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IMDbPro

The Perfect Sleep

  • 2009
  • R
  • 1 h 39 min
AVALIAÇÃO DA IMDb
4,4/10
1,2 mil
SUA AVALIAÇÃO
The Perfect Sleep (2009)
Trailer for this noir-ish thriller
Reproduzir trailer2:05
2 vídeos
19 fotos
AçãoDramaRomanceSuspense

Adicionar um enredo no seu idiomaAgainst the backdrop of a noirish dreamscape, a tortured man returns to the city he swore he would never return to, in order to save the woman he has always loved yet can never have.Against the backdrop of a noirish dreamscape, a tortured man returns to the city he swore he would never return to, in order to save the woman he has always loved yet can never have.Against the backdrop of a noirish dreamscape, a tortured man returns to the city he swore he would never return to, in order to save the woman he has always loved yet can never have.

  • Direção
    • Jeremy Alter
  • Roteirista
    • Anton Pardoe
  • Artistas
    • Anton Pardoe
    • Anthony Dilio
    • David Beck
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    4,4/10
    1,2 mil
    SUA AVALIAÇÃO
    • Direção
      • Jeremy Alter
    • Roteirista
      • Anton Pardoe
    • Artistas
      • Anton Pardoe
      • Anthony Dilio
      • David Beck
    • 18Avaliações de usuários
    • 18Avaliações da crítica
    • 27Metascore
  • Veja as informações de produção no IMDbPro
  • Vídeos2

    The Perfect Sleep
    Trailer 2:05
    The Perfect Sleep
    The Perfect Sleep
    Trailer 2:19
    The Perfect Sleep
    The Perfect Sleep
    Trailer 2:19
    The Perfect Sleep

    Fotos19

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 12
    Ver pôster

    Elenco principal62

    Editar
    Anton Pardoe
    • The Narrator
    Anthony Dilio
    Anthony Dilio
    • Walter
    • (as Anthony Dee)
    David Beck
    • Walter's Goon
    Ken Clark
    • Walter's Goon
    Ryan Fitzgerald
    • Walter's Goon
    James Hart
    • Walter's Goon
    • (as Jimmy Hart)
    Roselyn Sanchez
    Roselyn Sanchez
    • Porphyria
    Denyse Tontz
    Denyse Tontz
    • Young Porphyria
    Scout Alter
    • Young Narrator
    Frank Bruynbroek
    Frank Bruynbroek
    • Young Nikolai
    Scarlett Chorvat
    Scarlett Chorvat
    • Tatiana
    Daniel Goddard
    Daniel Goddard
    • Sergei
    Dmitri S. Boudrine
    Dmitri S. Boudrine
    • Kolya
    • (as Dimitri Boudrine)
    Stefan Pardoe
    • Ganya
    Said Bakouch
    • The Maharajah
    Brandon Kumar
    • Young Rajah
    Pasha D. Lychnikoff
    Pasha D. Lychnikoff
    • Vassily
    • (as Pavel Lynchnikoff)
    Cameron Daddo
    Cameron Daddo
    • Rogozhin
    • Direção
      • Jeremy Alter
    • Roteirista
      • Anton Pardoe
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários18

    4,41.1K
    1
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    10

    Avaliações em destaque

    5djkaspar

    Fair is Fair

    I've just finished watching this... it's in my VLC player for two days. The main reason why it took me so long to go through it is that I find things that I love about it, and on the other hand I find things that I can't believe are so very poor and almost make vomit... and so this dichotomy makes the movie a hard piece to swallow.

    I'll try to name a few of the negative aspects first:

    1. The plot line seems confused and overly complex, and the poor graphic details of the movie make it pale and uninteresting to look at (which, if it where not the case, could help create interest on the viewer's part to keep pace with the strange and intricate family drama)

    2. There are hardly any other actors apart from the characters; this means there are little to no extras, no population, no sense of society... all it looks like is a void and empty sequence of dark scenarios with little to no discerning features whatsoever... Making the whole thing a little too often look like a sequence of amateur theater shoots. In other words, the director and producers did not bother to put any effort into making the environment of the film credible. It isn't at any time delivering any kind of veracity to the possibility of the story ever finding an imaginable realm where it could take place.

