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IMDbPro

Nosso Amor do Passado

Título original: Conversations with Other Women
  • 2005
  • R
  • 1 h 24 min
AVALIAÇÃO DA IMDb
6,9/10
13 mil
SUA AVALIAÇÃO
Nosso Amor do Passado (2005)
Home Video Trailer from Canalplus
Reproduzir trailer1:58
1 vídeo
13 fotos
ComédiaDramaRomance

Adicionar um enredo no seu idiomaWhen a man and woman flirt with each other at a wedding reception, the sexual tension seems spontaneous. As they break from the party to a hotel room, the flirtation turns into a night fille... Ler tudoWhen a man and woman flirt with each other at a wedding reception, the sexual tension seems spontaneous. As they break from the party to a hotel room, the flirtation turns into a night filled with passion and remorse.When a man and woman flirt with each other at a wedding reception, the sexual tension seems spontaneous. As they break from the party to a hotel room, the flirtation turns into a night filled with passion and remorse.

  • Direção
    • Hans Canosa
  • Roteirista
    • Gabrielle Zevin
  • Artistas
    • Helena Bonham Carter
    • Aaron Eckhart
    • Yury Tsykun
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,9/10
    13 mil
    SUA AVALIAÇÃO
    • Direção
      • Hans Canosa
    • Roteirista
      • Gabrielle Zevin
    • Artistas
      • Helena Bonham Carter
      • Aaron Eckhart
      • Yury Tsykun
    • 64Avaliações de usuários
    • 351Avaliações da crítica
    • 62Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 3 vitórias e 4 indicações no total

    Vídeos1

    Conversations With Other Women
    Trailer 1:58
    Conversations With Other Women

    Fotos13

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    Elenco principal22

    Editar
    Helena Bonham Carter
    Helena Bonham Carter
    • Woman
    Aaron Eckhart
    Aaron Eckhart
    • Man
    Yury Tsykun
    Yury Tsykun
    • Bartender at Wedding
    Brian Geraghty
    Brian Geraghty
    • Groom
    Brianna Brown
    Brianna Brown
    • Bride
    Thomas Lennon
    Thomas Lennon
    • Videographer
    Erik Eidem
    Erik Eidem
    • Young Man
    Nora Zehetner
    Nora Zehetner
    • Young Woman
    David Franklin
    David Franklin
    • Bartender in Bar
    Olivia Wilde
    Olivia Wilde
    • Bridesmaid
    Cerina Vincent
    Cerina Vincent
    • Sarah the Dancer
    Philip Littell
    • Jeffrey the Cardiologist
    Rozanne Sher
    Rozanne Sher
    • Girl on Street
    Veronica Reyes-How
    Veronica Reyes-How
    • Girl on Street
    • (as Veronica Reyes)
    Emily Fernandez
    • Girl on Street
    Noah Abrams
    Noah Abrams
    • Partygoer
    • (não creditado)
    Will Carter
    Will Carter
    • Wedding DJ
    • (não creditado)
    Madison Davenport
    Madison Davenport
    • British Girl
    • (não creditado)
    • Direção
      • Hans Canosa
    • Roteirista
      • Gabrielle Zevin
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários64

    6,913.4K
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    Avaliações em destaque

    8gradyharp

    A Nice Creative Stretch in Film Making

    Hans Canosa makes a strong debut with Gabrielle Zevin's intelligent screenplay (read two character dialogue) CONVERSATIONS WITH OTHER WOMEN and while some viewers may be distressed about his choice of use of the split screen presentation, Canosa's decision to be the editor of the film makes a strong argument for his artistic decision. We are able to not only see ell sides of the characters physically, but we are also allowed to step into the 'private space' created by each of the characters, a space that grows in meaning as the film proceeds. For this viewer it enhances the story.

    It would be difficult to imagine two finer actors than Helen Bonham Carter and Aaron Eckhart to pull off this story. Bonham Carter has flown in form London as a last minute replacement bridesmaid for an old friend and is bored by the wedding until she encounters Aaron Eckhart whom we soon learn is the bride's brother. But coincidences don't stop there: soon the couple decide to have a night together and as they begin to share their current uncomfortable lives they recall that they were young lovers (well played by Erik Eidem and Nora Zehetner in flashbacks) and more than likely were married as first marriages.....but to say more would ruin the repartee that these two brilliant actors enjoy playing against each other.

    Canosa manages to create a solid interplay between his actors and then capitalizes on the gifts of each by placing them in simultaneous and revealing views that more that provides his rationale for using the split screens as his technique. Bonham Carter is more beautiful than ever and proves she is one of our finest actresses on film, seen far too seldom these days. CONVERSATIONS WITH OTHER WOMEN is a sly look at relationships that slowly creeps up on you as you learn the secrets of each character. It is a fine piece of film-making! Grady Harp
    8postmanwhoalwaysringstwice

