Juventude Rebelde

As a black girl living in London, I saw how this film portrayed real life. In the scenes at the beginning, in the school, I could relate fully to the events. People may not think that it truly represents black people, or schools in London, I beg to differ. You obviously have not been in a bad enough school. The language used in the film, the slang, is a part of life now. I look at schools on the telly and wish that I do not have to call everyone 'blud'. If I do not, I will get beaten up for 'trying to be white'. Kidulthood was a fantastic film, showing, yes, a different way of life, but a true representation of it. It was actually quite unnerving at how similar life is for my community to that of the film.

I am not sure why this film is getting so many poor ratings. It is an excellent piece of film-making with a cracking script, fine performances and imaginative direction. A real eye opener that deserves a wide audience.

The movie has sparked some controversy in the UK for 'glorifying' the violence, sex and drugs portrayed but that is rubbish, this is essentially a deeply moral tale at heart.

Mark Kermode gave it a very sensible and measured review on his Radio 5 slot and I am in agreement with him.

I predict that a number of the actors in Kidulthood will go on to bigger things. A group of talent to watch.

A bold and brave film, that never pulls any punches. A group of teenagers living very negative lives see the suicide, due to bullying of a school friend and the schools closure as an excuse for a day out the streets. Some of the characters are implicit in her fate, but refuse to see their culpability. Utterly selfish and shallow, many may think that these kids deserve nothing from society they abuse at every turn. Its adults who despise and are frightened by them are mere counterpoints throughout the film. An English version of KIDS but without the horrible voyeurism?? Do these kids deserve better from society? Do they a represent a threat to society itself? These kids may be horribly violent, disrespectful, but are incredibly believable. They cannot see outside the confined personal friendships and conflicts, but we are left with a genuine sense of loss and despair at the end of the film. A remarkable and striking British film

Like one of the other reviewers on this site I am going to vote 10 out of 10 for Kidulthood to try to redress the anomaly of its incredibly low score. Something is surely wrong with the IMDb system when most of the reviews on the site are positive yet the film has such a low rating. Anyway I thought Kidulthood was a very realistic 'urban streetkids' film which captured perfectly the style, speech and violence that happens every day around London's inner city schools. I thought the acting was absolutely fine especially considering the age of most of the actors - have those criticising the actors actually seen the way that teenage kids behave because I think they were all very believable. The film was tense, violent and gripping and is a nice London take on the issues of teenage gang violence.

STAR RATING: ***** The Works **** Just Misses the Mark *** That Little Bit In Between ** Lagging Behind * The Pits

When a girl who has suffered horrific bullying at school commits suicide, it leaves 15 year old Trife (Aml Ameen) and his two friends with the day off school. Trife starts the day by learning the unwanted news that his on-off girlfriend is pregnant and the baby might be his. Frustrated at hearing this, he sets off with his friends and embarks on a day of increasingly dangerous mischief. Juxtaposed with their story is that of his girlfriend, her qualms about keeping her baby and her moral free mate willing to do anything to score money and drugs. Their paths are set to collide and result in a devastating climax.

Kidulthood has that look and feel of a film out to shock (it managed a 15 certificate, but it must have only just scraped it!) If it's painting a picture of what life is really like for chavvy kids like this living on housing estates in inner-city areas, then the film manages to leave an even more downbeat and depressing taste in the mouth than it already did. It's well-acted enough, with a good lead in Ameen (who I recognized as Officer Lewis from The Bill-wouldn't have thought he'd come off as a 15 year old though) and a decent supporting cast, including an attractive presence in Madeleine Fairley (but, what can I say, a chavette's a chavvete!) It has a fine soundtrack, too, including some notable work from Mike Skinner and The Streets. It's far from a bad film, as it is, too, it's just so relentlessly bleak and with little in the way of humour and light that it never manages to come off as a truly enjoyable experience in any way. Still, it delivers what it says and more. ****