    3. Things don't seem too thought out. The main character is a prince, or some kind of bastard descendant of a ruler... but he does not behave like one. You can hardly piece together how he lived his life, why he is hunted down (right at the beginning), or why is his brother convinced that he is somehow responsible for his father's death. I mean... it doesn't feel like a noble family's intuitive dynamic at all, certainly not like the type on a Dostoievsky novel.

    4. It looks like it's a student project, because the acting is so over the top, on a few of the parts... Other, elder, actors are brilliant. The difference is astounding. There seems to be no effort to push the younger actors into delivering a real credible performance. It feels very strange.

    OK, on to the good parts:

    1. The dialogs. They really present a vocabulary experience that is close to film noir classics, and and times is so poetic and powerful that it actually makes you think of Russian novels. It seems to be very well written throughout, but poorly executed. I almost need to close my eyes to the sad spectacle of the movie, to listen to the character's amazing discourse on some parts. The main character is poorly crafted, I thought... It lacked coherence in it's actions, some real sense of integrity, I feel the way it is both shown and interpreted is very silly, exaggerated and completely nonsensical.

    2. Some of the acting is amazing, Tony Amendola especially! I rarely see such talent in an actor... he was the only one (maybe alongside Patrick Bachau) that picked up the text and brought it to a credible output... and he stands out brilliantly.

    3. The fighting. Well, I thought fights here would be ridiculous... in the context of the dramatic feud that takes place through the plot. But in the end, they are quite contrary, almost the best this film has to show. They seem well rehearsed, well executed and choreographed, and look pretty cool. Too bad the scenarios in which they take place are so lame, and incoherent... Where it not for that, the fight scenes would be some of the most consistent I've seen.

    4. The sense of sympathy. The core idea of this film seems to be so appealing, I can almost imagine this script beating the crap out of a Frank Miller adaptation of Sin City. I can compare this title to "The Spirit"... "The Spirit" has a million dollar budget, looks brilliant, but it's absolutely horrible (week and whack storyline, terrible acting, horrendously tedious and terrible directing), but "The Perfect Sleep" - if it had better and more consistent casting and directing - and the visual investments of "The Spirit" could have been a fabulous work of art. It feels like something that should be re-done by some serious experts, because I believe there would be much better ways of delivering the script.

    In the end, it's hardly worth watching unless you don't have anything better to do. I hope this helped... My vote of 5 goes to the writers and the initial concept that could have been brilliantly executed, to the idea that could have been... And an incentive to Pardoe, who imagined it, to learn from this experience and do better next time.
    4vlad-mitrache

    Can't believe some people actually liked this

    This is the first time I feel the need to comment on IMDb, to write some sort of a review and, as it so often happens, it's not because of a really excellent film, but a truly appalling one.

    Take the narrating style the youngest might relate to the Max Payne video game series, a cast of virtually unkonwns (which is not a bad thing in itself), poor dialogs, some dark scenes but not many enough, and make a film out of it. Don't worry about the bad acting, the length (way too long), the lack of immersion (the lead character has to be one of the lest interesting I've seen in a long time - couldn't care less if he died) or the often ridiculous solutions they find to certain problems the lead character finds himself in.

    I wouldn't have written anything if it hadn't been for another review here, giving it 10 stars. I gave it four, but maybe three is closer to what I feel about it. Not only do I not wish to see it again, but the mere thought of it takes me dangerously close to wanting to kill myself. Oh, and a so called noir film is nothing without a good soundtrack - not the case here. The ending song sounds like it was more suitable to a western movie.

    It's not romance, it's not action, it's not noir, it's not good. That would be my review if it weren't for the minimum of 10 lines.
    1thomas998

    The most self indulgent film I have ever seen.