    heart wrenching & romantic

    Given the way the story is told, "Conversations with Other Women" plays out as somewhat of a romantic mystery demanding a slow, selective unraveling by a keen audience. It follows two deliberately unnamed characters (a man and a woman) through the latter part of a wedding reception and holds on them through their evening together. Earlier works like Richard Linklater's duo "Before Sunrise" and "Before Sunset" come instantly to mind. Although it might not literally be conveyed in real time, there's such immediacy to the conversation that ensues. Like Linklater's films the dialogue heavy film never feels overbearing and stage-like, possibly due to the writing and possibly due to the visual technique that will no doubt color many reviews and comments about the film. It's told with a constant use of split-screen, in an attempt to present two perspectives. Mostly the use of this style assists with pacing, and never fully follows through on the promise of conveying opposing story lines. Regardless the choice to use split-screen never becomes flashy, like it did in when it came into vogue in the mid-1960s, but it does seem more fueled by digital ability than narrative necessity. Whether it's this curious technique, the impressive performances of Aaron Eckhart and Helena Bonham Carter, or the subtle screen writing, "Conversations with Other Women" seems to effortlessly become one of those quickly cherished works that demands you hang onto every word, every gesture. It's really a beautiful work and has the potential to become a classic love story couples and hopeless romantics will go to for years to come. But it very likely won't.
    8Galina_movie_fan

    "There are no happy endings in our future."

    The film stats as a casual meeting of a man (Aaron Eckhart) and a woman (Helen Bonham Carter) on the wedding banquet in a New York City Hotel. They seem to know each other and used to be close once. Now she is married to a doctor, the cardiologist, and lives in London. He has a steady girlfriend, a "23 on August 12" Broadway Show Dancer. They seem to like each other and flirt innocently while drinking champagne, smoking (she is) and dancing. But gradually, apparently forgotten or hidden very deep inside feelings come back to life so intensely that they might (or not) change a man's and a woman's lives again.

    This is my kind of film, with only two main characters, with the subtle interaction between them, when we have to rely more on their body languages, their eyes, their facial expressions than to the words that they say to each other. "Conversations with Other Women" is a riveting, bittersweet, honest, and realistic movie about making choices, losses, and regrets. Two people used to be the one world which had split years ago leaving them not just on the different continents but on the different halves of the screen. The film brings to mind Before Sunrise of course but its atmosphere is more sober and melancholic. It is not about possibility of future together, it is all about past. Both actors are excellent. The split screen technique works perfectly for the whole duration of the film. It is a very well made and creative indie picture which I enjoyed watching.
    8aanhang

    A light hearted romance with serious undertones

    The flirtation starts off innocently enough.Using the split screen is a brilliant device for flashbacks.

    Of course, the flirtation turns out to be the rekindling of an earlier romance, which is what this movie is all about. These people knew each other in an earlier life, having had a childhood fling.

    Juxtaposing one's early life against the conservative patterns that we all seem to be heir to, is at the heart of the movie.

    No doubt all of us sometime try to imagine what life would have been if one's first love had been pursued.

    This movie answers that question - you can't go home again. There was a good reason why the first one did not last, but one has to relive it to understand it.

    That is the theme of this movie.Well done. Good acting. A beautiful actress, and a handsome lead man.
    8entrpy24

    Highly recommended for lovers of character development and exploring life's complexities

    This movie's character development runs more like a play than a film and contains really excellent performances by Helena Bonham Carter and Aaron Eckhart. I was initially worried the split-screen effect would be distracting and irritating, however, not so! Splitting the screen allows the viewer to watch each actors performance in more depth, see bits and pieces from the past, as well as what the characters each might be imagining. I'll avoid spoiling any plot details, but will say the performances really do justice to the complexities of romantic relationships. Highly recommended for lovers of character exploration and exploring life's complexities.

    Enredo

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    • Curiosidades
      The film contains 117 visual effects shots, all of which are designed to be "invisible". When the Visual Effects Supervisor, Kwesi Collisson, solicited bids from VFX houses, he received an initial estimated VFX budget of over $1 million, followed by a $400,000 "low budget" estimate. Mr. Collisson decided to execute all of the effects himself, spending four months using Adobe After Effects and Shake software to complete the necessary shots.
    • Erros de gravação
      The last scene is supposed to be set at 4am, but the natural light is more like 8am or later.
    • Citações

      Woman: The illusion of effortlessness requires a great effort indeed.

    • Cenas durante ou pós-créditos
      After the actor credits in the opening, the remainder are shown with the attribute (e.g., "Casting by") under/after the name (e.g., Bllly Hopkins). This is the opposite of the norm, where the attribute is always on top/before.
    • Conexões
      Featured in 2006 Independent Spirit Awards (2006)
    • Trilhas sonoras
      Le plus Beau du Quartier
      Music by Carla Bruni

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    Perguntas frequentes20

    • How long is Conversations with Other Women?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 18 de maio de 2007 (Reino Unido)
    • Países de origem
      • Reino Unido
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • MK2
      • With Cinema (South Korea)
    • Idioma
      • Inglês
    • Também conhecido como
      • Conversations with Other Women
    • Locações de filme
      • Los Angeles, Califórnia, EUA
    • Empresas de produção
      • Gordonstreet Pictures
      • Prophecy Pictures Ltd.
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 450.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 379.418
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 66.157
      • 13 de ago. de 2006
    • Faturamento bruto mundial
      • US$ 982.814
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 24 min(84 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital

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