand blocking light in front of the window. The flag is noticeable in two shots and disappears in one.
- ConexõesReferenced in The Making of 'Friends with Money' (2006)
- Trilhas sonorasHillbilly Song
Written by Rickie Lee Jones
Performed by Rickie Lee Jones and The X Position Group
Published by Easy Money Music (ASCAP)
Courtesy of Rickie Lee Jones
Principais escolhas
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- How long is Friends with Money?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Amigos con Dinero
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 6.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 13.368.437
- Fim de semana de estreia nos EUA e Canadá
- US$ 637.000
- 9 de abr. de 2006
- Faturamento bruto mundial
- US$ 18.245.244
- Tempo de duração1 hora 28 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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