    Imagine Diane from Cheers, the self centered over intellectualizing character, now imagine she was trying to make a film moire movie. This would be it. If you just looked at some of the shots without any sound you would think Hmmm.. this could be a good film.

    Now if you turn on the sound and listen for anytime at all you quickly realize that the person that made the film knows nothing about films beyond what they read in a book. I was continually thinking is this thing a foreign film, it was that bad.

    If you don't remember Cheers, then think of Mr. Beans Holiday... remember the DeFoe character that made the horrible movie... well imagine that horrible movie without Mr. Bean saving it. That is what this movie is. I'm not saying anything about what the movie is other than it is an attempt to make a dark moody film about a hit-man going back home.... at least that's about all I could get out of it.
    gordon-hamilton

    Awful!

    I would say the narration was inane but, that would mean it had to have sense or substance, which it didn't.

    The storyline was little more than that contrived by a ten year old boy with constipation while sitting on the pot.

    If we still had coal fires we could use the lacklustre script and wooden acting to light the fire.

    If vitality is the characteristic which distinguishes living things from nonliving things, we may now bury this and not bother with a wake.

    I would like to say that this digital diatribe had no redeeming features at all but, it does have one, a visual one, and that is the beauty of Roselyn Sanchez.
    1wolter-hunter

    Worst. Film Noire. Ever.

    Film Noire is a genre that requires a certain level of tact, cleverness, intellect, and imagery. This movie has none of that, though they really tried hard with the imagery.

    It's the kind of movie that your cousin Marky the dump truck driver, who's always talking about how he's going to make it big in the movies someday, would make.

    The dialogue is wooden and lifeless. The visuals, while obviously expensive to make, are the work of a director who has tried to be clever and failed miserably due to a severe lack in cerebral ability. The acting ranged from sub-par to just plain bad. The story might have been salvaged by a real writer and director, but I suspect that such people would not have touched it with a barge pole.

    About 1/4 of the way through, I noticed striking similarities with the scene in Sim0ne where Viktor, desperate to be rid of his actress, makes the world's worst movie. I figured I'd check IMDb to see if a similar effect has occurred in this movie, and to my surprise it has. I'd almost be tempted to give a 2 out of 10 just because it's exposed the pretentious groupies, but I won't. It's that bad.

    Interesses relacionados

    Bruce Willis in Duro de Matar (1988)
    Ação
    Mahershala Ali and Alex R. Hibbert in Moonlight: Sob a Luz do Luar (2016)
    Drama
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    Romance
    Cho Yeo-jeong in Parasita (2019)
    Suspense

    Enredo

    Editar

    Você sabia?

    Editar
    • Erros de gravação
      At about ten minutes and eighteen seconds into the film, The Narrator is awoken by a car horn outside the "warehouse". He gets up, on his knees, using the cane for support. Then the camera switches to a shot of Walter laying on the ground, his cane visible and also lying on the ground. In the next shot, Walter's cane is in The Narrator's hand again.
    • Citações

      Keller: [dying] You won't find what you're looking for, the Rajah will get you.

      Dr. Sebastian: Sssh, as I've opened the flood-gates of your very mortality, my I suggest that you quickly choose one subject to dwell on instead of many? I certainly wouldn't recommend you worry about work at this point.

    • Conexões
      Featured in Do Not Go See the Perfect Sleep (2009)
    • Trilhas sonoras
      The Haunted Theater
      Written and Performed by Greg Kuehn

      Courtesy of Peligro Music

    Principais escolhas

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    Detalhes

    Editar
    • Data de lançamento
      • 13 de março de 2009 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Central de atendimento oficial
      • Official site
    • Idioma
      • Inglês
    • Também conhecido como
      • Прекрасный сон
    • Locações de filme
      • Los Angeles, Califórnia, EUA
    • Empresa de produção
      • Unified Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 39 min(99 min)
    • Cor
      • Color
    • Proporção
      • 2.35 : 1

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